伊三朗の英語

第三種と同筆または同系統の筆跡としては、粘葉本（でっちょうぼん）和漢朗詠集（三の丸尚蔵館蔵）、元暦校本万葉集巻一（東京国立博物館蔵）、伊予切（和漢朗詠集の断簡、諸家分蔵）、蓬莱切（未詳歌集の断簡、諸家分蔵）、法輪寺切（和漢朗詠集写本の断簡、諸家分蔵）などがある。例文帳に追加

Examples of brushwork in the same or closely related hand as that of the calligrapher of the third style include the Deccho manuscript of the Wakan roeishu (owned by the Sannomaru Shozokan), the first scroll of the Genryaku kobon manuscript of the Manyoshu (owned by Tokyo National Museum), the Iyo-gire (dankan from the Wakan roeishu, owned by various families), the Horei-gire (dankan from the Misho kashu or "collection of anonymous poems," owned by various families), and the Horinji-gire (dankan from the written copy of the Wakan roeishu, owned by various families).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

同年千恵蔵主演、伊丹脚本の「天下太平記」で監督としてデビューし、以後、「放蕩三昧」「源氏小僧」「絵本武者修行」「元禄十三年」といった千恵蔵主演の明朗にして陽気な時代劇を多数手がけ、伊丹と共に千恵蔵プロの二本柱と呼ばれた。例文帳に追加

That same year, Inagaki made his directorial debut on the film 'Tenka Taiheiki' (Record of the Great Peace Under Heaven), which starred Chiezo and whose screenplay was written by Itami; thereafter, he made a great number of cheerful period dramas showing Chiezo's merrier side, including 'Hoto zanmai' (Drowning in the Three Pleasures), 'Genji kozo' (The Young Priest Genji), 'Ehon musha shugyo' (Picture Book of a Warrior Traveling to Hone His Martial Skills), and 'Genroku Ju-san nen' (Year Thirteen of the Genroku Era (about the year 1700)), leading to Inagaki and Itami being called the 'two supporting pillars' of Chiezo Productions.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス