利休園の英語

千利休の作と伝えられ、「群芳園」と称される。例文帳に追加

The garden is said to have been created by SEN no Rikyu and is called 'Gunpoen.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

大書院に面した庭園は千利休好みと言われ、国の名勝に指定されている。例文帳に追加

The garden in front of the large study hall has been designated a national place of scenic beauty of which SEN no Rikyu is said to have been particularly fond.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ただし江戸後期の柳沢淇園『雲萍雑誌』には、利休と茶道を争い、世間に媚びることの多い友・利休の茶風を嘆いたとも書かれている。例文帳に追加

However, it is written in "Unpyozasshi" (Ethical Criticism) written by Kien YANAGISAWA in the late-Edo period that he was critical of the style of tea ceremony of his friend, Rikyu, who often catered to popular tastes.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

千利休は晩年にいたって草庵風の茶を完成させ、田園的・山間的情趣を表現の主題とし、茶の室は農家の藁屋を、茶庭は山寺への道の趣を表そうとしている。例文帳に追加

SEN no Rikyu completed thatched style (country-like) tea in his last years, with pastoral and mountainous sentiment as the subject of expression, in which a tea room would express a farmer's straw-thatched house and a tea garden, a taste of the road to a mountain temple.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

千利休62歳の時に作られた苔一面の枯山水庭園で、豊臣秀吉の希望による瓢箪を象った池を手前に配し、加藤清正が持ち帰った朝鮮灯籠が据えられている。例文帳に追加

This dry landscape garden created by SEN no Rikyu at age 62 features a pond in the shape of a gourd that was designed according to the wishes of Hideyoshi TOYOTOMI and a Korean garden lantern brought back to Japan by Kiyomasa KATO,発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

千利休が大成させた茶道を継承しつつ、大胆かつ自由な気風を好み、茶器製作・建築・造園などにわたって「織部好み」と呼ばれる一大流行を安土桃山時代にもたらした。例文帳に追加

While following the footsteps of SEN no Rikyu, who brought the art of tea ceremony to perfection, he also developed a lively and creative style of art and created an art trend known as the Oribe style in pottery, architecture and gardening during the Azuchi-Momoyama period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

織部や遠州の茶や庭園は利休のそれに比べると作意が強いといわれ、利休が作意をも自然らしさの中に含みこもうとしたのに対し、織部の鑑賞を重視した茶庭には、作意が表面に押し出され、飛石や畳石を打つときは大ぶりなもの、自然にあまり見られない異風なものを探し求めたとされる。例文帳に追加

It is said that the creativity was stronger in tea and garden of Oribe and Enshu than in those of Rikyu, who tried to incorporate even his intention in naturalness, while Oribe's intention was pushed out on the surface in view-emphasized Chatei, where large steppingstones and Tatamiishi stone (tatami rocks) were put, but something unusual custom in the nature was sought.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス