「Comedy」に関連した英語例文の一覧と使い方(6ページ目) - Weblio英語例文検索

He showed his talent in speedy, light, and unrestrained films such as "Gyunyuya Furanki" (Milk rounds man Furanki) which was praised as a masterpiece for slapstick and parody rarely seen in Japan, "Gaito" called 'the most typical film of Ko NAKAHIRA' and used gorgeous costumes designed by Hanae MORI as he said that 'I consistently aim to produce sophisticated films' as a film director, "Yuwaku" (temptations) a comedy showing the adolescence of young vanguardartists, and "Saijo Katagi" (A character of intelligent lady), a comedy of manners aimed to have the same touch as that of Billy Wilder. 例文帳に追加

日本では珍しいスラップスティックとパロディで傑作といわれる『牛乳屋フランキー』、映画監督として「自分はあくまでもソフィスケイトを目指す」と語っていたように「最も中平康らしい作品」といわれる、森英恵による衣装も絢爛たるルネ・クレール風の『街燈』、若き前衛芸術家達の青春群像を描いたコメディ『誘惑』、ビリー・ワイルダータッチを狙った風俗喜劇『才女気質』等のスピーディーで軽妙洒脱な作品に力量を発揮した。 - Wikipedia日英京都関連文書対訳コーパス

It consisted of impersonations and other comedy routines, sword dancing, and dancing in one man sumo, as well as Tang's magic shows, acrobatics and stunts performed at honozumo (ritual sumo matches held at a shrine) and kagura (Shinto music and dance) festivals held at night. 例文帳に追加

日本古来からの物真似や形態模写などのお笑い芸や剣舞や独り相撲の舞踊りと唐から伝わった奇術や手品または、軽業や曲芸などの芸が合わさりできた芸能で、奉納相撲や御神楽祭の夜祭で演じられた。 - Wikipedia日英京都関連文書対訳コーパス

In the late 1970's, manzai became popular through the TV shows on the Fuji television channel, namely "Kao Meijin Gekijo" and "THE MANZAI," and some mid-career and young manzai-shi including duos of Yasushi YOKOYAMA and Kiyoshi NISHIKAWA, Kausu and Botan NAKATA, Comedy No.1, Two-Beat, Sento and Ruisu HOSHI, The Bonchi, Norio NISHIKAWA and Yoshio KAMIGATA, Shinsuke and Ryusuke as well as BB achieved significant popularity. 例文帳に追加

1970年代後半にはフジテレビの番組『花王名人劇場』、『THEMANZAI』からマンザイブームが起こり、横山やすし・西川きよし、中田カウス・ボタン、コメディNo.1、ツービート、星セント・ルイス、ザ・ぼんち、西川のりお・上方よしお、紳助・竜介、BB(漫才)などの中堅や若手漫才師が人気を集めた。 - Wikipedia日英京都関連文書対訳コーパス

The film was directed by Shinro TOMIZAWA who had been recruited away from Makino, shot by TANAKA of Narabigaoka Studio, and released in theaters such as the 'Kikusuikan' on July 1, 1928 as a dual feature with "Sukedachi Shobai" (Business of Backing up Somebody) directed by and starring NAKANE and produced by 'Nakane Ryutaro Comedy Productions' (Nakane Pro). 例文帳に追加

監督にはマキノから富沢進郎を引き抜き、撮影は双ヶ丘撮影所の田中が行ない、「中根龍太郎喜劇プロダクション」（中根プロ）製作による中根の監督・主演作『助太刀商売』と同時上映で同年7月1日に「菊水館」を中心に公開された。 - Wikipedia日英京都関連文書対訳コーパス

After the dissolution, YAMAGUCHI went back to the stage, director INNAMI and actress KOJIMA went to Toa Kinema Kyoto Studio, OTSUKA went to Makino after shooting "Onboro Zoshi" for Nakane Ryutaro Comedy Productions, Kobunji and Yoshinosuke went to Chie Pro, TAKADA went to Shochiku Kyoto Studio, MIYAKO went to Uta Pro, and CHIYODA went to Tsukigata Productions (Ryunosuke TSUKIGATA) and then to Kawai Eiga Seisakusha in Tokyo. 例文帳に追加

解散後の山口は舞台に戻り、監督の印南、女優の小島は東亜キネマ京都撮影所へ、大塚は中根龍太郎喜劇プロダクションの『おんぼろ草紙』の撮影ののちにマキノに移籍、小文治と芳之助は千恵プロへ、高田は松竹京都撮影所へ、都は右太プロへ、千代田はツキガタプロダクション（月形龍之介）を経て東京の河合映画製作社へとそれぞれ移籍した。 - Wikipedia日英京都関連文書対訳コーパス

The film was released in theaters such as the 'Kikusuikan' on July 1, 1928 as a dual feature with "Nozaki-mura Village" produced by 'Ichikawa Kobunji Kabuki Eiga Productions,' "Sukedachi Shobai" (The Business of Backing Up Somebody) produced by 'Nakane Ryutaro Comedy Productions' (Nakane Pro) and "Battleship Kinugasa" by 'Morimoto Torao Productions,' a writer-led independent production by Torao MORIMOTO, who had separated from Teikoku Kinema Engei Kabushiki Gaisha (Imperial Cinema Entertainment Co., Ltd.) apart from the aforementioned movement. 例文帳に追加

同作は、「市川小文治歌舞伎映画プロダクション」製作の『野崎村』、「中根龍太郎喜劇プロダクション」（中根プロ）製作の『助太刀商売』、この流れとは別に帝国キネマから独立した森本登良男の作家系インディペンデント・プロダクション「森本登良男プロダクション」の『戦鑑三笠』と4本まとめて、同年7月1日に「菊水館」を中心に公開された。 - Wikipedia日英京都関連文書対訳コーパス