竹之丞の英語

幼名は松之丞（一説に竹太郎）。例文帳に追加

As a child he went by the name of Matsunojo or possibly Taketaro.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

六代目竹之丞襲名の際、竹之丞の名跡は市村羽左衛門の幼名とされ、市村羽左衛門家にとっては由緒ある名跡である。例文帳に追加

When he was to succeed to the name of Takenojo VI, Takenojo's professional name was considered to be the childhood name of Uzaemon ICHIMURA, and this family name was a noble one for the Uzaemon ICHIMURA family.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1964年（昭和39年）4月、歌舞伎座『頼朝の死』の畠山重保ほかで六代目市村竹之丞を襲名。例文帳に追加

In April 1964, he succeeded to the name, Takenojo ICHIMURA VI, performing as Shigeyasu HATAKEYAMA and others of "Yoritomo no shi" (The Death of Yoritomo) at Kabukiza theater.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この唄はこれ以後、四代目市村竹之丞改め市村羽左衛門(8代目)が座元として所有するこの市村座で助六を演じるときのみにしか使われないようになる。例文帳に追加

From this performance, this song was used only when Takenojo ICHIMURA IV changed to Uzaemon ICHIMURA VIII had impersonated Sukeroku at the Ichimura-Za the proprietor of which was Uzaemon ICHIMURA VIII.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

相良長良（行進隊）・河野主一郎（破竹隊）・平野正介（常山隊）・阿多壮五郎（干城隊）・新納精一（鵬翼隊）・高城七之丞（正義隊）例文帳に追加

Nagayoshi SAGARA (the Koshin-tai troop), Shuichiro KONO (the Hachiku-tai troop), Shosuke HIRANO (the Jozan-tai troop), Sogoro ATA (the Kanjo-tai troop), Seiichi NIINO (the Hoyoku-tai troop), and Shichinojo TAKI (the Seigi-tai troop)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

これについて銕之丞は、観阿弥・世阿弥・金春禅竹らによって猿楽が集大成された室町期は戦乱の時代であり、死が人々にとって極めて身近なものであったことを、こうした構造の理由に挙げている。例文帳に追加

Tetsunojo has attributed the reason for this structure to the fact that Sarugaku (literally "monkey music," a form of Japanese theatre performing art resembling a circus, that was popular in Japan during the 11th to 14th centuries) was compiled by Kan-ami, Zeami, Zenchiku KOMPARU, et al during the Muromachi period, a chaotic war period during which death was extremely close by.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この襲名には、師である武智鉄二の意向が強く働いていたと言われるが、襲名披露の口上の席で座頭である市村羽左衛門(17代目)より「本来ならば、竹之丞の名跡を継ぐべき人ではない」との強烈な批判ともとれる発言をされるなど、橘屋宗家との確執が浮き彫りになった。例文帳に追加

It was said that wishes of Tetsuji TAKECHI, his master, had strong influence on this succession, but during kojo (a ceremony to announce that an actor takes a new stage name), he received a remark 'He is essentially, not the person who should succeed to the family name of Takenojo', from the leader of troupe Uzaemon ICHIZAWA XVII, which may be taken as a severe criticism, and the discord with Tachibana head family was clearly brought to light.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス