詠草の英語

俊成は治承2年（1178年）に『長秋詠草』、西行は建久元年（1190年）に『山家集』と称した私家集をそれぞれ編纂している。例文帳に追加

Toshinari compiled "Choshu eiso" (FUJIWARA no Shunzei's personal collection of poetry) in 1178, and Saigyo compiled a private poetry collection named "Sanka shu" in 1190.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

古今和歌集（藤原定家筆）1帖　附：後土御門天皇宸翰消息・後柏原天皇宸翰詠草・後奈良天皇宸翰消息1巻例文帳に追加

One jo ("large section," hereafter translated as "section") of the Kokin wakashu (a Collection of Waka Poems from Ancient and Modern Times, usually abbreviated to "Kokinshu"), written by FUJIWARA no Teika; Supplement: one scroll containing Emperor Gotsuchimikado's official letters and personal writings, Emperor Gokashiwara's official letters as well as poem drafts he personally wrote, and Emperor Gonara's official letters and personal writings.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

平安時代から鎌倉時代初期の古筆類は、伝称筆者は多いものの確実なものが少ない中で、この2つの書跡はともに署名があり、筆者の確実な自筆詠草である。例文帳に追加

Among the many legendary writers of the ancient Japanese writings which were made from the Heian to the early Kamakura period ---most of them are not reliable, though---, these two calligraphies have signs, so they are reliable drafts for poems.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

男性的な楮の穀紙や奉書紙に対して、肌合いが優しくきめの細かい雁皮紙は、詠草（えいそう）料紙（りょうし）として愛用された。例文帳に追加

As opposed to the kokushi (paper made from the fibers of the mulberry tree, which is native to Japan and widely cultivated) and hoshogami (heavy Japanese paper of the best quality) made of kozo (mulberry tree) and seen as masculine paper, ganpishi, which was gentle to touch and fine textured, were favored as ryoshi for eiso.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

から紙は、平安時代には詠草料紙として加工が始まり、後にふすま紙の主流となったが、本阿弥光悦の嵯峨の芸術村では、紙屋（かんや）宗二が嵯峨本などの用紙として美しい紙をつくった。例文帳に追加

The processing of karakami began in the Heian period as a paper for eiso and later became the major fusuma paper, and in the art village of Koetsu HONAMI in Saga, Soji KANYA made a beautiful paper for Saga-bon (books published by Koetsu HONAMI, Soan SUMINOKURA and others in Saga, Kyoto).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

本阿弥光悦の芸術の重要なテーマは王朝文化の復興であり、その一つとして王朝時代の詠草料紙の復活と「からかみ」を作り、書道の料紙とするとともに、嵯峨本の料紙とすることであった。例文帳に追加

The important theme of art of Koetsu HONAMI was reviving the cultures of the dynasty age, one of which was the revival of paper for eiso and the production of 'karakami' as ryoshi for Saga-bon as well as for calligraphy.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

芸術村で作られた「から紙」は、ほとんどが嵯峨本の出版用の料紙や詠草料紙であったが、近世の京唐紙師の一部にその技術が伝承されて、京からかみの基礎を築いたとも言える。例文帳に追加

The 'karakami' produced in the art village was mainly ryoshi for publishing Saga-bon and ryoshi for eiso, and its technique was transmitted to a part of Kyo kami-shi in recent times and laid the foundation for Kyo karakami.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス