伎王美の英語

歌舞伎では梅王丸＝立役・松王丸＝立役・桜丸＝立役の三様の人物がそれぞれ役柄に合った演技を見せる場となっており、歌舞伎の様式美が凝縮された演目となっている。例文帳に追加

Three different characters of Umeomaru, Matsuomaru, and Sakuramaru performed according to their tachiyaku (a leading male-role actor) roles, and was a performance that condensed the ceremonial beauty of kabuki.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

（MOA美術館蔵）絹本著色求聞持曼荼羅図、絹本著色童子経曼荼羅図、諸尊図像、伝法正宗定祖図、九曜星図像、仁王経法図像、太元明王図像、白描曼荼羅集、星曼荼羅図残欠、白銅水瓶、彩絵曲物笥、黒漆螺鈿礼盤、雑伎彩絵唐櫃例文帳に追加

(MOA Museum of Art collection) Gumonji Mandala, color on silk; Dojikyo Mandala, color on silk; Shoson Zuzo; Den Hoshoshu Joso Zu; Kuyosei Zuzo; Ninnokyoho Zuzo; Taigen Myoo Zuzo; Mandala Collection, ink paintings; Hoshi Manadala Zu fragments; Cupronickel Vase; Saie Magemonoke; Black Lacquer Raden Raiban; Zatsugi Saie Karabitsu発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

生来の美貌に加え、初代延若、九代目市川團十郎(9代目)などの東西の役者の芸を学ぶなどの旺盛な研究心、そして華やかなサービス満点の演技などが鴈治郎をして関西歌舞伎の王者たらしめたのである。例文帳に追加

In addition to innate good looks, a strong desire to learn as seen in his effort to learn performances of various actors both in the east and west including Enjaku I and Danjuro ICHIKAWA IX (kudaime) and gorgeous performances full of efforts to please the audience, made Ganjiro the king of Kansai Kabuki.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

座頭の工藤・和事の十郎・荒事の五郎・道化役の朝比奈・立女形の虎・若女形の少将・敵役の八幡・立役の近江・実事の鬼王と、歌舞伎の役どころがほとんど勢ぞろいし、視覚的にも音楽的にも様式美にあふれた一幕である。例文帳に追加

It is a stylistically beautiful play both from visual and musical points of view, as all the major characters of Kabuki appear on the stage such as Kudo as zato (leader of troupe), Juro as wagoto (the mediator), Goro as aragoto (the aggressive character), Asahina as the clown, Tora as tateoyama (the leading actor in a female role), Shosho as wakaoyama (the young actor in a female role), Hachiman as the enemy, and Omi as the leading male actor, and Kio as jitsugoto (the tragic character).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス