阿国歌舞伎の英語

阿国自身は1607年（慶長12年）、江戸城で勧進歌舞伎を上演した後、消息がとだえた。例文帳に追加

Nothing is heard of Okuni after she performed kabuki to promote the shrine at Edo-jo Castle in 1607.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

盆踊りや念仏踊り、出雲阿国の創始した歌舞伎踊りに大きな影響を与えた。例文帳に追加

It had a significant influence on Bon Odori dance, Nenbutsu folk dances and the kabuki Odori dance, as begun by IZUMO no Okuni.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

出雲阿国の歌舞伎踊りの時代から始まり、最初は若衆歌舞伎の小屋と茶屋が立ち並び10代の少年が接待をしていたので｢陰間｣と呼ばれていた花街だった。例文帳に追加

The hanamachi originated in the time of IZUMO no Okuni's Kabuki dance, and it was initially called 'Kagema' (male prostitute), for the area was lined with kabuki and tea houses for the 'wakashu' (a teenage kabuki apprentice and also male prostitute), and those boys entertained patrons.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

出雲阿国（いずものおくに、元亀3年?（1572年）-没年不詳）は、歌舞伎の創始者とされる安土桃山時代の女性芸能者。例文帳に追加

Izumo no Okuni (1572? - year of death is unknown) was a female artist of the Azuchi-momoyama period who is considered the creator of Kabuki.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

阿国一座が評判になるとこれを真似た芝居が遊女によって盛んに演じられるようになり、遊女歌舞伎となった。例文帳に追加

When Okuni and her troupe became famous, acts that imitated them, called Yujo-kabuki, was started by local prostitutes (Yujo) and became very popular.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

出雲阿国の歌舞伎踊りの時代から始まり、最初は若衆歌舞伎の小屋と茶屋が立ち並び10代の少年が接待をしていたので｢陰間｣と呼ばれていた花街だった。例文帳に追加

Miyagawa-cho started during the Kabuki Odori Dance era (these performances were the real start of kabuki and were comprised of vivacious dancing and joyous songs combined with amusing stories) of IZUMO no Okuni, and was first a red-light district called "kagema" (male geisha) because playhouses for Wakashu Kabuki (young men's Kabuki) and chaya (literally "teahouse" which refers to places where geisha entertain their guests) stood side by side, where male teenagers entertained guests.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1603年に北野天満宮興行を行い、京都で評判となった出雲阿国（いずものおくに）が歌舞伎の発祥とされる。例文帳に追加

Kabuki is said to have originated from "IZUMO no Okuni," who delivered a performance at Kitano Tenman-gu Shrine in 1603, and thereby gaining a good reputation in Kyoto.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

特に重要な作品として、安永6年（1777年）4月大坂中の芝居で上演された歌舞伎「伽羅先代萩」（奈河亀輔ほか作）と、翌安永7年（1778年）7月江戸中村座で上演された歌舞伎「伊達競阿国戯場」（桜田治助・笠縫専助合作）、さらに天明5年（1785年）江戸結城座で上演された人形浄瑠璃「伽羅先代萩」（松貫四ほか作）の3作が挙げられる。例文帳に追加

There were three particularly important plays among them: a Kabuki play 'Meiboku Sendai Hagi' (written by Kamesuke NAGAWA and others) performed during April 1777 at Naka no Shibai (the Naka-za Theater) in Osaka, Kabuki play 'Date Kurabe Okuni Kabuki' (Competition of the Date Clan in Okuni Kabuki) (written by a collaboration of Jisuke SAKURADA and Sensuke KASANUI) performed during July 1778 at the Nakamura-za Theater in Edo, and Ningyo Joruri play 'Meiboku Sendai Hagi' (written by Kanshi MATSU and others) performed during 1785 at the Yuki-za Theater in Edo.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス