松庵の英語

臨済寺(豊橋市東田町）で参禅得道し、栽松庵を設けた。例文帳に追加

He did sanzentokudo (Zen meditation and attaining salvation) at Rinzai-ji Temple (in the present Azumada-cho, Toyohashi City) and he built Saisho-an Hermitage there.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『寸松庵色紙』と『升色紙』はそれより少し後の院政を迎えるころになる。例文帳に追加

"Sunshoan Shikishi" and "Masu-shikishi" appeared around the beginning of the cloister government, which was a little later.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

三色紙はこの上代様に属し、『寸松庵色紙』と『升色紙』は完成期に位置する。例文帳に追加

San-shikishi belongs to this jodaiyo, with the "Sunshoan-shikishi" and the "Masu-shikishi" placed in the complete period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

三好政長が和泉に勢力を誇っていたとき、その弟三好長円が大阪府泉大津市に「蓮正寺」を建て、境内に仁海上人が「助松庵」を建立し、その助松庵に光秀が隠棲したと口碑に伝えられている。例文帳に追加

Tradition says that Mitsuhide took shelter at "Sukematsuan," which was built by Jinkai Sho'nin in the precincts of Rensho-ji Temple, built in Izumiotsu City, Osaka Prefecture by Masanaga MIYOSHI's brother when Masanaga MIYOSHI was dominating Izumi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

三色紙（さんしきし）とは、『継色紙』、『寸松庵色紙』、『升色紙』の総称であり、平安時代屈指の「かな書」の名筆（古筆）である。例文帳に追加

San-shikishi is a collective term for the "Tsugi-shikishi" (spliced shikishi), "Sunshoan-shikishi," and "Masu-shikishi" (square shishiki) and is one of the best examples of "kana-gaki" (writing in kana, as opposed to Chinese characters) calligraphy from the Heian period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

書写年も未詳であるが、『継色紙』が10世紀半ばから11世紀前半、『寸松庵色紙』と『升色紙』が11世紀後半とされている。例文帳に追加

The time of their writing is also unknown, though the "Tsugi-shikishi" is believed to be from the mid-10th century to the first half of the 11th century and the "Sunshoan Shikishi" and "Masu-shikishi" from the second half of the 11th century.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

行間幅も不定で、比較的行間隔を揃えて書かれた『寸松庵色紙』でも、最終行が前の行に寄り添うように接近する例がある。例文帳に追加

Spacing between the lines is inconsistent and even in the "Sunshoan Shikishi," which is written with comparatively even spacing, the last line appears to trying to cuddle up to the previous line.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

鈴木翠軒は『寸松庵色紙』について、「線条の味と連綿の妙は、古筆中この右に出るものはない。例文帳に追加

For the "Sunshoan-shikishi," Suiken SUZUKI says, 'in the flavor of its strokes and excellent continuity of its lines, there is no equal in ancient calligraphy.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス