弥世子の英語

観阿弥の息子、世阿弥の『世子六十以後申楽談儀』には、観阿弥の祖父が伊賀の服部氏一族から宇陀の中家に養子にいき、その人が京都の女性と関係して生まれた子が観阿弥の父であるという記述がある。例文帳に追加

According to 'Zeshi rokuju igo Sarugaku dangi' written by Kannami's son, Zeami, Kannami's grandfather was born into the Hattori clan of Iga Province and was adopted by Nakaya in the Uda region, and Kannami's father was born from the union between him and a woman in Kyoto.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

題名に「世子（世阿弥の尊称）六十以後」とあるように、即ち観世大夫の地位を長男の観世元雅に譲り、出家した60歳より後の世阿弥の芸論を伝える書である。例文帳に追加

As 'Zeshi (the honorific title of Zeami) rokuju igo (after 60 years old)' indicates, the book was to pass Zeami's theory of Noh after he had handed over his position of KANZE dayu to his first son Motomasa KANZE and entered the priesthood when he was 60.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

世阿弥作と考えられ、世阿弥自身が世子六十以後申楽談儀でこの曲を「上花也」（最上級の作品である）と自賛するほどの自信作であった。例文帳に追加

It is believed to be a work by Zeami, who was so proud of this piece that he praised it as a work of the finest quality in Zeshi Rokuju Igo Sarugaku Dangi (Zeami's Reflections on Noh).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

世子六十以後申楽談儀（ぜしろくじゅういごさるがくだんぎ）、通称『申楽談儀』は室町時代に成立した、世阿弥の芸談を筆録した能楽の伝書、芸道論。例文帳に追加

Zeshi rokuju igo Sarugaku dangi (also known as "Sarugaku dangi") was established in the Muromachi Period, which is a written record on Zeami's discourse about the art and has been handed down from ancestors as a collection of art treatises on Nohgaku.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス