歌摩の英語

冷泉為秀に和歌を、二条良基に連歌を学び、室町幕府3代将軍足利義満に和歌･連歌をもって同朋衆として仕え、使者として2回薩摩国へ下っている。例文帳に追加

He studied waka (=tanka; a traditional Japanese poem of thirty-one syllables) under Tamehide REIZEI and renga under Yoshimoto NIJO, serving Shogun Yoshimitsu ASHIKAGA as Doboshu (the shogun's attendants in charge of entertainment) as a waka and renga poet and went to Satsuma Province twice as an envoy.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『新勅撰和歌集』以後は晴れて「薩摩守忠度」の名で入選している。例文帳に追加

After "Shin chokusen wakashu" (New Imperial Anthology of Japanese Poetry), his poems were listed under the name as "Satsuma no kami, Tadanori."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1912年松竹に入って書いた『今様薩摩歌』は今でも上演される代表作である。例文帳に追加

He wrote "Imayo Satsuma Uta," his best work, in 1912 when he was in Shochiku and it is still preformed.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この時代の薩摩琵琶の歌のひとつである『蓬莱山』に現在知られるものと同じ歌詞のものが見られ、よって現在の「君が代」は、明治期に薩摩人がここから採ったものとする説が有力である（次節も参照）。例文帳に追加

In "Horaisan" which is a song for Satsuma biwa (Satsuma lute) in such period, there is a song that has the same words as the present Kimigayo and therefore the view that the words of the present "Kimigayo" was taken from this song by a person from Satsuma during the Meiji Period is prevailing (refer to the following section).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

それを受けた薩摩藩軍楽隊隊員の依頼を当時薩摩藩歩兵隊長である大山弥助(後の大山巌、日本陸軍元帥)が受け、大山の愛唱歌より歌詞が採用された（前節も参照）。例文帳に追加

Yasuke OYAMA, who was at that time the commander of the infantry of the Satsuma Domain, (later Iwao OYAMA, who was a marshal of the Imperial Japanese Army) received the request from the squad leader of the military band of the Satsuma Domain, who acted in response to the advice, and the words were adopted from Oyama's favorite song (Also, refer to the preceding clause).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

和歌山・金剛峯寺（護摩堂）　木造不動明王坐像（鎌倉時代、重要文化財）例文帳に追加

Kongobu-ji Temple (Goma-do, small buildings at Buddhist temples of Shingon and Tendai sects, Shingonshu and Tendaishu, used especially for esoteric practices, Mikkyo and for the performances of the burnt-offering goma ceremonies) in Wakayama: The seated statue of wooden Fudo Myoo (Heian period, an important cultural property)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

外部に対しては、平曲(平家琵琶)及び三曲(箏、地歌三味線、胡弓)、あるいは鍼灸、按摩などの職種を独占していた。例文帳に追加

Externally, the organization monopolized the rights of professionals such as heikyoku (the music played on Heike biwa as accompaniment for the recitation of Heike Monogatari), sankyoku (so [thirteen-stringed Japanese zither], jiuta shamisen [a genre of traditional songs with samisen accompaniment] and kokyu [Chinese fiddle]), shinkyu and anma massage.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

薩摩に催馬楽村があり、その付近では都曇答蝋、鼓川、轟小路などの地名があり、ここに住んでいた楽人がうたいはじめた歌謡例文帳に追加

There was Sebaru village in Satsuma, and there were place names such as Tantado, Tsutsumigawa, and Todorokoji around there, and gakunin (players) who lived there started to sing the song.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス