「昭澄」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

その後、宗教法人令（昭和20年12月28日施行1945）による、真澄寺を総本山としての「まこと教団」の設立（伊藤真乗管長昭和23年1948）。例文帳に追加

After the Religious Cooperation Law was issued (the law became effective on December 28, 1945), 'Makoto kyodan,' having Shincho-ji Temple as its sohonzan, was established (Shinjo ITO, chief abbot, 1948).  - Wikipedia日英京都関連文書対訳コーパス

この間醍醐派管長の認可を得て立川不動尊教会の会堂（現在の真如苑総本部真澄寺）を建立、本山直轄の密院を開創した（昭和14年2月落慶法要のちに鐙檠山真澄寺と号　堂宇：現存）。例文帳に追加

During this time, after obtaining approval from the chief priest of the Daigo school, the hall of Tachikawa Fudoson Kyokai (currently the head office of Shinnyoen Buddhist Shincho-ji Temple) was built, and also 密院, which was directly supervised by Honzan, was established (in February 1939, after having the 落慶 Buddhist memorial service, it was named Tokeizan Shincho-ji Temple and go, 堂宇, which currently exist).  - Wikipedia日英京都関連文書対訳コーパス

義稙には息子がなかったが、前将軍で対立者でもあった義澄の子・足利義維を養子として阿波に伴ったため、義稙の死後、義維は将軍職を継いだ兄の足利義晴と対立し、義稙流（義稙・義維・義栄・義助）と義澄流（義澄・義晴・義輝・義昭）に分かれ、新たな戦乱の火種となった。例文帳に追加

Although Yoshitane did not have any sons, he fled to Awa accompanied by Yoshitsuna, a son of Yoshizumi, the former Shogun and Yoshitane's opponent, whom he adopted as his son and after Yoshitane's death, Yoshitsuna came into conflict with his older brother Yoshiharu, who had succeeded to the Shogunate, causing another power struggle between the Yoshitane faction (Yoshitane, Yoshitsuna, Yoshihide and Yoshisuke) and the Yoshizumi faction (Yoshizumi, Yoshiharu, Yoshiteru and Yoshiaki).  - Wikipedia日英京都関連文書対訳コーパス

昭高院准后道澄から古今伝授を、また藤木成定から入木道（じゅぼくどう＝書道）伝授を受け、後水尾上皇・徳川秀忠・細川忠興・島津家久に蹴鞠を指導するなど諸芸に秀でていた。例文帳に追加

He was initiated into kokin denju (the art of interpreting the kokinshu) by the Shoko-in Dogo JUNGO, and initiated into the art of calligraphy by Narisada FUJIKI, and was exceptionally accomplished instructing such luminaries as Retired Emperor Gomizuo, Hidetada TOKUGAWA, Tadaoki HOSOKAWA, and Iehisa SHIMAZU in the game of kemari (an ancient kick-ball game similar to soccer).  - Wikipedia日英京都関連文書対訳コーパス

京都市下京区四条通御幸町の葉茶屋「ちきり屋」の次女として生まれ、京の伝統文化に育まれた松園は、明治・大正・昭和を通して生涯、「一点の卑俗なところもなく、清澄な感じのする香高い珠玉のような絵」、「真・善・美の極致に達した本格的な美人画」（松園のことば）を念願として女性を描き続けた。例文帳に追加

The second daughter of the owners of a tea shop in central Kyoto, Shoen grew up surrounded by traditional Kyoto culture and spent her whole life painting women, aiming to produce, in her own words, 'pictures like exquisite jewels, clear and without a trace of vulgarity' and 'authentic 'bijinga' paintings that are the culmination of truth, goodness and beauty.'  - Wikipedia日英京都関連文書対訳コーパス