能太夫の英語

玄人の中では当時の代表的な役者である喜多七太夫長能を父同様に贔屓した。例文帳に追加

Like his father Hidetada, Iemitsu favored Nagayoshi Shichidayu KITA, the leading Noh actor of the time.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし秀忠は大和四座を離れた猿楽師であった喜多七太夫長能に保護を与え、元和年間に喜多流の創設を認めている。例文帳に追加

However, Hidetada protected Kita Shichidayu Noh, which was deviated from Yamato-shiza, and recognized the establishment of Kita Style (Kita-ryu) in Genwa Era.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

……世阿ノ聟禅竹ヲ、我子ノ十郎太夫ヨリ崇敬シ、禅竹ニ能謡ヲ好ク被教候ニヨリ、公方ノ御意ニ違、佐渡ノ国ヘ配流セラレ……例文帳に追加

As Zeami respected his stepson, Zenchiku, more than his own son, Juro Daifu, and gave Zenchiku good lessons on the chanting of Noh text, Zeami was exiled to Sado Province against the will of the shogun's representative.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

登用された役者たちは、三世喜多七太夫宗能改め中条直景のように九百石取りにまで出世するものもいた。例文帳に追加

Some of the promoted performers, such as Naokage NAKAJO whose stage name was Shichidayu Muneyoshi KITA III, received 900 koku.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし、五世喜多七太夫恒能のように綱吉の男色の相手を断り切腹させられるなど、多くは過酷な運命をたどることとなった。例文帳に追加

However, many of them suffered a harsher fate, such as Shichidayu Kono KITA IV, who refused to play a homosexual partner for Tsunayoshi and was forced to commit suicide by disembowelment.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

芸能界との親交も多く、歌舞伎役者の市川團十郎(9代目)（かつての養家から泣きつかれて背負いこんだ経営不振の河原崎座の借財整理に協力した）、落語家の三遊亭圓朝、清元のお葉、義太夫の竹本越後太夫などが名を連ねる。例文帳に追加

He had many friends also in the world of public entertainment, for example, Danjuro ICHIKAWA (the 9th)(Inoue helped him with clearing financial problem of slumping Kawarazaki Kabuki Theater which Ichikawa had undertaken asked by his adoptive family), a Rakugo story teller Encho Sanyutei, Kiyomoto (a performance of Joruri [the Japanese-type puppet play]) player Oyo and a gidayu (a style of reciting dramatic narratives) player Echigodayu TAKEMOTO.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

中でも観世大夫は、江戸幕府によって太夫一代一度限り許される勧進能を行う特権を持ち、これを「一世一代能」、「一代能」、「御免能」と称した。例文帳に追加

Among them, the tayu of the Kanze school was the only performer who was allowed to have a special kanjin-Noh performance by the Edo bakufu (Japanese feudal government headed by a shogun) which could have only once in his lifetime, and this kanjin-Noh performance was called 'Isse Ichidai Noh' (literally, "a Noh play of one's lifetime"), 'Ichidai Noh' (literally, "one generation Noh"), or 'Gomen Noh' (literally, "approved Noh").発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

そこで、これら地歌、箏曲、胡弓楽、尺八楽の四種の音楽を総称して「三曲」と呼び、他の邦楽種目、例えば長唄や義太夫節、清元、琵琶楽、能楽などと区別するために使われる。例文帳に追加

Therefore, four types of music, jiuta, so-kyoku, kokyu-gaku, and shakuhachi-gaku, are collectively called 'sankyoku', and the word 'sankyoku' has been used to distinguish itself from other traditional Japanese music such as nagauta (long epic song with shamisen accompaniment), gidayu-bushi (musical narrative with shamisen accompaniment), kiyomoto-bushi (musical narrative with shamisen accompaniment), biwa-gaku (biwa music), and nogaku (the art of Noh).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス