映千良の英語

一方、東映現代劇からは1950年代半ばから1960年代前半にかけ江原真二郎、中原ひとみ、高倉健、佐久間良子、梅宮辰夫、三田佳子、JJサニー千葉、大原麗子らがデビューしている。例文帳に追加

From the middle of the 1950s to the beginning of the 1960s a string of famous actors and actresses of Toei modern drama, such as Shinjiro EHARA, Hitomi NAKAHARA, Ken TAKAKURA, Yoshiko SAKUMA, Tatsuo UMEMIYA, Yoshiko MITA, JJ Sonny CHIBA and Reiko OHARA, made their debut.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

奈良に「連合映画芸術家協会」設立、映画製作をしていた小説家の直木三十五の紹介で牧野省三に会い、1927年（昭和2年）4月にマキノ・プロダクションに入社した片岡千恵蔵は、1928年（昭和3年）2月の月形龍之介の退社を期に、本契約に入った。例文帳に追加

Chiezo KATAOKA met Shozo MAKINO and joined Makino Productions in April of 1927 through a novelist who established 'Rengo Eiga Geijutsuka Kyokai' (United Film Artists Association) in Nara and engaged in film production named Sanjugo NAOKI, and entered contract negotiations in February of 1928 when Ryunosuke TSUKIGATA resigned from the company.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「歌舞伎映画プロ」は、中根プロ、および山口の「山口俊雄プロダクション」に協力し、小文治はそれらの第1作に出演、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から「歌舞伎映画プロ」に参加した市川芳之助（のちの沢田清）も千恵プロの『愛憎血涙』に出演したが、同年7月末に早くも山崎らの「館主連盟」が瓦解してしまった。例文帳に追加

Kabuki Eiga Pro,' in cooperation with Nakane Pro and YAMAGUCHI's 'Yamaguchi Toshio Productions,' Kobunji acted in the first films that were produced by these two production companies and Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ayameike Studio of Ichikawa Utakemon Productions (Uta Pro) in Nara and joined 'Kabuki Eiga Pro,' also acted in "Aizo Ketsurui" (Love and Hate, Blood and Tears) produced by Chie Pro, but YAMAZAKI's 'Kanshu Renmei' fell apart early at the end of July in 1928.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

下層の回路形成と同時に当該個別配線板に対応した不良確認パッドを形成する第１ステップと、層間絶縁層を介して上層の回路形成を行うと同時に当該個別配線板に対応した不良確認パッドを下層に設けた不良確認パッドと千鳥足状となるように位置をずらして配置形成する第２ステップと、上層から当該層間絶縁層を透過して下層の不良確認パッドの有無を確認し、当該下層の不良確認パッドが確認できなかった場合に上層の不良確認パッドを除去する第３ステップと、当該第２ステップと第３ステップを必要層数分繰り返し行うことによって、内層の個別配線板の不良情報を外層に反映せしめて識別する第４ステップからなる個別配線板の不良特定方法。例文帳に追加

The multilayer printed wiring board with a plurality of individual wiring boards is provided with failure confirmation pads corresponding to those individual wiring boards in each layer, and the failure confirmation pads are formed so as to be arranged while their positions are shifted like a zigzag pattern in an upper layer and a lower layer. - 特許庁

