唄世の英語

同世紀末に作られた峰崎勾当の「雪(地唄)」は、端歌もの地歌の傑作として有名である。例文帳に追加

Koto Minezaki's 'Yuki' (jiuta) (Snow), written toward the end of the century, is famous as a masterpiece of hauta-type jiuta.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

長野県の御柱祭（諏訪の木落とし）でも御神木の先端で木遣りを唄うのは祖先がとび職であったものが世襲している。例文帳に追加

At Onbashira-sai Festival (log-rolling in Suwa) held in Nagano Prefecture, a person who sings kiyari at the edge of the sacred tree is a successor to his ancestor who used to be tobishoku.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「勢揃い」は木遣歌や神田祭礼の唄が流れる中、粋な鳶の者の名乗りだけを見せる顔見世形式の華麗な一幕である。例文帳に追加

Seizoroi' is a lavish act of all star performance showing only the scene of fashionablefirefighters identifying themselves while songs such as A log-carriers' [lumber-carriers'] chant [song] and Kanda Matsuri Festival songs are being played.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1963年（昭和38年）水野つる女に幼少から師事し、地唄を主とした上方舞を学んでいた内弟子が四世篠塚梅扇を襲名して家元を継承、篠塚流を再興した。例文帳に追加

In 1963, an apprentice who learnt "kamigata-mai dance" mainly jiuta dancing under Tsurujo MIZUNO from his childhood, succeeded to the professional name of Baisen SHINOZUKA (the 4th) and the Iemoto, and revived the Shinozuka school.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

一方で、永長元年（1096年）には貴族・官人から庶民までが風流な格好を纏って田楽を演じながら行進した永長大田楽や久寿元年（1154年）の今宮神社(京都市)御霊会において傘の上に風流な飾りの花を掲げて唄い囃した「風流のあそび」が行われ（『梁塵秘抄』巻14）、後世における音曲や歌で囃す「風流」の原型が記録されている。例文帳に追加

On the other hand, the original form of the "Furyu" which was remembered by future generations as "to keep rhythm with music and songs" is recorded in events such as the 1096 Eicho Daidengaku, in which people from the aristocrats and government bureaucrats down to the common people wore Furyu-style costumes and marched while playing Dengaku (a Japanese traditional performing art), and a festival of souls at Imamiya-jinja Shrine (in Kyoto City) in 1154, where a "Pleasure of Furyu" was held ("Rojinhisho" (poetry book) Vol. 14), in which people held umbrellas decorated with Furyu-style flowers and sang songs.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

演劇改良運動によって、歌舞伎の荒唐無稽を廃し史実を尊重した、能形式の歌舞伎舞踊が生み出されると、壽輔はかつて同じく能形式の『勧進帳』制作に携わった経験を活かし、脚本家の河竹黙阿弥、長唄の杵屋正次郎(2代目)と組んで『船弁慶』などの松羽目物作品を次々と世に送り出す。例文帳に追加

After the Noh style of Kabuki Buyo dance, that excluded romance and respected historical facts, was produced by the movement of improving the theater, Jusuke used his experience in collaborating on the Noh style of "Kanjincho," produced the masterpieces of Matsubamemono (Pine-backdrop Dance) one after another such as "Funa Benkei" with a playwright, Mokuami KAWATAKE, and a nagauta (long epic song with shamisen accompaniment) player, Shojiro OKEYA the second.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス