Cry at Nightとは 意味・読み方・使い方

Moreover, Ieyasu ordered troops to give a battle cry and shoot teppo (guns) three times every night at torino koku (about 17:00 -19:00)/ino koku (about 19:00 - 21:00)/torano koku (about 3:00-5:00) in order to prevent the enemies from sleeping (the battle cries reached as far as Kyoto).発音を聞く 例文帳に追加

また、諸隊に命じて毎夜三度(酉・戌・寅の刻)、鬨の声を挙げて鉄砲を放たせ、敵の不眠を誘っている（この鬨の声は京まで届いた）。 - Wikipedia日英京都関連文書対訳コーパス

The threatening lines of Omatsu, 'I am like this now, but once I was in Gion-machi, earning twelve monme six fun (monme and fun are units of silver currency; fun is one-tenth of monme), being successful in Miyagawa-cho, went through rice fields to Dojo, then to a downhill in front of Kodai-ji Temple, down to Yasaka, up to Nijo-shinchi and behind Goryo Shrine, to the embarrassing lousy streets, and didn't cry working at a night tea house, going around everywhere...' artfully illustrates the red-light districts of Kyoto with the lilting rhythm of seven-and-five syllable meter.発音を聞く 例文帳に追加

お松が強請に言う「今こそこうした女房なれ、元はわたしも祇園町、拾壱匁六分の、花を咲かせて宮川町、縄手をふんで道場か、高台寺前下り坂、八坂と落ちて欠け上り、二条新地や御りょう裏、おはもじながら虱の辻、泣かぬ勤めの蛍茶や、あらゆる場所を欠けめぐり・・・」の科白は七五調の小気味よい調子で京の花街を巧みに織り込んでいる。 - Wikipedia日英京都関連文書対訳コーパス

Two policemen testified that about eight o'clock on the night of Thursday they had noticed the prisoner slip into the gate of Nina San Croix's residence and go down to the side of the house, where he was admitted; that his appearance and seeming haste had attracted their attention; that they had concluded that it was some clandestine amour, and out of curiosity had both slipped down to the house and endeavored to find a position from which they could see into the room, but were unable to do so, and were about to go back to the street when they heard a woman's voice cry out in, great anger: "I know that you love her and that you want to get rid of me, but you shall not do it! You murdered him, but you shall not murder me! I have all the evidence to convict you of murdering him! The Archbishop will have it to- morrow! They shall hang you! Do you hear me? They shall hang you for this murder!" that thereupon one of the policemen proposed that they should break into the house and see what was wrong, but the other had urged that it was only the usual lovers' quarrel and if they should interfere they would find nothing upon which a charge could be based and would only be laughed at by the chief; that they had waited and listened for a time, but hearing nothing further had gone back to the street and contented themselves with keeping a strict watch on the house.発音を聞く 例文帳に追加

警官二人は次のように証言した。木曜日夜八時くらいに、ニーナ・サン・クロワの住居に被告人がやってきて、入り口から家の横手まで侵入し、家に招き入れられたのを見かけた。その外見やそわそわした挙動から、これは怪しいと思った。その時は、被告人が女主人の秘密の愛人なんだろうと思い、好奇心も手伝って、自分たちが屋敷に入り、なんとか部屋の中を見れるよう努力した。しかし中を見ることはできず、大通りに戻ろうとしたところ、女主人が大声で誰かをののしっている声が聞こえてきた。「あの女が好きだって事、私をのけ者にしたいんだって事は分かってるわ。でもね、言うとおりにしてもらいますから！　あなたは私の夫を殺した！　でも、私は殺されるいわれはないわ！　夫殺しの証拠はすべてそろっているのよ。大司教様には明日お見せします。あなたは縛り首間違いなしよ！　いいこと？　夫殺しは縛り首よ！」これを聞いた警官の一人は、家の中に踏み込んでなにが起こっているのか確かめなければならないと同僚に言った。だが、もう一人は単なる痴話喧嘩にすぎんと言い、もし踏み込んだとしても逮捕できるような事はなにも発見できない、署長に笑われるのがオチだと主張した。二人はしばらくその場所にとどまって耳を澄ましていたが、もうなにも聞こえてはこなかった。それで大通りに戻り、屋敷を厳重に見張ることにした。 - Melville Davisson Post『罪体』