花染山の英語

辻ヶ花（つじがはな）とは、室町時代から桃山時代にかけて現れた絞り染めの技法。例文帳に追加

Tsujigahana is a Japanese tie-dyeing technique, which was devised around from the Muromachi period to the Azuchi-Momoyama period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

（『源氏物語』末摘花の注では「歯黒山海経云東海有黒歯国其俗婦人歯志黒染」とある。）例文帳に追加

(In the explanatory note of the chapter Suetsumuhana in "The Tale of Genji," it was written that, Sengaikyo says there is a black-teeth country in which the women practice the custom of dyeing their teeth black.)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

このように、地震、火災、台風、津波、火山噴火、異常乾燥、花粉、伝染病の発生に応じた番組をＣＤ−ＲＯＭに記憶させておき、非常の種類に応じて選択し表示する。例文帳に追加

Programs according to the occurrence of an earthquake, fire, typhoon, tsunami, volcanic explosion, abnormal aridity, pollen, and infectious disease are stored in a CD- ROM, and selectively displayed according to the kind of emergency. - 特許庁

美女に扮した美青年というお馴染みの人物設定は、その後の『青砥稿花紅彩画』（白浪五人男）や明治期の『富士額男女繁山』（女書生、こちらは逆に男装の麗人）など、その後の黙阿弥作品に幾度か採用されることになる。例文帳に追加

The familiar setting of the character as a beautiful young man in the disguise of a beautiful woman is later to be adopted in the several works of Mokuami, such as "Aotozoshi hanano nishikie" (also known as "Shiranami Gonin Otoko" [The Five Shiranami Men]), "Fujibitai tsukuba no shigeyama" (also known as "Onna Shosei" [female student]; in contrast, this is about a beautiful woman in male dress) in the Meiji period, and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

カルシウム化合物またはマグネシウム化合物を主成分としない岩石、すなわち花崗岩、安山岩などの岩石製品の建築建造物または土木建造物の外部からの汚染を抑制するとともに岩石製品の強度を増強させることのできる表面処理方法の提供。例文帳に追加

To provide a method of surface treatment capable of restraining pollution from the outside of an architectural or civil construction made of a rock product such as granite, or andesite which contains neither calcium compound nor magnesium compound as a main component and reinforcing the strength of the rock product. - 特許庁

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス