紅都三の英語

浪瀧・桜瀧・紅葉瀧図（京都国立博物館）三幅対例文帳に追加

Roryu, Oryu, Koyoryu (wave dragon, cherry blossom dragon, red leaves dragon) (Kyoto National Museum) set of three hanging scrolls発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、お嬢吉三は「女装の美少年」という設定で、黙阿弥作品では「都鳥廓白波」（『都鳥廓白波』）の花子、「青砥稿花紅彩画」（『青砥稿花紅彩画』）の弁天小僧などでも用いられた重要なモチーフである。例文帳に追加

Also, Ojo Kichisa, who is set to be a 'beautiful young boy dressing like a woman,' is an important motif and used in other works of Mokuami such as Hanako in 'Miyakodori Nagare no Shiranami' ("Miyakodori Nagare no Shiranami") and Bentenkozo in 'Aotozoshi hana no nishikie' (Picture of flower of Aorozoshi) ("Aotozoshi hana no nishikie").発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

なお、11月などの紅葉観光の最混雑期には、銀閣寺平安神宮から東山三条を経由して京都駅に向かう市バス（5,57,100系統など）の乗客が、振り替え票を得て、この駅から京都駅まで地下鉄に乗り換えることのできる臨時的な措置が採られる。例文帳に追加

During peak congestion periods, such as the autumn leaf season in November, special transfer tickets are issued to passengers of the Kyoto City buses that go to Kyoto Station via Ginkaku-ji Temple, Heian-jingu Shrine and Higashiyama Sanjo (routes 5, 57, 100, etc.) so that they can transfer from bus to subway at this station in order to reach Kyoto Station.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

このことが小團次の気に入り、以降新七と小團次の名コンビによる『蔦紅葉宇都谷峠』（文弥殺し）、『三人吉三廓初買』（三人吉三）、『勧善懲悪覗機関』（村井長庵）、『鼠小紋東君新形』（鼠小僧）、『小袖曾我薊色縫』（十六夜清心）、『八幡祭小望月賑』（縮屋新助）などの名作が作られてゆくことになる。例文帳に追加

These modification gained the favor of Kodanji and later they became a good combination to produce some other famous plays: "Tsutamomiji Utsunoya-toge" (also known as "Bunya goroshi" [Killing of Bunya]), "Sannin Kichisa kuruwa no hatsugai" (also known as "Sannin Kichisa" [Three Men Named Kichisa]), "Kanzen choaku nozoki karakuri" (also known as "Choan MURAI"), "Nezumi komon haruno shingata" (also known as "Nezumi kozo"), "Kosode soga azami no ironui" (also known as "Izayoi Seishin"), "Hachiman matsuri yomiya no nigiwai" (also known as "Chizimiya Shinsuke") and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

移籍後も国立劇場で、1969年（昭和44年）6月には河竹黙阿弥作の歌舞伎『蔦紅葉宇都谷峠』（文弥殺し）を復活上演、同年11月には三島由紀夫作の新歌舞伎『椿説弓張月』を初演するなど精力的に舞台に立った。例文帳に追加

After his transfer, he returned to kabuki in the Kawatake Mokuami play entitled "Tsutamomiji Utsunoya Toge" ("Bunya-goroshi") in June of 1969 at the National Theatre of Japan, and in November of the same year he gave a spirited performance in the premiere of the new Yukio MISHIMA kabuki play, "Chinsetsu Yumiharizuki."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス