Mataichiroとは 意味・読み方・使い方

He was good at acting "Ryusei" (shooting star), "Sanbaso" (a dance dedicated to the shrine and performed as a Japanese-styled three dolls, Chitose, Okina and Sanbaso, operated by three doll handlers), and "Mitsumen," etc., as well as "Yoshino-yama" (Mt. Yoshino) he acted when he announced the succession to Mataichiro's stage name.発音を聞く 例文帳に追加

又一郎襲名で披露した『吉野山』のほか『流星』『三番叟』『三つ面』などを得意とした。 - Wikipedia日英京都関連文書対訳コーパス

This was an independent performance with a lineup of the seven kabuki actors Nizaemon, Ganjiro, Gado KATAOKA (jusandaime)(posthumously, conferred Nizaemon KATAOKA XIV), Mataichiro, Enjaku, Senjaku and Fukusuke NAKAMURA (Takasagoya V) and produced by Koichi YAMAGUCHI.発音を聞く 例文帳に追加

顔ぶれは仁左衛門、鴈治郎、片岡我童(13代目)（十四代目片岡仁左衛門追贈）、又一郎、延若、扇雀、中村福助(高砂屋5代目)の七人の歌舞伎役者と、山口廣一のプロデュースによる自主公演であった。 - Wikipedia日英京都関連文書対訳コーパス

His small frame and high-pitched voice were weaknesses, but due to his great talent he is considered to have been a master of all that he undertook; in fact, he is referred to as 'Mataichiro HAYASHI II of the west and Mitsugoro BANDO of the east.'発音を聞く 例文帳に追加

実力がありながら小柄な身体と甲高い声が欠点だったが、所作事にかけては名人と呼ばれ、「西の林又一郎、東の坂東三津五郎」と並び称された。 - Wikipedia日英京都関連文書対訳コーパス

One of the directors of the company, Mataichiro KANAMORI (later, representative director and president of the company) visited Hozan-ji Temple late at night and asked to lend him the money offered to the temple in exchange for 100,000 tickets.発音を聞く 例文帳に追加

同社の取締役の一人であった金森又一郎（後、同社の代表取締役・社長）は夜遅く宝山寺に向かい、寺に乗車券10万枚と引き換えに賽銭を貸して頂けないかと頼み込んだ。 - Wikipedia日英京都関連文書対訳コーパス

He himself assumed the name of Mataichiro HAYASHI the second at Osaka Kabuki-za Theater in October, 1942, acting Matahei in "Keisei Hangonko," and Tadanobu KITSUNE in "Yoshitsune Senbonzakura, Mt. Yoshino" (Yoshitsune and One Thousand Cherry Trees).発音を聞く 例文帳に追加

自身は1942年（昭和17年）10月の大阪歌舞伎座において『傾城反魂香』の又平、『義経千本桜・吉野山』の狐忠信で、二代目林又一郎を襲名する。 - Wikipedia日英京都関連文書対訳コーパス

It deserves special mention that he was appreciated as 'Mataichiro is second to none in kabuki dancing,' and was reputed to be one of the two leading authorities of Kabuki Buyo (Kabuki Dance) in the Showa era, as well as Mitsugoro BANDO (the seventh) in Tokyo.発音を聞く 例文帳に追加

特筆すべきは「踊りは又一郎」との評価を受け、東京の坂東三津五郎(7代目)とともに昭和期の歌舞伎舞踊の双璧と謳われたことである。 - Wikipedia日英京都関連文書対訳コーパス

The remaining successors to Kansai Kabuki at this time were Ganjiro NAKAMURA II (nidaime), Gato KATAOKA IV (later, Nizaemon KATAOKA XIII (jusandaime)), Jukai ICHIKAWA III (sandaime), Jusaburo BANDO III (sandaime), Tomijuro NAKAMURA IV (yondaime), Minosuke BANDO VI (rokudaime) (later, Mitsugoro BANDO VIII (hachidaime)), Mataichiro HAYASHI II, Roen KATAOKA V (later, Gado KATAOKA XII; after his death, posthumously conferred Nizaemon XIV), Fukusuke NAKAMURA V (Takasagoya), Enjiro JITSUKAWA II (later, Enjaku JITSUKAWA III (sandaime)) and Naritaro NAKAMURA II.発音を聞く 例文帳に追加

この時点で残された関西歌舞伎の後継者は、二代目中村鴈治郎(2代目)・四代目片岡我當（のち十三代目片岡仁左衛門(13代目)）・三代目市川壽海(3代目)・三代目阪東寿三郎(3代目)・四代目中村富十郎(4代目)・六代目坂東蓑助（のち八代目坂東三津五郎(8代目)）・二代目林又一郎・五代目片岡芦燕（のち十二代目片岡我童、死後十四代目仁左衛門追贈）・五代目中村福助（高砂屋）・二代目実川延二郎（のちの三代目實川延若(3代目)）・二代目中村成太郎。 - Wikipedia日英京都関連文書対訳コーパス