True Realmとは 意味・読み方・使い方

The Butsu bosatsu drawn in the mandalas of the two realms, Vajradhatsu (Diamond realm) and Garbhadhatsu (Womb realm), were considered the true forms of Buddha, and god (Shinto) was interpreted as its manifested form.発音を聞く 例文帳に追加

この金剛界と胎蔵界の両部の曼陀羅に描かれた仏菩薩を本地とし、神(神道)をその垂迹として解釈した。 - Wikipedia日英京都関連文書対訳コーパス

Nichiren, however, added the connotation of Kaigon Kennon (Siddhartha is not only a real person who became Buddha but also a true Buddha who has been saving the public since the infinite time of Gohyaku-Jintengo) to Gohyaku-Jintengo, stating in his books such as "Book of the Realm of Siddhartha" that 'this Shaba (one of galaxies in the Sanzen Daisen Sekai, where our humans live) world has been the realm of Siddhartha Bodhisattva for past Gohyaku-Jintengo years.'発音を聞く 例文帳に追加

しかし日蓮は『釈迦御所領御書』などで、「過去五百塵点劫より、このかた、この娑婆世界は釈迦菩薩の御進退の国土なり」などと、五百塵点劫の言葉に開近顕遠の意味を持たせた。 - Wikipedia日英京都関連文書対訳コーパス

With respect to the third category, the Emperor was said to be a "living god" prior to WWII, and this held true not only within the confines of Shinto thought, but in the realm of politics as well, where the Emperor was also considered to be a kami.発音を聞く 例文帳に追加

3.については、日本において天皇のことを戦前は現人神と呼び、神道上の概念としてだけでなく、政治上においても神とされていたことが挙げられる。 - Wikipedia日英京都関連文書対訳コーパス

The 10 ranks from the highest are as follows: Transference of equalizing the boundless dharma realm; Transference of the liberation without any tie nor attachment; Transference of the mark of true suchness; Transference of viewing all sentient beings in equality and harmony; Transference of the good roots of equality and harmony; Transference of the store of boundless virtues; Transference of reaching everywhere; Transference of equalizing all Buddhas; Transference of non-destruction; and Transference of salvaging all sentient beings but detaching from any form of sentient being.発音を聞く 例文帳に追加

上から入法界無量廻向・無縛無著解脱廻向・真如相廻向・等随順一切衆生廻向・随順一切堅固善根廻向・無尽功徳蔵廻向・至一切処廻向・等一切諸仏廻向・不壊一切廻向・救護衆生離衆生相廻向の10位。 - Wikipedia日英京都関連文書対訳コーパス

In this writing, Akinari took "The Tale of Genji" by Murasaki Shikibu and "Water Margin" by Lo Kuan-chung as examples of authors who wrote masterpieces that were true to life and then fell into a dreadful realm (a tradition saying that Murasaki Shikibu went to Hell was recorded in both "Hobutsushu" written by TAIRA no Yasuyori during the Jisho era and "The Tales of Ima," considered to have been written by FUJIWARA no Nobuzane after the Eno period, while the traditional story that Lo Kuan-chung's offspring over three generations became dumb was according to "Seiko Yuran Shiyo" (edited by Josei DEN in Ming) and "Hsu wen-hsien t'ung-k'ao").発音を聞く 例文帳に追加

この文中で秋成は、『源氏物語』を書いた紫式部と『水滸伝』を書いた羅貫中を例にあげ、ふたりが現実と見紛うばかりの傑作を書いたばかりにひどい目にあったという伝説をあげている（紫式部が一旦地獄に堕ちた、というのは、治承年間、平康頼によって書かれた『宝物集』や延応以降の、藤原信実によって書かれたとされる『今物語』に、羅貫中の子孫三代が唖になった、というのは、明、田汝成編の『西湖遊覧志余』や『続文献通考』によっている）。 - Wikipedia日英京都関連文書対訳コーパス