都夜太の英語

概ね毎時4本の直通列車のうち2本が早朝・深夜を除いて太秦天神川駅まで、残りは京都市役所前駅まで乗り入れる。例文帳に追加

Out of about four direct trains an hour, two trains run to Uzumasa-tenjingawa Station and others run to Kyoto Shiyakusho-mae Station, except in the early morning and late night.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1日76往復（平日）の乗り入れ列車のうち、早朝・深夜を除いて28往復が概ね30分間隔で太秦天神川駅まで直通し、他は途中の京都市役所前駅まで運転される。例文帳に追加

Out of 76 round-trip trains coming from the Keihan Keishin Line each weekday, 28 are directly operated to Uzumasa-tenjingawa Station at intervals of approximately 30 minutes, while the other trains are operated up to Kyoto Shiyakusho-mae Station--an intervening station--except early in the morning and late at night.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし、その日の夜、中衛府の舎人上道斐太都から、前備前国国司小野東人に謀反への参加を呼びかけられたと仲麻呂へ密告があった。例文帳に追加

However, on the same evening, Nakamaro was informed by KAMITSUMICHI no Hitatsu, a toneri (a palace servant) of Chuefu (guard), that ONO no Azumahito, an ex-Kokushi (a provincial governor) of Bizen Province, asked him to join the rebellion.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その後は日活太秦や太秦京都を中心に映画を撮影し、10年山中と共同監督した「関の弥太ッぺ」、中里介山原作の「大菩薩峠」、11年前進座出演の「股旅千一夜」、16年「海を渡る祭礼」などといった時代劇の大作や話題作を製作。例文帳に追加

Following this, Inagaki continued to shoot films, mainly around Nikkatsu Uzumasa and Uzumasa Kyoto, and in 1935 he co-directed 'Seki no Yatappe' with Yamanaka; Inagaki also independently crafted some of his most celebrated epic and period films during this period, including his 1935 film 'Daibosatsu toge' (literally 'The Bodhisattva's Pass' but sometimes credited as 'The Sword of Doom' in English) based on the original novel by Kaizan NAKAZATO, his 1936 film 'Matatabi sen-ichi ya' (A Thousand and One Nights in a Gambler's Wandering Life) starring the actors of the Zenshin troupe, and the film 'Umi wo wataru sairei' (The Ocean-Crossing Festival) in 1941.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

小團次主演では、「都鳥廓白浪」（通称忍ぶの惣太）（1854）・「鼠小紋東君新形」（通称　鼠小僧）（1857）・「網模様燈籠菊桐」（通称　小猿七之助）（1857）・「小袖曽我薊色縫」（通称　十六夜清心）（1859）・「三人吉三廓初買」（通称　三人吉三）（1860）・「船打込橋間白浪」（通称　鋳掛け松）（1866）。例文帳に追加

Below are the Shiranami plays in which Kodanji played the leading role: 'Miyakodori nagareno shiranami' (commonly called 'Shinobuno Sota') (1854), 'Nezumikomon haruno shingata' (commonly called 'Nezumi kozo') (1857), 'Amimoyo torono kikukiri' (commonly called 'Kozaru Shichinosuke') (1857), 'Kosode soga azamino ironui' (commonly called 'Izayoi Seishin') (1859), 'Sannin Kichisa kuruwano hatsugai' (commonly called 'Sannin Kichisa) (1860), 'Fune e uchikomu hashimano shiranami' (commonly called 'Ikakematsu') (1866).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

立作者になってからはしばらく大当たりに恵まれなかったが、嘉永7年(1853)に市川小團次(4代目)に書いた『都鳥廓白波』（忍の惣太）が出世作となり、以後、幕末期には小團次と提携し『三人吉三廓初買』（三人吉三）や『小袖曾我薊色縫』（十六夜清心）など数々の名作を発表する。例文帳に追加

Shinshichi KAWATAKE II (the future Mokuami) as the newly appointed Tatesakusha had not made a smash hit for a while, but the year 1853 marked a major turning point in his career in that a play "Miyakodori Nagare no Shiranami" (commonly called Shinobu no Soda/Sota) which he wrote for Kodanji ICHIKAWA IV (the 4th) became his breakthrough work, thereafter successively exhibiting masterpieces produced in collaboration with Kodanji in the last days of the Tokugawa shogunate, including "Sannin Kichisa Kuruwa no Hatsugai" (commonly called Sannin Kichisa, meaning the Three Thieves Named Kichisa), and "Kosode Soga Azami no Ironui" (commonly called Izayoi Seishin, meaning the Love of Izayoi the prostitute and Seishin the monk) and others.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス