臨模の英語

また、これ以後に作られた校訂本では冷泉明融により藤原定家の自筆本を文字の配列や字形に至るまで忠実に写し取った臨模本とされる明融臨模本が存在する巻（桐壺、帚木、花宴、若菜(源氏物語)上下、橋姫(源氏物語)、浮舟）については大島本よりもそちらを底本にすることが多い。例文帳に追加

Most of the recensions which were made after this were not based on the Oshima-bon, but on the Meiyurinmo-bon, a copy book which REIZEI Meiyu faithfully transcribed from the manuscripts in Teika's own hand, from arrangement of letters to even letterforms, as long as the Meiyurinmo-bon manuscripts existed; the volumes based on the Meiyurinmo-bon were Kiritsubo, Hahakigi (The Broom Tree), Hana no En (The Festival of the Cherry Blossoms), Wakana (Spring Shoots) I and II, Hashihime (The Maiden of the Bridge), and Ukifune.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

桐壺、帚木、花宴、若菜上下、橋姫、浮舟については定家の自筆本を文字の配列に至るまですべてそのまま写したとされていることから明融臨模本とも呼ばれる。例文帳に追加

It was also called Meiyurinmo-bon because the chapters of Kiritsubo (The Paulownia Court), Hahakigi, Hana no En (The Festival of the Cherry Blossoms), Wakana (new herbs) I and II, Hashihime (The Maiden of the Bridge), and Ukifune (A Drifting Boat) were faithfully copied from the manuscript by Teika, and even the order of the letters were the same.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

現在ある青表紙本系統の写本の中では定家自筆本や明融臨模本を除けばこの大島本が定家が校訂した本文を最もよく保存していると考えられている。例文帳に追加

Other than the manuscript written in Sadaie's own hand and the Meiyurinmo-bon, the Oshima-bon manuscript is considered to be the one that best conserves the text revised by Sadaie among the existing manuscripts of the 'Aobyoshi-bon' line.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

但し各巻の巻末には採用されていた写本との異同のうち『校異源氏物語』に記載されなかった若干の異同を補記するとともに明融臨模本との異同を付け加えてある。例文帳に追加

However, among the differences in the adopted manuscripts, a few text differences which was not on "Koi Genji monogatari" were collected in each end of the book, and differences in Meiyurinmo-bon manuscript were also added.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

但し『校異源氏物語』の段階では比較校合に採用されなかった写本のうち、明融本（明融臨模本）のみは特にその重要性から『源氏物語大成』校異編においてはその異同を巻末に補記している。例文帳に追加

However, among the manuscripts which were not used for comparison and collation in making "Koi Genji monogatari," the text differences in Meiyu-bon (Meiyurinmo-bon) manuscript were supplementarily collected at the end of the book of comparison of "Genji monogatari taisei" due to its special importance.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

奥入には大島本や明融臨模本に書かれている「第一次奥入」（第一次本）と定家自筆本に書かれている「第二次奥入」（第二次本）とがある。例文帳に追加

There are two types of Okuiri, 'the first Okuiri' (the first version) that was written in the Oshima-bon and the Meiyurinmo-bon manuscripts, and 'the second Okuiri' (the second version) that was included in Sadaie's own hand-written manuscript.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その後も空海の書を敬慕し続けており、58歳のとき四国に渡り萩原寺（現香川県観音寺市大野原町萩原）に滞在して秘蔵される伝空海「急就章」（萩原寺蔵・重要文化財）を臨模している。例文帳に追加

Afterwards he continued to admire the calligraphy by Kukai and at the age of 58 he moved to Shikoku and stayed in Hagiwara-ji Temple (currently, Hagiwara, Onohara-cho, Kanonji city, Kagawa Prefecture) and copied the treasured 'Kyujosho' by Kukai (stored in Hagiwara-ji Temple, Important Cultural Property).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

山水画の臨模も盛んに行い、伊孚九と池大雅の山水画を縮小して模刻した『伊孚九・池大雅山水画譜』を刊行している。例文帳に追加

He also imitated sansui-ga (Chinese-style landscape painting), and published "I Fukyu IKE no Taiga Sansui-ga Fu" in which he reduced the size and imitated the sansui-ga drawn by Fukyu I and IKE no Taiga.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス