笠崎の英語

昭和には有崎勉（柳家金語楼）作『ラーメン屋』、3代目桂米朝作『一文笛』、平岩弓枝作『笠と赤い風車』などの新作人情噺が創作された。例文帳に追加

In Showa period, new Ninjo-banashi stories were created such as Tsutomu ARISAKI (Kingoro YANAGIYA)'s "Ramen Shop", Beicho KATSURA the third's "Little Flute", and Yumie HIRAIWA's "A Straw Hat and A Red Windmill".発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

宗矩はそれを終生忘れぬためなのか柳生家の家紋（地楡：吾亦紅われもこう）に坂崎家の二蓋笠（にがいがさ）を加えて（譲り受け?）使い続けている。例文帳に追加

He adopted the crest of the Sakazaki family (a pair of straw lampshade hats with ties) and used it along with the Yagyu family's crest (great burnet), probably because he determined to keep this incident in mind throughout his life.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

日本書紀の天孫降臨の説話において、日向の高千穂の峰に天降ったニニギが笠狭崎に至った時に事勝因勝長狭神が登場し、ニニギに自分の国を奉っている。例文帳に追加

According to the story of tensonkorin (the descent to earth of the grandson of sun goddess) described in Nihonshoki, when Ninigi arrived at Kasasa-no-misaki Cape after descending to Takachiho no mine in Hyuga, Kotokatsukunikatsunagisa appeared and presented his own province to Ninigi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ほかには滋賀県大津市の大津祭での曳山や三重県北部の石取祭に使われる山車が三輪であり、静岡県森町(静岡県)から磐田市にかけての遠江国中東部で引き回される二輪屋台、浜崎祇園山笠のように六輪あるものもある。例文帳に追加

Hikiyama (pull-type Dashi) seen at the Otsu-matsuri Festival held in Otsu city, Shiga prefecture, and the Dashi used at Ishidori-Matsuri Festival in northern Mie prefecture, have three wheels, while the Nirin Yatai with two wheels are pulled in the central eastern part of Totoumi Province from Morimachi, Shizuoka Prefecture and in Iwata City, and Dashi at the Hamasaki Gion Yamagasa have six wheels.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

九州地方において旗本札を発行したことが知られているのは豊前国（現・福岡県東部及び大分県北東部）時枝の小笠原氏、豊後国（現・大分県の北東部を除く地域）立石の木下氏、肥後国（現・熊本県及び宮崎県南西の山間部）米良の米良氏である。例文帳に追加

It is known that, in the Kyushu region, the Ogasawara clan in Tokieda of Buzen Province (present eastern part of Fukuoka Prefecture and northeastern part of Oita Prefecture), the Kinoshita clan in Tateishi, Bungo Province (present Oita Prefecture, excluding its northeastern part), and the Mera clan in Mera, Higo Province (present Kumamoto Prefecture and mountainous area in the southwestern part of Miyazaki Prefecture) issued Hatamoto-satsu.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

同作は、「市川小文治歌舞伎映画プロダクション」製作の『野崎村』、「中根龍太郎喜劇プロダクション」（中根プロ）製作の『助太刀商売』、この流れとは別に帝国キネマから独立した森本登良男の作家系インディペンデント・プロダクション「森本登良男プロダクション」の『戦鑑三笠』と4本まとめて、同年7月1日に「菊水館」を中心に公開された。例文帳に追加

The film was released in theaters such as the 'Kikusuikan' on July 1, 1928 as a dual feature with "Nozaki-mura Village" produced by 'Ichikawa Kobunji Kabuki Eiga Productions,' "Sukedachi Shobai" (The Business of Backing Up Somebody) produced by 'Nakane Ryutaro Comedy Productions' (Nakane Pro) and "Battleship Kinugasa" by 'Morimoto Torao Productions,' a writer-led independent production by Torao MORIMOTO, who had separated from Teikoku Kinema Engei Kabushiki Gaisha (Imperial Cinema Entertainment Co., Ltd.) apart from the aforementioned movement.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス