藤晶の英語

谷崎潤一郎、和辻哲郎、芦田均、木村荘太、後藤末雄、大貫晶川らが参加。例文帳に追加

The participants included: Junichiro TANIZAKI, Tetsuro WATSUJI, Hitoshi ASHIDA, Sota KIMURA, Sueo GOTO and Shosen ONUKI.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

内部には階層を貫く吹き抜けが造られ、地階に仏塔があったなどとする復元案（内藤晶案など）もある。例文帳に追加

Some restoration plans such as the one proposed by Akira NAITO suggest that a stairwell going through all floors was installed, as well as a Buddhist pagoda was erected in the basement.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

伊藤左千夫・平野万里・上田敏・佐佐木信綱等が参加し、「新詩社」系の北原白秋・吉井勇・石川啄木・木下杢太郎、「根岸」派の斉藤茂吉・古泉千樫等の新進歌人も参加した（与謝野晶子を含めて延べ22名）。例文帳に追加

As well as Sachio ITO, Banri HIRANO, Bin UEDA, and Nobutsuna SASAKI, Hakushu KITAHARA, Isamu YOSHII, Takuboku ISHIKAWA and Mokutaro KINOSHITA from the 'Shinshisha' school and the new poets from 'Negishi' School such as Mokichi SAITO and Chikashi KOIZUMI also took park (twenty-two people in total including Akiko YOSANO).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

同年、後藤末雄、大貫晶川、木村荘太、谷崎潤一郎らとともに同人誌、第二次『新思潮』に参加、第一号に載せたのは戯曲「常盤」。例文帳に追加

In the same year, he participated in the second series of private magazines named "Shin Shicho" with Sueo GOTO, Shosen ONUKI, Sota KIMURA, and Junichiro TANIZAKI, and he wrote a drama named 'Tokiwa' for its first issue.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

与謝野晶子は、それまでと同様に『源氏物語』全体を2つに分けたが、光源氏の成功・栄達を描くことが中心の陽の性格を持った「桐壺」から「藤裏葉」までを前半とし、源氏やその子孫たちの苦悩を描くことが中心の陰の性格を持った「若菜」から「夢浮橋」までを後半とする二分法を提唱した。例文帳に追加

Akiko YOSANO divided "The Tale of Genji" into two parts as before, but she proposed that the former part should be from 'Kiritsubo' to 'Fuji no Uraba,' which has a positive atmosphere mainly describing the success and advancement of Hikaru Genji, while the latter part should be from 'Wakana' to 'Yume no Ukihashi,' which has a negative atmosphere focusing on the agony of Genji and his offspring.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

明治以後多くの現代語訳の試みがなされ、与謝野晶子や谷崎潤一郎の訳本が何度か出版されたが、昭和初期から「皇室を著しく侮辱する内容がある」との理由で、光源氏と藤壺女御の逢瀬などを二次創作物に書き留めたり上演することなどを政府から厳しく禁じられたこともあり、訳本の執筆にも少なからず制限がかけられていた。例文帳に追加

After the Meiji period, many people tried to make modern translations, and translations by Akiko YOSANO and Junichiro TANIZAKI were published several times; however, beginning in the early Showa period the government prohibited the production or performance of stories adapted from the scene of a secret meeting of Hikaru Genji and Fujitsubo due to the reason that 'it includes a scene insulting to the Imperial Family,' so even the translation was restricted more than a little.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス