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Wiktionary英語版での「ilinx」の意味 |
ilinx
語源
Via French from Ancient Greek ἶλιγξ (îlinx, “whirlpool; dizziness”), coined by French sociologist Roger Caillois in 1958.
名詞
ilinx (uncountable)
- A form of play that creates a temporary disruption of perception, for example by inducing vertigo, dizziness, disorientation, or frenzy.
- 1969 -, Roscoe Conkling Brown, Bryant J. Cratty, New perspectives of man in action, page 183:
- As illustrations he provides sports for agon, lotteries for alea, hero-worship for mimicry, and tightrope walking for ilinx.
- 2001, Marie-Laure Ryan, Narrative as Virtual Reality, page 186:
- In literature, ilinx and its free play are represented by what Bakhtin calls the carnivalesque: chaotic structures, creative anarchy, parody, absurdity, heteroglossia, word invention, subversion of conventional meanings (a la Humpty Dumpty), figural displacements, puns, disruption of syntax, melange des genres, misquotation, masquerade, the transgression of ontological boundaries (pictures coming to life, characters interacting with their author), the treatment of identity as a plural, changeable image—in short, the destabilization of all structures, including those created by the text itself.
- The sensation or altered state of consciousness that is so created, called by sociologist Roger Caillois, the “strange excitement” of wanton destruction.
- 1971, Parergon - Issues 1-13, page 54:
- Similarly, the search for vertigo (ilinx) through intoxication and wild dancing creates a fantasy world which leads into a vision of the sacred.
- 2007, Judith Spencer, Of fools, fops and funambulists, page 806:
- Incapable of realizing his megalomaniac aspirations the artist, parodying his abortive efforts, very literally blows the whistle on his own Art : the ironic sifflet which mercilessly disrupts the "parfaite idealisation" embodied by Fancioulle translates nothing less than the inability of the romantic artist to sustain the ilinx, to abolish the ironic interstice separating subject from object, spectator from spectacle.
- 2012, Anna-Teresa Tymieniecka, The Origins of Life: The Origins of the Existential Sharing-in-Life, →ISBN:
- When consciousness is open to understanding and experiencing the values and mysterious meanings of masks, it will shun all the dangers accompanying their powers of mimicry (in the persona かつ its capacity for imitation) and ilinx (the overwhelming influence of numinous archetypes).
- 2019, Kristine Jørgensen, Faltin Karlsen, Transgression in Games and Play, →ISBN, page 28:
- The experience of ilinx is about submitting to pain and failure, even to the sensation (または the illusion) of abandoning control.
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