山口沢の英語

1800石...大久保利通（鹿児島藩士）、木戸孝允（山口藩士）、広沢真臣（山口藩士）例文帳に追加

1,800 koku... Toshimichi OKUBO (a feudal retainer of Kagoshima Domain), Takayoshi KIDO (a feudal retainer of Yamaguchi Domain), Saneomi HIROSAWA (a feudal retainer of Yamaguchi Domain)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

井上は明治6年（1873年）、大蔵大輔のとき、尾去沢銅山（秋田県）に関連して、当時の山口県参事（知事）・中野梧一と結託して不正を働いたとして追及され、一時政界を追われた。例文帳に追加

In 1873, when Inoue was the Deputy Minister of Finance, he was temporarily driven from the political world because of an accusation that he colluded with Goichi NAKANO, the Governor of Yamaguchi Prefecture at the time, in fraud related to the Osarizawa Copper Mine (Akita Prefecture).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、掛長であった渋沢は伊藤や井上とともに大隈邸に出入りして改正掛での議論などを大隈に報告するとともに大隈と親交があった山口尚芳や五代友厚ら他の若手官僚とも議論を重ねた。例文帳に追加

In addition, Shibusawa, a section head, often visited Okuma's with Ito or Inoue, informed Okuma of discussions made in Kaiseigakari, and also talked frequently with young bureaucracy such as Naoyoshi YAMAGUCHI and Tomoatsu GODAI who were associated with Okuma.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「歌舞伎映画プロ」は、中根プロ、および山口の「山口俊雄プロダクション」に協力し、小文治はそれらの第1作に出演、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から「歌舞伎映画プロ」に参加した市川芳之助（のちの沢田清）も千恵プロの『愛憎血涙』に出演したが、同年7月末に早くも山崎らの「館主連盟」が瓦解してしまった。例文帳に追加

Kabuki Eiga Pro,' in cooperation with Nakane Pro and YAMAGUCHI's 'Yamaguchi Toshio Productions,' Kobunji acted in the first films that were produced by these two production companies and Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ayameike Studio of Ichikawa Utakemon Productions (Uta Pro) in Nara and joined 'Kabuki Eiga Pro,' also acted in "Aizo Ketsurui" (Love and Hate, Blood and Tears) produced by Chie Pro, but YAMAZAKI's 'Kanshu Renmei' fell apart early at the end of July in 1928.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

島根県雲南市加茂町大字神原・神原神社古墳出土の「景初三年」鏡、群馬県高崎市柴崎町蟹沢・蟹沢古墳、兵庫県豊岡市森尾字市尾・森尾古墳、山口県周南市（旧新南陽市）竹島御家老屋敷古墳の三古墳から出土した同型の「正始(魏)元年」鏡三面である。例文帳に追加

There are three mirrors, 'Keisho sannen' (the third year of Keisho) mirror discovered in Kanbara-jinja Shrine kofun Tumulus in oaza (an administrative unit) Kanbara, Kamo-cho, Unnan City, Shimane Prefecture, the same form of 'Seishi (Wei) gannen' (the first year of Seishi) mirrors discovered in Kanizawa-kofun Tumulus in Kanizawa, Shibasaki-machi, Takasaki City, Gunma Prefecture, Morio-kofun Tumulus in aza Ichio, Morio, Toyooka City, Hyogo Prefecture and in Gokaroyashiki-kofun Tumulus in Takeshima Island, Shunan City (the former, Shinnanyo City), Yamaguchi Prefecture.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、我が国においても、日本銀行の山口副総裁（当時）は、グローバル化・IT化の進む現在の金融システムに対して、「技術革新とグローバル化によって平時にもたらされている市場の厚みあるいは潤沢な流動性は、大きなストレスを受ける金融危機時には瞬時に失われ、そのことが危機を増幅させるリスクを孕んでいる。」と指摘した上で、「こうした状況の中で我々がまず為すべきことは、規制によって技術の展開や市場の革新を抑え込もうとすることではなく、規制・監督、市場慣行、ディスクロージャー、会計制度等々が含まれる広い意味での市場インフラを整備し頑健なものにしていくことであり、これらを体系的に改善していくことは金融危機のリスクという不確実性の最たるものを減らすことに貢献する。」と指摘している13。例文帳に追加

In Japan as well, then-Deputy Governor Yutaka Yamaguchi of the Bank of Japan pointed out regarding the current financial system wherein globalization and diffusion of IT are progressing, that the depth and ample liquidity of markets created by technological innovation and globalization in normal times could be immediately lost in times of a financial crisis accompanied by enormous stress, and there is an inherent risk that it would further amplify the crisis.He also added, “Under such circumstances, we should not suppress, by regulation, the development of technology and innovation in the market. Rather, we should strive to provide a supportive market infrastructure, including regulation and supervision, market practices, disclosure, and accounting methods, in a broad context and to make it more robust. The systematic improvement of market infrastructure will contribute to reducing the risk of financial crises, which is the most serious uncertainty.” 13 - 経済産業省