洋壱の英語

（双調、壱越調、太食調は対応する洋音階の長音階と比べてシに相当する音が半音低い（ミクソリディア旋法と同様））例文帳に追加

(The note of the Ti in Sojo, Ichikotsucho and Taishikicho tone is a semi-tone lower than the equivalent major scale of the Western system (being equivalent to the Mixolydian mode)).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『論語古義』（関儀一郎編『日本名家四書注釈全書』論語部壱、東洋図書、1922年4月）例文帳に追加

"Rongo Kogi" (Part I of the Rongo volumes of "Nihon Meika Shisho Chushaku Zensho" [The Complete Commentaries of Japanese Great Scholars on the Four Books of Confucianism] edited by Giichiro SEKI, published by Toyo Tosho in April 1922)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『孟子古義』（関儀一郎編『日本名家四書注釈全書』孟子部壱、東洋図書、1924年10月）例文帳に追加

"Moshi Kogi" (Part I of the Moshi volumes of "Nihon Meika Shisho Chushaku Zensho" [The Complete Commentaries of Japanese Great Scholars on the Four Books of Confucianism] edited by Giichiro SEKI, published by Toyo Tosho in October 1924)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

語源に関する有力な説は、『旧唐書』列伝の「呂才伝」の記事によるもので、7世紀はじめの唐の楽人である呂才が、筒音を十二律にあわせた立笛を作った際、中国の標準音の黄鐘（日本の十二律では壱越西洋音階のD）の音を出すものが一尺八寸であったためと伝えられている。例文帳に追加

The most widely accepted theory of the etymological origin of the word itself traces its appearance to the text in 'Biography of Lucun' in the series of "Jiu Tang Shu" (Old Tang History), which describes that Lucun, a Tang musician who lived in the early seventh century, created a vertical flute tuned to a 12 tone scale, with the Oshikicho tone being the Tang standard tone (according to the 12-tone Japanese scale, the equivalent of the tone D on the scale of the West); the dimension at which this tonic was obtained is said to have been one shaku and eight sun, thus the name 'shakuhachi.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス