song everlastingとは 意味・読み方・使い方

The influence of Juyi BAI's "Changhen Ge" (The Song of Everlasting Sorrow) can be recognized in narratives written in kana (the Japanese syllabaries) such as "The Tale of Genji," especially in the chapter of 'Kiritsubo' (The Paulownia Court).発音を聞く 例文帳に追加

『源氏物語』などの仮名の物語文学においても、「桐壺」などで白楽天の『長恨歌』との関係が強く認められる。 - Wikipedia日英京都関連文書対訳コーパス

Among literary works, such as the poetry of Northern Sung "Kobun Shinpo," "Santaishi," "The Song of Everlasting Sorrow," Su Shi (Chinese poet), and Huang Tingjian (Chinese calligrapher, painter, and poet) were enthusiastically annotated, and many of them still exist today.発音を聞く 例文帳に追加

集書（集部）では『古文真宝』、『三体詩』、『長恨歌』、蘇軾・黄庭堅など北宋詩などに盛んに抄物が行われ、現存する量も多い。 - Wikipedia日英京都関連文書対訳コーパス

Because the chapter of 'Kiritsubo' (The Paulownia Court) was written in order to pay homage to "The Song of Everlasting Sorrow," there is a view that Kiritsubo no Koi was modeled after Yang Guifei, the heroine in the song, while some people consider that FUJIWARA no Takushi (a consort of Emperor Ninmyo or the biological mother of Emperor Koko) was her model.発音を聞く 例文帳に追加

「桐壺」の巻が『長恨歌』をオマージュして書かれたことから、桐壺更衣のモデルはヒロインの楊貴妃であると考える説や、また藤原沢子（仁明天皇女御、光孝天皇生母）をモデルとする説などがある。 - Wikipedia日英京都関連文書対訳コーパス

The poem alludes to the latter half of the Juyi BAI's "The Song of Everlasting Sorrow," and it is also the response to the waka poem which was composed by Genji's father, Emperor Kiritsubo, when he remembered the late Kiritsubo no Koi (lower class court lady) in the first chapter of 'Kiritsubo' (The Paulownia Court).発音を聞く 例文帳に追加

白居易『長恨歌』の後半をモチーフとしており、また第1帖「桐壺」で源氏の父桐壺帝が亡き桐壺更衣を偲んで詠んだ和歌と呼応するものとなっている。 - Wikipedia日英京都関連文書対訳コーパス

On the other hand, "Akikaze no kyoku" (a song for the autumn wind), composed by researching the poem 'The Song of Everlasting Sorrow' by Bai Juyi, was a work for koto and song by the compositional style of koto kumiuta (koto suites of songs) and danmono (most important type in shirabemono (the koto solo instrumental music)) during the early Edo period and for this he invented a new method of tuning koto called 'Akikaze-joshi tuning' where he incorporated the mode of Ming and Xing-era Chinese music (as popularized in Japan before the First Sino-Japanese war) that had been popular in those days.発音を聞く 例文帳に追加

一方『秋風の曲』は、白居易の詩「長恨歌」に取材、やはり江戸初期の楽曲形式である箏組歌と段物のスタイルによって作られた箏と歌のための曲で、そのために新たな箏の調弦法「秋風調子」を考案したが、当時流行していた明清楽の旋法が取り入れられているという。 - Wikipedia日英京都関連文書対訳コーパス