作千代の英語

幼君を家中の逆臣方から守るため、男体を忌む病気と称して男を近づけさせず、食事を自分で作り、鶴千代と同年代である子の千松とともに身辺を守っている。例文帳に追加

In order to protect her young lord from rebellious retainers, she keeps men away from him, telling them that he suffers from men's illness, and she herself prepares his meals and guards him with her son of similar age, Senmatsu.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1853年（嘉永6年）に剣術修行のため江戸（東京都）に出て、桶町の北辰一刀流剣術開祖千葉周作の弟の千葉定吉道場（通称：小千葉道場）（東京都千代田区）に入門した。例文帳に追加

In 1853, Ryoma moved to Edo (Tokyo) to master swordsmanship, and joined the dojo of Sadakichi CHIBA (commonly known as Kochiba dojo in Chiyoda-ku Ward, Tokyo), whose elder brother is Shusaku CHIBA, the founder of the Hokushin Itto-ryu style at Oke-cho.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

気に入った包み紙や美しい絵やイラストのある紙、折り紙、千代紙などを使い個性的で美しいオリジナルな封筒やお年玉袋、カードケース等を簡単に作る。例文帳に追加

To easily produce individual, beautiful and original envelopes, envelopes for money, card cases and the like by using favorite package paper, paper with beautiful picture and illustration, Origami paper, figured paper and the like. - 特許庁

本作品の監修者は九世観世銕之丞(9世)で作中に登場する相葉匠人のモデルでもあるが、九世観世銕之亟の妻である五世井上八千代は、同じ「MELODY」誌に連載されている河惣益巳の「玄椿」に、主人公の師匠として実名で度々登場している。例文帳に追加

The editorial supervisor of this work is Tetsunojo KANZE (the ninth), who is also the model of Takuto AIBA appearing in the manga, and Tetsunojo KANZE's wife named Yachiyo INOUE (the fifth), appears as the master of the main character under her real name in "Kuro Tsubaki" by Masumi KAWASO, which is serialized in the same magazine "MELODY."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

京都に戻った阪東の新興キネマ合流第1作は、「阪東妻三郎プロダクション」の名はひっこめて、白井信太郎総指揮、伊藤大輔(映画監督)監督、録音マキノ雅弘（京都音映）による阪東初のトーキー作品『新納鶴千代』であった。例文帳に追加

The first movie in which Bando appeared after he returned to Kyoto and joined Shinko Kinema, hiding his production name, "Bando Tsumasaburo Productions," was "Niiro Tsuruchiyo" (Tsuruchiyo NIIRO), created by the executive producer Shintaro SHIRAI, directed by Daisuke ITO, and recorded by Masahiro MAKINO (the founder of the Kyoto branch office of Onei).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1872年（明治5年）、博覧会の余興として上演されたのが始まりで時の京都府知事、槇村正直が作詞を、当時新進であった井上流家元、井上八千代（三世　片山春子）が伊勢の亀の子をどりを参考に振付を担当した。例文帳に追加

It started when it was performed by way of entertainment for an exhibition in 1872, and Masanao MAKIMURA, a governor of Kyoto Prefecture in those days, wrote lyrics and Yachiyo INOUE, Inoue school Iemoto (grand master) (the third Haruko KATAYAMA) choreographed the dance, referring to Iseno kamenoko-odori dance.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「躍り」とは言わず「舞」とする点を見てもわかるように、極度に硬い描線と身体の緊張を核として簡素な動きのなかに豊富なイメージを描き出そうとする舞であり、初代井上八千代が近衛家、一条家や仙洞御所づとめの折に能に示唆を得て貴顕の前に披露しても恥ずかしくない舞踊を作ったという口伝をそのままに体現した舞踊であるといえる。例文帳に追加

As the use of the word 'mai' instead of 'odori' suggests in Japanese, the dance is characterized by extremely rigid movements and tension of the body, yet creating rich images with simple motions; inspired by Noh dances when she worked for the Konoe Family, Ichijo Family, and the Sento Imperial Palace, the founder of this dance, Yachiyo INOUE, created a dance that was presentable in front of distinguished persons, and its teaching has been passed down by word of mouth ever since.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

解散後の山口は舞台に戻り、監督の印南、女優の小島は東亜キネマ京都撮影所へ、大塚は中根龍太郎喜劇プロダクションの『おんぼろ草紙』の撮影ののちにマキノに移籍、小文治と芳之助は千恵プロへ、高田は松竹京都撮影所へ、都は右太プロへ、千代田はツキガタプロダクション（月形龍之介）を経て東京の河合映画製作社へとそれぞれ移籍した。例文帳に追加

After the dissolution, YAMAGUCHI went back to the stage, director INNAMI and actress KOJIMA went to Toa Kinema Kyoto Studio, OTSUKA went to Makino after shooting "Onboro Zoshi" for Nakane Ryutaro Comedy Productions, Kobunji and Yoshinosuke went to Chie Pro, TAKADA went to Shochiku Kyoto Studio, MIYAKO went to Uta Pro, and CHIYODA went to Tsukigata Productions (Ryunosuke TSUKIGATA) and then to Kawai Eiga Seisakusha in Tokyo.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス