lacquer clothとは 意味・読み方・使い方

Alternatively, the dry lacquer like cloth 6 where the texture pattern 3 is left in at least one face of both front and rear faces is affixed to the rear face of the wooden thin plate 11 with the texture pattern facing outside, thereafter the japanese lacquer is applied to the front face of the thin plate 11.例文帳に追加

または、表裏両面のうち少なくもいずれか一方の面に布目３を残した乾漆状の織布６を、その布目を外側にして木製の薄板１１の裏面に貼り合せた後、当該薄板１１の表面に漆塗りを施す。 - 特許庁

The mannen-gami (eternal paper) is a memo paper coated with a transparent Japanese lacquer and written on with a writing brush, and as it's name indicates from its characters, a letter written in sumi comes off when it is wiped with a damp cloth and it can be used for many years.発音を聞く 例文帳に追加

万年紙は、透明な漆を塗布した紙で、墨筆で書くメモ用の紙で、湿った布で拭けば墨字が消え、長年に使えるので万年紙の名ががある。 - Wikipedia日英京都関連文書対訳コーパス

Ninki, one of Ganjin's disciples, who mourned his master's death, made the sculpture of Ganjin (Dakkatsu-kanshitsu [hollow dry lacquer: A method of making lacquer statues, popular in the Nara period], colored; a technique to form a framework of statue by layering of lacquered hemp cloth, and the both hands are carved in wood), which the Toshodai-ji Temple has preserved until today (Statue of Ganjin in Toshodai-ji Temple, national treasure) and is said the first portrait sculpture in Japan.発音を聞く 例文帳に追加

死去を惜しんだ弟子の忍基は鑑真の彫像（脱活乾漆彩色麻布を漆で張り合わせて骨格を作る手法両手先は木彫）を造り、現代まで唐招提寺に伝わっている（国宝唐招提寺鑑真像）が、これが日本最初の肖像彫刻とされている。 - Wikipedia日英京都関連文書対訳コーパス

Ashigaru generally wore a conical hat (jingasa) made from lacquer hardened leather or Japanese paper (this was later developed into jingasa made from iron plates that were cut and fashioned into a cone shape), iron body armor, gauntlets and a jinbaori (sleeveless campaign jacket worn over armor) in addition to carrying a canteen, tissue paper, rice wrapped in cloth and other items (e.g. dried taro stems).発音を聞く 例文帳に追加

一般的には皮革、あるいは和紙を漆でかためた陣傘(これは後に鉄板を切り抜き笠状に形成した陣笠に取って代わられる。)、鉄の胴鎧、篭手、陣羽織を装着し、そのほか水筒、鼻紙、布にくるんだ米など(例芋がら縄)を携帯していた。 - Wikipedia日英京都関連文書対訳コーパス

According to "Heihanki" (Diary of TAIRA no Nobunori) which was written in the late Heian period, FUJIWARA no Motozane held 'Otodo no daikyo' in 1156, following the example of Otodo no daikyo held by FUJIWARA no Tadamichi in 1116; he began making preparations nine days before the banquet, ordering small dining tables varnished with red lacquer, spreading white silk cloth over them like a tablecloth, and foods were arranged on lacquered tableware, which were specially ordered for the banquet as well as oshiki (a wooden placemat with raised edges).発音を聞く 例文帳に追加

平安末期の『兵範記』に書かれた藤原基実の保元元年（1156年）「大臣大饗」は、永久(元号)4年（1116年）の藤原忠通のそれを参考とし、事前の準備は宴会予定日の9日前から始められ、赤漆塗の膳を特別にあつらえ、その膳の上には白絹を現在のテーブルクロスの如く敷き、これまた特別にあつらえた折敷や漆塗の食器に料理を盛りつけたとある。 - Wikipedia日英京都関連文書対訳コーパス