美叶の英語

源頼朝の御所に勤める女官であった姫の前は美人で有名で、『吾妻鏡』に｢比企の籐内朝宗が息女、当時権威無双の女房なりて、殊に御意に相叶う、容顔太だ美麗なり｣と記されている。例文帳に追加

Hime no Mae, who worked at MINAMOTO no Yoritomo's Palace as a court lady was famous for her beauty, and according to "Azumakagami" (a histrical book written in the Kamakura period), she was described as 'a daughter of Tomomune TONAI in HIki county and at the time a matchlessly powerful employee, a favorite of MINAMOTO no Yoritomo, and a very beautiful woman.' - Wikipedia日英京都関連文書対訳コーパス

応仁の乱で所領である美濃国郡上を斎藤妙椿に奪われはしたものの10首の和歌をもって返還が叶ったので、東常縁は文明元年（1469年）4月に帰京し、文明3年（1471年）には宗祇に古今伝授を行っている。例文帳に追加

Although Tsuneyori TO was deprived of his territory at Gujo in Mino Province by Myochin SAITO during the Onin War, he recovered it by sending 10 waka (a 31-syllable Japanese poem), and then he returned to Kyoto in April 1469 and did kokin-denju (the secret transmissions of the "Kokinshu," the Anthology of Old and New Japanese Poems) for the Japanese poet named Sogi in 1471.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「本当の美しさ、劇の美しさは九段目やね。…ここに出てくる人間が、まず戸無瀬が緋綸子、小浪が白無垢、お石が前半ねずみで後半が黒、由良之助は茶色の着付に黒の上で青竹の袴、…本蔵は渋い茶系の虚無僧姿、力弥は東京のは黄八丈で、上方だと紫の双ツ巴の紋付…みんなの衣装の取り合わせが、色彩的に行ってもこれほど理に叶ったものはないですわな」例文帳に追加

"The real beauty of the play is in Act Nine. Tonose wears a hirinzu (scarlet figured-satin), Konami wears a shiromuku (white kimono), Oishi wears a grey costume in the first half and a black costume in the latter half, Yuranosuke wears a brown kimono and a pair of black hakama with green bamboo patters, Honzo wears a brown komuso costume, Rikiya wears a kihachijo (high-quality yellow silk) in Tokyo and montsuki (formal dress with family crest) of two comma designs in Kamigata. Various colors are used and they make perfect sense."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス