大作野の英語

1922年（大正11）、家督を長男万作（野村万蔵(6世)）に譲り、隠居名・萬斎を名乗る。例文帳に追加

In 1922 he handed over the reigns of the family to his oldest son Mansaku (Manzo NOMURA, the sixth), and called himself Mansai, a name after his retirement.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

これらのグループは、1924年10月に大同団結する（『三科（三科造形美術協会）』）も、間もなく1925年には瓦解し、1925年の『造形』（浅野、神原、岡本、矢部、吉田、吉邨、作野金之助、吉原義彦、斎藤敬治、飛鳥哲雄（1895年-1997年）、牧島貞一ら）、1926年の『単位三科』（中原、大浦、仲田定之助、岡村蚊象（山口文象、1902年-1978年）ら）といったグループの動きを経て、次第に次のとおり分裂していった。例文帳に追加

Although these groups united for a common purpose in October 1924 (as "Sanka" [Sanka-Zokei-Bijutsu-kyokai]), they soon collapsed in 1925 and gradually split (as below) after the movements of the groups such as "Zokei" (Asano, Kanbara, Okamoto, Yabe, Yoshida, Yoshimura, Kinnosuke SAKUNO, Yoshihiko YOSHIHARA, Keiji SAITO, Tetsuo ASUKA [1895 - 1997], Teiichi MAKISHIMA, and others) in 1925 and "Tan-i Sanka" (Nakahara, Oura, Sadanosuke NAKATA, Bunzo OKAMURA [Bunzo YAMAGUCHI, 1902 - 1978], and others) in 1926.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス