「jisuke」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

In December 1784, he became Tatesakusha (the head of the playwrights' room in a Kabuki theater during the Edo and the Meiji period), and gained the second highest popularity after Jisuke SAKURADA the first. 例文帳に追加

翌年11月に立作者になり櫻田治助(初代)に次ぐ人気を得る。 - Wikipedia日英京都関連文書対訳コーパス

Jisuke OKAHASHI (January 21, 1826 – November 2, 1913) was a Japanese businessman. 例文帳に追加

岡橋治助（おかはしじすけ、文政8年12月14日(旧暦)（1826年1月21日）-大正2年（1913年）11月2日）は、日本の実業家。 - Wikipedia日英京都関連文書対訳コーパス

In Meiji Period, Jisuke HIROSE invented 'Katagami Yuzen' (Yuzen-style printed silk using cutting paper patterns) employing a printing technique, which broadened the popularity of yuzen. 例文帳に追加

明治時代には、広瀬治助が捺染の技法を用いた「型紙友禅」を考案し、友禅染の裾野を広げた。 - Wikipedia日英京都関連文書対訳コーパス

In 1842, he came to Osaka and became a trainee at Shimaya dealing with futomono (cotton cloth and hemp cloth) and in 1856, he had a shop of Jisuke ABURAYA which was a branch family of Shimaya and started as a cotton merchant and became one of the best cotton warehouse merchant in Osaka. 例文帳に追加

天保13年（1842年）大坂に出て、太物商島屋で商売見習をし、安政3年（1856年）島屋の別家油屋治助の店を持ち、木綿商をはじめ、大阪屈指の木綿問屋となる。 - Wikipedia日英京都関連文書対訳コーパス

In Kabuki field, Ichimura-za Theater is known to have actively performed masterpieces relevant to Fujitsuna; "Aotozoshi" and "Meiyo Jinsei Roku" in collaboration with the third Jisuke SAKURADA, "Aotozoshi hana no nishikie" (Picture of flower of Aorozoshi) in collaboration with Mokuami KAWATAKE are known today. 例文帳に追加

歌舞伎においては市村座が藤綱関連の作品を積極的に行ったことが知られ、三世桜田治助と組んだ『青砥稿』・『名誉仁政録』、河竹黙阿弥と組んだ『青砥稿花紅彩画』が知られている。 - Wikipedia日英京都関連文書対訳コーパス

After the National Kabuki Theater opened, he was active in restoring performances of Japanese classics which had fallen into obscurity, and drew attention for his performances of Kabuki "juhachi ban" repertoire including "Zohiki," "Nanatsumen," "Gedatsu," "Kan-u," "Fudo" and "Gohiiki Kanjincho" by Jisuke SAKURADA (I). 例文帳に追加

国立劇場開場後は積極的に埋もれた古典の復活上演を行い、歌舞伎十八番の『象引』『七つ面』『解脱』『関羽』『不動』や初代桜田治助作『御摂勧進帳』などで話題を集めた。 - Wikipedia日英京都関連文書対訳コーパス

He operated a dyer's shop with his father Isaburo EBIYA, but he loved plays so much that he intended to be a playwright; at last, he became a disciple of Jisuke SAKURADA, and later practiced under Sansho KANAI, Gohei NAMIKI, Jusuke NAKAMURA, and Kinpachi MASUYAMA. 例文帳に追加

父の海老屋伊三郎とともに紺屋を生業としていたが、生来の芝居好きのため狂言作者を志して安永5年(1777)初代桜田治助の門に入り、のち金井三笑、並木五瓶、中村重助、増山金八らに師事する。 - Wikipedia日英京都関連文書対訳コーパス

There are several scripts which have been based on Kanjincho, such as the relaxed and somewhat old-fashioned "Gohiiki Kanjincho" (Our Favorite Kanjincho), written by Jisuke SAKURADA the First during the Tenmei Period, and "Ataka no Seki" (The Ataka Barrier), which is a modern interpretation of the story written during the Taisho Period. 例文帳に追加

『勧進帳』に取材した他の脚本では、天明期に初代桜田治助が作った、大らかで古風な味わいのある『御贔屓勧進帳』（ごひいきかんじんちょう）と、大正期に近代的解釈を施した『安宅の関』が有名。 - Wikipedia日英京都関連文書対訳コーパス

Representative composures of lyrics and music include Sansho KANAI, Kichiji FUJITA the 1st, Kichiji FUJITA the 2nd, Jisuke SAKURADA the 1st, Shojiro KINEYA the 1st, Shojiro KINEYA the 3rd, Rokuzaemon KINEYA the 9th, Rokuzaemon KINEYA the 10th, Kangoro KINEYA the 3rd, Rokusaburo KINEYA the 4th, Katsusaburo KINEYA the 2nd, Jokan KINEYA the 2nd, Kosaburo YOSHIZUMI the 4th, and so on. 例文帳に追加

代表的な作詞者・作曲者には、金井三笑、冨士田吉次初代、冨士田吉次2代目、櫻田治助初代、杵屋正次郎初代、杵屋正次郎3代目、杵屋六左衛門9代目、杵屋六左衛門10代目、杵屋勘五郎3代目、杵屋六三郎4代、杵屋勝三郎2代目、稀音家浄観2代目、吉住小三郎(4代目)などが挙げられる。 - Wikipedia日英京都関連文書対訳コーパス

There were three particularly important plays among them: a Kabuki play 'Meiboku Sendai Hagi' (written by Kamesuke NAGAWA and others) performed during April 1777 at Naka no Shibai (the Naka-za Theater) in Osaka, Kabuki play 'Date Kurabe Okuni Kabuki' (Competition of the Date Clan in Okuni Kabuki) (written by a collaboration of Jisuke SAKURADA and Sensuke KASANUI) performed during July 1778 at the Nakamura-za Theater in Edo, and Ningyo Joruri play 'Meiboku Sendai Hagi' (written by Kanshi MATSU and others) performed during 1785 at the Yuki-za Theater in Edo. 例文帳に追加

特に重要な作品として、安永6年（1777年）4月大坂中の芝居で上演された歌舞伎「伽羅先代萩」（奈河亀輔ほか作）と、翌安永7年（1778年）7月江戸中村座で上演された歌舞伎「伊達競阿国戯場」（桜田治助・笠縫専助合作）、さらに天明5年（1785年）江戸結城座で上演された人形浄瑠璃「伽羅先代萩」（松貫四ほか作）の3作が挙げられる。 - Wikipedia日英京都関連文書対訳コーパス