法然房源空(1)→勢観房源智(前2)→法蓮房信空(後2)→正信房湛空(3)→求道房恵尋(4)→素月房恵顗(5)→寿観房任空(6)→示観房範空(7)→我観房運空(8)→僧然定玄(9)→佛立恵照国師（僧任等凞）(10)→良秀僧尋(11)→聖深阿縁(12)→僧海等珍(13)→僧秀良玉(14)→威照良真(15)→称譽秀馨(16)→極譽理聖(17)→栄譽永真(18)→西譽雲栖(19)→弘譽伝心(20)→性譽法山(21)→道残源立(22)→看譽源良(23)→縁譽休岸(24)→長譽源然(25)→琴譽盛林(26)→了的(27)→潮呑(28)→忍譽源授(29)→眼譽呑屋(30)→誓譽厳真(31)→檀譽順応(32)→広譽順長(33)→叶譽酋村(34)→通譽◎林(35)→薫譽寂仙(36)→重譽写悦(37)→到譽順教(38)→香譽春沢(39)→鑑譽万竜(40)→法譽智俊(41)→晃譽念潮(42)→到譽潮音(43)→謙譽霊忠(44)→神譽感霊(45)→覚譽霊長(46)→逾譽俊海(47)→禀譽(48)→浄譽原澄(49)→明譽顕海(50)→祐譽天従(51)→宣譽巨道(52)→貫譽学善(53)→住譽密善(54)→在譽祐倫(55)→黒谷定円〘寥譽〙(56)→獅子吼観定〘梁譽〙(57)→佐藤説門〘開譽〙(58)→獅子吼観定〘梁譽〙(59)→秋浦定玄〘静譽〙(60)→吉水賢融〘仏譽〙(61)→大鹿愍成〘深譽〙(62)→郁芳随円〘相譽〙(63)→望月信亨〘昱譽〙(64)→芳井教岸〘道譽〙(65)→川端信之〘源譽〙(66)→渡辺教善〘闡譽〙(67)→千葉良導〘妙譽〙(68)→福井周道〘鑑譽〙(69)→澤崎梁寿〘定譽〙(70)→藤原弘道〘法譽〙(71)→稲岡覚順〘等譽〙(72)→坪井俊映〘仁譽〙(73)→高橋弘次〘満譽〙(74)例文帳に追加

Honenbo Genku (1)->Seikanbo Genchi (first period of 2)->Horenbo Shinku (latter period of 2)->Shoshinbo Tanku (3)->Gudobo Keito (4)->Sogetsubo Eke (5)->Suganbo Jinku (6)->Jikanbo Hanku (7)->Gaganbo Unku (8)->Sozen Jogen (9)->Butsuryu Eisho Kokushi (Sonin Nadohiro) (10)->Yoshihide Sojin (11)->Seimi Aen (12)->Sokai Rachin(13)->Soshu Ryogyoku (14)->Iteri Ryoshin (15)->Shoyo Shukei (16)->Gokuyo Risei (17)->Eiyo Eishin (18)->Saiyo Unsei (19)->Koyo Denshin (20)->Seiyo Hozan (21)->Dozan Genryu (22)->Kanyo Genryo (23)->Enyo Kyugan (24)->Choyo Genzen (25)->Kinyo Seirin (26)->Ryoteki (27)->Chodon (28)->Ninyo Genju (29)->Ganyo Donya (30)->Seiyo Ganshin (31)->Danyo Juno (32)->Koyo Juncho (33)->Kyoyo Shuson (34)->Tsuyo Chorin (35)->Kunyo Jakusen (36)->Juyo Shaetsu (37)->Toyo Junkyo (38)->Koyo Shuntaku (39)->Kanyo Manryu (40)->Hoyo Chishun (41)->Koyo Nencho (42)->Toyo Choon (43)->Kenyo Reishi (44)->Shinyo Kanrei (45)->Kakuyo Reicho (46)->Yuyo Shunkai (47)->Rinyo (48)->Joyo Gencho (49)->Meiyo Kenkai (50)->Yuyo Tenju (51)->Senyo Kyodo (52)->Kanyo Gakuzen (53)->Juyo Myozen (54)->Zaiyo Yurin (55)->Kurotani Joen [Ryoyo] (56)->Shishiku Kanjo [Ryoyo] (57)->Sato Zeimon [Kaiyo] (58)->Shishiku Kanjo [Ryoyo] (59)->Shuho Jogen [Seiyo] (60)->Kissui Kenyu [Butsuyo] (61)->Oka Binjo [Shinyo] (62)->Ikuho Zuien [Soyo] (63)->Mochizuki Shinko [Ikuyo] (64)->Hoi Kyogan [Doyo] (65)->Kawabata Nobuyuki [Genho] (66)->Watanabe Kyozen [Senyo] (67)->Chiba Ryodo [Myoyo] (68)->Fukui Shudo [Kanyo] (69)->Sawazaki Ryoju [Joyo] (70)->Fujiwara Hiromichi [Hoyo] (71)->Inaoka Kakujun [Toyo] (72)->Tsuboi Shunei [Jinyo] (73)->Takahashi Koji [Manyo] (74)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス