womanly virtueとは 意味・読み方・使い方

He was also good at playing as fukeoyama (oyama as aged woman) at Kakuju in "Domyoji" (Domyo-ji temple), as katakiyaku, Moronao in "Kanadehon Chushingura" and Lord Tokihira in "Sugawara denju tenarai kagami; kurumabiki" (Pulling the Cow Carriage of Sugawara's secrets of calligraphy), as heroic roles, Fukashichi in "Imoseyama onna teikin" (An Exemplary Tale of Womanly Virtue) and Tsumahei in "Shin usuyuki monogatari" (The Tale of Usuyuki), and among comics as Zenroku in "Mitsugumi Makie (or Choinose)."発音を聞く 例文帳に追加

老女形では『道明寺』の覚寿、敵役は『仮名手本忠臣蔵』の師直、『菅原伝授手習鑑・車引』の時平公、また勇壮な『妹背山婦女庭訓』の鱶七、『新薄雪物語』の妻平、喜劇では『三升蒔画（ちょいのせ）』の善六なども得意とした。 - Wikipedia日英京都関連文書対訳コーパス

He gained a reputation for roles such as Okaru, Enya hangan and Oishi of "Kanadehon Chushingura," Shizuka Gozen of "Yoshitsune Senbonzakura" (Yoshitsune and One Thousand Cherry Trees), Omiwa of "Imoseyama (Mt. Imose) Onna Teikin" (An Exemplary Tale of Womanly Virtue), Omitsu of "Shinpan Utazaimon" (The Love of Osome and Hisamatsu) (Nozaki Village), Tamate-Gozen of "Sesshu Gappo ga Tsuji" (A Kabuki Drama of Unfettered Evil) (Gappo Anjitsu [hermitage of Gappo]), Sakuramaru of "Sugawara Denju Tenarai Kagami" (Sugawara's secrets of calligraphy) and Yoshitsune of "Kanjincho" (The Subscription List) and "Jinya KUMAGAI, Ichi no Tani Futabagunki" (Chronicle of the Battle of Ichinotani) in the area of maruhonmono (Kabuki drama of joruri [puppet-play] origin).発音を聞く 例文帳に追加

丸本物では『仮名手本忠臣蔵』のお軽、塩冶判官、お石、『義経千本櫻』の静御前、『妹背山婦女庭訓』お三輪、『新版歌祭文』（野崎村）のお光、『攝州合邦辻』（合邦庵室）の玉手御前、『菅原伝授手習鑑』の桜丸、『勧進帳』や『一谷嫩軍記・熊谷陣屋』の義経などが当たり役であった。 - Wikipedia日英京都関連文書対訳コーパス

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く 例文帳に追加

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。 - Wikipedia日英京都関連文書対訳コーパス