新羅川の英語

とあり天（『古事記』では高天原）を追放された素戔嗚尊とともに新羅曽尸茂梨に天降り、スサノオがこの地吾居ること欲さず（「乃興言曰此地吾不欲居」）と言ったので、一緒に埴土船で渡って出雲国斐伊川上の鳥上峯に至ったとある。例文帳に追加

In summary, Isotakeru descended to Soshimori in Silla with Susanoo, who was banished from heaven (which is called Takaamahara in the "Kojiki"), and then they together moved to the place called Torikaminotake located at the upper reaches of Hii-kawa River in Izumo Province by a hani-bune (clay boat) because Susanoo said he did not want to stay in Soshimori.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

韓国報道などや新羅・百済・任那の勢力圏内で大量に出土（高句麗の旧領では稀）しているヒスイ製勾玉の原産地が糸魚川周辺に比定されている事などを踏まえ、一部地域への倭人の集住を認める論考が相次いで提出された。例文帳に追加

A series of arguments and considerations admitting the collective habitation of Wajin in certain areas within the spheres of influence of Silla, Baekje and Mimana appeared in light of the Korean media reports and the fact that the massive jade magadama found in the area (rare in the former territory of Goguryeo) had been identified as the products of the neighboring area of Itoi-gawa River.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

当り役は非常に多く、時代物では『本朝廿四孝・十種香』の八重垣姫、『鎌倉三代記・絹川村』の時姫、『祇園祭礼信仰記・金閣寺』の雪姫（三つ合わせて三姫）、『伽羅先代萩』の政岡・世話物では『助六』の揚巻、『籠釣瓶』の八つ橋、『新版歌祭文・野崎村』のお光、新作では前述の淀君などがある。例文帳に追加

He had so many successful roles; as for jidai-mono (historical drama), Yaegaki-hime in the scene of 'Jusshuko' of "Honcho Nijushi-Ko," Toki-hime in 'Kinugawa-mura' of "Kamakura Sandaiki," Yuki-hime in 'Kinkakuji' of "Gion Sairei Shinko-ki" (those three roles were called Mitsuhime [three princesses]), and Masaoka in "Meiboku Sendai Hagi"; as for sewa-mono (drama based on real-life people), Agemaki in "Sukeroku," Yatsuhashi in "Kagotsurube" ("Kagotsurube Sato no Yoizame," Omitsu in 'Nozaki-mura' of "Shinpan Utazaimon"; as for modern play, Yodogimi mentioned above and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス