彩弥花の英語

青砥稿花紅彩画（河竹黙阿弥）例文帳に追加

Aotozoshi Hana no Nishikie (Mokuami KAWATAKE)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、お嬢吉三は「女装の美少年」という設定で、黙阿弥作品では「都鳥廓白波」（『都鳥廓白波』）の花子、「青砥稿花紅彩画」（『青砥稿花紅彩画』）の弁天小僧などでも用いられた重要なモチーフである。例文帳に追加

Also, Ojo Kichisa, who is set to be a 'beautiful young boy dressing like a woman,' is an important motif and used in other works of Mokuami such as Hanako in 'Miyakodori Nagare no Shiranami' ("Miyakodori Nagare no Shiranami") and Bentenkozo in 'Aotozoshi hana no nishikie' (Picture of flower of Aorozoshi) ("Aotozoshi hana no nishikie").発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『青砥稿花紅彩画』（あおとぞうしはなのにしきえ）は、文久二年（1862年）に市村座で初演された、二代目河竹新七（後の河竹黙阿弥）作の歌舞伎の「白浪物」。例文帳に追加

"Aotozoshi hanano nishikie" refers to 'Shiranami-mono' (stage works with thieves and lowlifes) of Kabuki (traditional drama performed by male actors) which was performed at Ichimura-za Theater in 1862 for the first time, and written by Shinshichi KAWATAKE the second (later Mokuami KAWATAKE).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎においては市村座が藤綱関連の作品を積極的に行ったことが知られ、三世桜田治助と組んだ『青砥稿』・『名誉仁政録』、河竹黙阿弥と組んだ『青砥稿花紅彩画』が知られている。例文帳に追加

In Kabuki field, Ichimura-za Theater is known to have actively performed masterpieces relevant to Fujitsuna; "Aotozoshi" and "Meiyo Jinsei Roku" in collaboration with the third Jisuke SAKURADA, "Aotozoshi hana no nishikie" (Picture of flower of Aorozoshi) in collaboration with Mokuami KAWATAKE are known today.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

美女に扮した美青年というお馴染みの人物設定は、その後の『青砥稿花紅彩画』（白浪五人男）や明治期の『富士額男女繁山』（女書生、こちらは逆に男装の麗人）など、その後の黙阿弥作品に幾度か採用されることになる。例文帳に追加

The familiar setting of the character as a beautiful young man in the disguise of a beautiful woman is later to be adopted in the several works of Mokuami, such as "Aotozoshi hanano nishikie" (also known as "Shiranami Gonin Otoko" [The Five Shiranami Men]), "Fujibitai tsukuba no shigeyama" (also known as "Onna Shosei" [female student]; in contrast, this is about a beautiful woman in male dress) in the Meiji period, and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス