淑風の英語

養父景柄を通じて小沢蘆庵に私淑し、後に「しらべの説」を提唱して独自の歌風を創始。例文帳に追加

He admired Roan OZAWA through his foster father Kagemoto and later began an original style of waka by proposing a theory 'Shirabe no setsu.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

はじめ禅僧竺庵より唐風の書法を習い、やがて文徴明や趙孟頫に私淑し、晩年は米芾に傾倒した。例文帳に追加

Tosai originally learned the Tang-style calligraphy from the Zen monk Jikuan but, before long became strongly influenced by Chomei BUN and Mofu CHO and, in his old age, was devoted to Futsu BEI.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

これにより、加賀藩からの招聘を受けたがこれを固辞、代わりに推薦されたのが風雲堂の高弟藤井方亭と長淑であった。例文帳に追加

Genshin firmly refused the invitation from the Kaga domain due to this result, and then Hotei FUJII, the high-caliber disciple of Fuundo and Chosyuku were recommended instead of Genshin.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

結局家茂との結婚が決まった後も、幕府に異母姉桂宮淑子内親王の御殿の建設や、降嫁後も大奥風ではなく御所風の生活を守ることなどを約束させている。例文帳に追加

Although the marriage with Iemochi was confirmed officially, she made the bakufu promise to build a new Palace for her half younger sister, Katsuranomiya Imperial Princess Sumiko, or to make sure she would have her own room in the style of the Imperial Palace, not in the inner rooms of the shogun's palace (Ooku) style, after the marriage.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

抱一は、光琳に私淑し、光琳の画を広く世に知らしめた人物であるが、宗達と光琳の関係については詳しくなく、現在では有名な宗達の風神雷神図の存在を知らなかったと言われている。例文帳に追加

Hoitsu respected Korin as a mentor and made Korin's works famous, but it is said that Hoitsu was unfamiliar with the relation between Sotatsu and Korin, and he didn't know of Sotatsu's 'Fujin Raijin zu' (The Wind and Thunder Gods) which is quite well known today.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

元禄頃から津田越前守助広に私淑した涛瀾乱れや沸匂深い井上真改風の直刃を焼き、自身彫りを見る。例文帳に追加

Around the Genroku era, he began to produce Toran midare (a temper pattern) (涛瀾乱れ) influenced by Tsuda Echizen no kami (the governor of the Echizen Province) Sukehiro and Suguha (a temper pattern)(直刃) with nie (grainy martensite) and nioi (fine-grained martensite) like the style of Shinkai INOUE, and finally started carving by himself.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

逍遥の言葉「・・・要するに、彼の貴族的な、英雄本位、淑女本位の高尚がりの活歴派に対しては、それとは反対の、平民的な、不作法な、凡人沢山、風情沢山の丸本式、草双紙式を発揚し、厳格な、窮屈な外国の審美論に対しては、無主義の、放埒な、いわば不即不離の国劇式を、暗に擁護しようという主張と抱負とが内心にあって、彼の作を書き始めたのである。」例文帳に追加

Shoyo said, 'In short, I started to write this work with a view and ambition in my mind to inspire noble, hero- and lady-oriented, intellectual audience, who like historical dramas, the maruhon shiki (style of complete set of books) and kusazoshi-style featuring common, rude people and having a lot of ordinary and interesting scenes--contrary to the characteristics of those audiences--and imply my ambition to support the so-called kokugeki shiki (national drama style)--a non-doctrine, loose, and neutral style--to foreign aesthetes, who hold a strict and rigid view.' - Wikipedia日英京都関連文書対訳コーパス