warrior pictureとは 意味・読み方・使い方

The Picture of Tametomo the Great Warrior Driving Back the Fierce God of Smallpox発音を聞く 例文帳に追加

為朝の武威痘鬼神を退く図 - Wikipedia日英京都関連文書対訳コーパス

The picture was supposedly taken by Guido Herman Fridolin Verbeek in 1866 or 1867, but the notion that Saigo and others who had made achievements serving the country in the Meiji Restoration got together around that time is historically impossible, and Saigo himself was already obese by this point, but in the picture his cheek bones show and he had a normal sized body, so there are many problems with it; moreover, the picture was distorted by Taneomi SOEJIMA and Guido Herman Fridolin Verbeek, so it is likely to be nothing more than unnamed men of the warrior class in Saga, instead those who had achievements serving their country.発音を聞く 例文帳に追加

グイド・フルベッキの写真は撮影されたのが慶応2、3年と特定されているが（明治初年の説もある）、比定された西郷ら明治維新の元勲がこの時期に一堂に会したことは史料的にも有り得ぬし、西郷本人に限っても、既に肥満体になっていたのに、頬骨が出、普通の身躯をしているなど疑問点だらけで、副島種臣とフルベッキ、さらに無名の佐賀士族の若者たちを写した写真を元勲たちの写真とこじつけたにすぎない。 - Wikipedia日英京都関連文書対訳コーパス

That same year, Inagaki made his directorial debut on the film 'Tenka Taiheiki' (Record of the Great Peace Under Heaven), which starred Chiezo and whose screenplay was written by Itami; thereafter, he made a great number of cheerful period dramas showing Chiezo's merrier side, including 'Hoto zanmai' (Drowning in the Three Pleasures), 'Genji kozo' (The Young Priest Genji), 'Ehon musha shugyo' (Picture Book of a Warrior Traveling to Hone His Martial Skills), and 'Genroku Ju-san nen' (Year Thirteen of the Genroku Era (about the year 1700)), leading to Inagaki and Itami being called the 'two supporting pillars' of Chiezo Productions.発音を聞く 例文帳に追加

同年千恵蔵主演、伊丹脚本の「天下太平記」で監督としてデビューし、以後、「放蕩三昧」「源氏小僧」「絵本武者修行」「元禄十三年」といった千恵蔵主演の明朗にして陽気な時代劇を多数手がけ、伊丹と共に千恵蔵プロの二本柱と呼ばれた。 - Wikipedia日英京都関連文書対訳コーパス

Accordingly, a color paper, picture or decoration to which a magnet sheet is previously attached can be mounted on a surface of the folding screen, and seasonal or timely decorations such as a Samurai warrior helmet or round rice-cake are placed on the Tatami mat, bringing the diversity at each time.例文帳に追加

又お茶のお点前以外にも応用が効くように風炉先屏風内に鉄板を貼り、それによって屏風表面に予めマグネットシートを貼り付けた色紙や絵、飾り物を取り付けることが出来、季節やその時々に合わせた飾り付けを畳上に兜や鏡餅などを置いたりしてそのつど多様性を持たせたものである。 - 特許庁