男日巳の英語

黒澤明、小津安二郎、成瀬巳喜男らと並び称される日本映画の巨匠。例文帳に追加

He is one of the greatest filmmakers of Japanese cinema, ranked with Akira KUROSAWA, Yasujiro OZU, and Mikio NARUSE.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1911年（明治44年）　1月19日、群馬県邑楽郡館林町1006番地（現館林市城町）に、父巳之七、母たかの末子（4男）として生まれる例文帳に追加

On January, 19, 1911, he was born as the youngest son (fourth son) to the father Minoshichi and mother Taka at the address of 1006, Tatebayashi-cho, Oura County, Gunma Prefecture (present Shiromachi in Tatebayashi City).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

建久3年（1192年）8月9日巳の刻、鎌倉幕府初代征夷大将軍・源頼朝と正室・北条政子の間の二人目の男子として鎌倉で生まれる。例文帳に追加

At around 10 a.m. on September 24, 1192, he was born as the second son between the 1st Seii-taishogun of the Kamakura bakufu MINAMOTO no Yoritomo and his lawful wife Masako HOJO.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1952年に黒澤脚本の『決闘鍵屋の辻』、成瀬巳喜男監督の『おかあさん』での明朗できびきびとした演技が批評家から絶賛され、1952年度の毎日映画コンクール、ブルーリボン賞(映画)の男優助演賞を受賞する。例文帳に追加

In 1952, he won the highest praise from critics for his brisk and cheerful performance in the movies "Ketto Kagiya no Tsuji" (The Duel at the Key-Maker's Corner) scripted by Kurosawa and "Okasan" (Mother) directed by Mikio NARUSE, and in 1952, he was awarded the best supporting actor prize of Mainichi Film Contest as well as that of Blue Ribbon Prize (movie).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「自分の映画の方法論は、近代的人間像を日本映画にうちたてるためのものだ」と主張し、成瀬巳喜男を、『日本の社会をそのまま認め、はかなき小市民の「情緒」を描く自然主義的風速映画』と、今井正もの当時の巨匠たちを痛烈に批判した。例文帳に追加

And he argued that 'my cimematographic methodology is to establish a modern image of a man,' and he roundly criticized the renowned film directors of the time such as the master director Tadashi IMAMURA, and referring to Mikio NARUSE, he wrote "his films, which come to terms with the actual Japanese Society and depict the ephemeral 'sentiment' of petit bourgeois can be called naturalistic velocity movies."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス