「能太夫」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

太夫では竹本座を大坂に開いた竹本義太夫、作者では近松門左衛門や紀海音といった優れた才能によって花開いた。例文帳に追加

It flourished with great talents such as Gidayu TAKEMOTO, who opened the Takemoto-za Theater in Osaka, and authors Monzaemon CHIKAMATSU and KI no Kaion.  - Wikipedia日英京都関連文書対訳コーパス

また、これを一人で演じ分ける浄瑠璃の太夫も高度な技能が要求される。例文帳に追加

In addition, tayu (leading actor in a Noh play) of joruri (dramatic narrative chanted to a samisen accompaniment) that acted alone required high skills.  - Wikipedia日英京都関連文書対訳コーパス

玄人の中では当時の代表的な役者である喜多七太夫長能を父同様に贔屓した。例文帳に追加

Like his father Hidetada, Iemitsu favored Nagayoshi Shichidayu KITA, the leading Noh actor of the time.  - Wikipedia日英京都関連文書対訳コーパス

しかし秀忠は大和四座を離れた猿楽師であった喜多七太夫長能に保護を与え、元和年間に喜多流の創設を認めている。例文帳に追加

However, Hidetada protected Kita Shichidayu Noh, which was deviated from Yamato-shiza, and recognized the establishment of Kita Style (Kita-ryu) in Genwa Era.  - Wikipedia日英京都関連文書対訳コーパス

……世阿ノ聟禅竹ヲ、我子ノ十郎太夫ヨリ崇敬シ、禅竹ニ能謡ヲ好ク被教候ニヨリ、公方ノ御意ニ違、佐渡ノ国ヘ配流セラレ……例文帳に追加

As Zeami respected his stepson, Zenchiku, more than his own son, Juro Daifu, and gave Zenchiku good lessons on the chanting of Noh text, Zeami was exiled to Sado Province against the will of the shogun's representative.  - Wikipedia日英京都関連文書対訳コーパス

登用された役者たちは、三世喜多七太夫宗能改め中条直景のように九百石取りにまで出世するものもいた。例文帳に追加

Some of the promoted performers, such as Naokage NAKAJO whose stage name was Shichidayu Muneyoshi KITA III, received 900 koku.  - Wikipedia日英京都関連文書対訳コーパス

しかし、五世喜多七太夫恒能のように綱吉の男色の相手を断り切腹させられるなど、多くは過酷な運命をたどることとなった。例文帳に追加

However, many of them suffered a harsher fate, such as Shichidayu Kono KITA IV, who refused to play a homosexual partner for Tsunayoshi and was forced to commit suicide by disembowelment.  - Wikipedia日英京都関連文書対訳コーパス

芸能界との親交も多く、歌舞伎役者の市川團十郎(9代目)（かつての養家から泣きつかれて背負いこんだ経営不振の河原崎座の借財整理に協力した）、落語家の三遊亭圓朝、清元のお葉、義太夫の竹本越後太夫などが名を連ねる。例文帳に追加

He had many friends also in the world of public entertainment, for example, Danjuro ICHIKAWA (the 9th)(Inoue helped him with clearing financial problem of slumping Kawarazaki Kabuki Theater which Ichikawa had undertaken asked by his adoptive family), a Rakugo story teller Encho Sanyutei, Kiyomoto (a performance of Joruri [the Japanese-type puppet play]) player Oyo and a gidayu (a style of reciting dramatic narratives) player Echigodayu TAKEMOTO.  - Wikipedia日英京都関連文書対訳コーパス

中でも観世大夫は、江戸幕府によって太夫一代一度限り許される勧進能を行う特権を持ち、これを「一世一代能」、「一代能」、「御免能」と称した。例文帳に追加

Among them, the tayu of the Kanze school was the only performer who was allowed to have a special kanjin-Noh performance by the Edo bakufu (Japanese feudal government headed by a shogun) which could have only once in his lifetime, and this kanjin-Noh performance was called 'Isse Ichidai Noh' (literally, "a Noh play of one's lifetime"), 'Ichidai Noh' (literally, "one generation Noh"), or 'Gomen Noh' (literally, "approved Noh").  - Wikipedia日英京都関連文書対訳コーパス

そこで、これら地歌、箏曲、胡弓楽、尺八楽の四種の音楽を総称して「三曲」と呼び、他の邦楽種目、例えば長唄や義太夫節、清元、琵琶楽、能楽などと区別するために使われる。例文帳に追加

Therefore, four types of music, jiuta, so-kyoku, kokyu-gaku, and shakuhachi-gaku, are collectively called 'sankyoku', and the word 'sankyoku' has been used to distinguish itself from other traditional Japanese music such as nagauta (long epic song with shamisen accompaniment), gidayu-bushi (musical narrative with shamisen accompaniment), kiyomoto-bushi (musical narrative with shamisen accompaniment), biwa-gaku (biwa music), and nogaku (the art of Noh).  - Wikipedia日英京都関連文書対訳コーパス

十一代将軍徳川家斉も宝生流を愛好し、その隆盛を受け、1848年（弘化5年）には宝生太夫友干が大規模な勧進能を興行。例文帳に追加

The 11th shogun Ienari TOKUGAWA also loved the performance of the Hosho school, and Tayu-Tomoyuki HOSHO could have a large-scale performance of kanjin-Noh (Noh performances held to raise subscriptions for the construction of shrines or temples) in 1848 because of the prosperity of this school.  - Wikipedia日英京都関連文書対訳コーパス

安照は小柄で醜貌と恵まれない外見だったと伝えられるが、重厚な芸風によって能界を圧倒し、大量の芸論や型付を書残すなど、当時を代表する太夫の一人であった。例文帳に追加

Yasuteru was said to have an unfavorable appearance--a man of small build with an unattractive face, however, the profound style of his performance overwhelmed the Noh world and he left a lot of treatises and choreographies, and was one of the leading Tayu at that time.  - Wikipedia日英京都関連文書対訳コーパス

ここでは余所事浄瑠璃の清元『風狂川辺芽柳』に義太夫の掛け合いが効果的で、華やかな音楽がかえって陰惨な幸兵衛の悲劇を倍増させ、黙阿弥の優れた作劇術が堪能できる。例文帳に追加

In this play, the Gidayu dialogue in "Kaze-ni-Kuruu Kawabe-no-Me-Yanagi," a performance of Kiyomoto which is a kind of Yosogoto Joruri is so effective that the glamorous music can just amplify the grisly tragedy of Kobei and make the audience satisfied with his superior capability in writing the play.  - Wikipedia日英京都関連文書対訳コーパス

猿楽（現在の名称は能）は、若い頃から世阿弥の家系に連なる観世十郎太夫に学び、自ら演じるだけでなく、「風姿花伝」で学び故実にも通じていた。例文帳に追加

He learned Sarugaku (called Noh at present) from Kanze Juro-tayu, who was in the family line of Zeami, from his earlier years, and not only played it but learned through 'Fushikaden,' and therefore, he was familiar with old customs and manners as well.  - Wikipedia日英京都関連文書対訳コーパス

元禄7年（1694年）11月23日、幕閣や諸大名を招いて行われた能舞興行の際、人払いをした密室で重臣の藤井紋太夫を刺殺した。例文帳に追加

On January 8, 1695 he invited shogunal cabinet ministers and daimyo (territorial lords) to a Noh-dancing performance during which he struck down Mondayu FUJII who was his senior vassal in a private, locked room.  - Wikipedia日英京都関連文書対訳コーパス

他にも甲府時代のお抱え役者の登用、さらに貞享3年には喜多流三世喜多七太夫を追放し、喜多座を解体するという「能界を震撼させる大事件」を起こしている（翌年赦免）。例文帳に追加

Additionally, Tsunayoshi promoted performers from his Kofu days and, in 1686, he caused a big incident by banishing Shichidayu KITA III of the Kita school and dissolving the Kita-za company, an act which 'shook the Noh world' (he was pardoned the following year).  - Wikipedia日英京都関連文書対訳コーパス

この他に、後世の悪評にもつながるが、積極的に能などの文化を推進し（久政には森本鶴太夫というお抱えの舞楽師がいた）、鷹狩や連歌を嗜み、文化人としても名を馳せた。例文帳に追加

Furthermore, Hisamasa, who was well known as a man of culture, proactively promoted culture including Noh (he had an exclusive Noh player, Tsurutayu MORIMOTO), and enjoyed falconry and renga (linked verses), which led to a bad reputation in later generations.  - Wikipedia日英京都関連文書対訳コーパス

なお、徳川家も秀吉と同じく大和四座を保護していたが、秀忠は大和四座を離れた猿楽師であった喜多七太夫長能に保護を与え、元和年間に喜多流の創設を認めている。例文帳に追加

As with Hideyoshi, the Tokugawa family protected Yamato-shiza, but Hidetada protected Kita Shichidayu Nagayoshi, sarugaku-shi who seceded from Yamato-shiza, and approved the establishment of the Kita school during the Genna era.  - Wikipedia日英京都関連文書対訳コーパス

本著は先に挙げた先行の作者付を参考にして書かれ、『金春八左衛門書上』、そして『観世太夫書上』・『自家伝抄』の一部を重視し、『能本作者註文』・『歌謡作者考』を参照しつつ、加えて現在知られていない伝書の説も取り入れたと考えられている。例文帳に追加

It is thought that this book was written based on the prior sakushazuke, emphasizes parts of "Konparu Hachizaemon Kakiage," "Kanze Dayu Kakiage" and "Jika Densho," and draws inspiration from "Nohon Sakusha Chumon" and "Kayo Sakusha Ko" in addition to incorporating the views of the texts now unknown.  - Wikipedia日英京都関連文書対訳コーパス