市村川の英語

また型としても市川団十郎(9代目)や尾上菊五郎(6代目)のものとそう大きく変わるところはないため、むしろ十五代目市村羽左衛門の稀有な個性と仁によって生みだされた特色ある役を列挙した「十五代目市村羽左衛門の十八番」的な性格のほうが濃い。例文帳に追加

Furthermore, their style is not greatly different from that of Danjuro ICHIKAWA the ninth and of Kikugoro ONOUE the sixth, and so they have more of a feature of 'Uzaemon ICHIMURA the fifteenth's Ohako (favorite stunts)' listing distinctive roles created by his unsurpassed individuality and benevolence.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

昭和期には尾上菊五郎(6代目)・中村吉右衛門(初代)、市村羽左衛門(15代目)、實川延若(2代目)、中村梅玉(3代目)など多くの名優が活躍し今日の歌舞伎に大きな影響を与えた。例文帳に追加

During the Showa period, many great actors were active, such as the sixth "Kikugoro ONOE," the first "Kichiemon NAKAMURA," the fifteenth "Uzaemon ICHIMURA," the second "Enjaku JITSUKAWA" and the third "Baigyoku NAKAMURA," and they had a great impact on today's Kabuki.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

勘平は市村羽左衛門(15代目)、中村鴈治郎(初代)、二代目實川延若、中村勘三郎(17代目)がそれぞれ名舞台だったが、抜群なのは尾上菊五郎(6代目)の型である。例文帳に追加

Uzaemon ICHIKAWA (the 15th), Ganjiro NAKAMURA (the first), Enjaku JITSUKAWA the second and Kanzaburo NAKAMURA (the 17th) all performed the role of Kanpei well, but the best performance was that of Kikugoro ONOE (the sixth).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

初代鴈治郎には中村梅玉(2代目)や市川中車(7代目)が、二代目鴈治郎には片岡仁左衛門(13代目)、現藤十郎には市村羽左衛門(17代目)など腕達者な役者がつきあった。例文帳に追加

Great actors played such supporting roles like Baigyoku NAKAMURA the second and Chusha ICHIKAWA the seventh for Ganjiro the first, Nizaemon KATAOKA the 13th for Ganjiro the second, and Uzaemon ICHIMURA the 17th for present-day Tojuro.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、市村羽左衛門(15代目)、市川壽海(3代目)の木村重成、尾上菊五郎(6代目)・尾上梅幸(7代目)の銀之丞は歴史に残る名演技であった。例文帳に追加

In addition, Shigenari KIMURA played by Uzaemon ICHIMURA (the 15th) and Jukai ICHIKAWA (the thirrd) and Ginnojo played by Kikugoro ONOE (the sixth) and Baiko ONOE (the seventh) were so great that they were long remembered in history.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

東京でも、市川團十郎(9代目)、中村吉右衛門(初代)、市村羽左衛門(15代目)、十七代目中村勘三郎、尾上松緑(2代目)などが江戸に上方式を融合した演出を取っていた。例文帳に追加

Even in Tokyo, Danjuro ICHIKAWA (the ninth), Kichiemon NAKAMURA (the first), Uzaemon ICHIMURA (the fifteenth), Kanzaburo NAKAMURA (the seventeenth), Shoroku ONOE (the second), and others adopted staging integrated kamigata (Kyoto and Osaka) style into Edo.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

若いときに父を始め、松本幸四郎(7代目)、七代目市川中車、市村羽左衛門(15代目)、實川延若(2代目)ら名優に歌舞伎狂言の型を教えられたが、これは、十三代目仁左衛門のみならず歌舞伎界にとって貴重な財産であった。例文帳に追加

When he was young, he learned the forms of kabuki and kyogen from excellent actors such as Koshiro MATSUMOTO VII, Chusha ICHIKAWA VII, Hazaemon ICHIMURA XV and Enjaku MINOKAWA II in addition to his father; this was an important asset not only for Nizaemon (XIII) but also for kabuki society as a whole.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

芸風は、立役の後継者に恵まれなかった六代目菊五郎のそれをよく受継ぎ、尾上梅幸(7代目)、市川左團次(3代目)、市村羽左衛門(17代目)らとともに菊五郎劇団を支え、菊吉時代の歌舞伎を伝えることに大きな功績があった。例文帳に追加

His style was that of Kikugoro (VI) who was not blessed with a successor to the lead roles, and along with Baiko ONOE (VII), Sadanji ICHIKAWA (III) and Uzaemon ICHIMURA (XVII) they formed the Kikugoro Theater and successfully transmitted the kabuki skills of Kikuyoshi's age.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス