歌艶の英語

その漢文の序において、和歌の体を「古歌体」・「神妙体」・「直体」・「余情体」・「写思体」・「高情体」・「器量体」・「比興体」・「華艶体」・「両方体」の十種に分類している。例文帳に追加

In its preface written in kanbun (Sino-Japanese), styles of waka are classified into ten: the "koka" (old poem) style, the "shinmyo" (mysterious) style, the "jiki" (direct) style, the "yojo" (suggestiveness) style, the "shashi" (reflecting thoughts) style, the "kojo" (elevated emotion) style, the "kiryo" (good-looking) style, the "hikyo" (witty) style, the "kaen" (splendid fascination) style, and the "ryoho" (paronomasia) style.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

承暦2年（1078年）の『承暦二年内裏歌合』、寛治7年（1093年）の『堀河百首』、『郁芳門院根合』、『堀河院艶書合』、『鳥羽殿北面歌合』などに出詠して名声を博した。例文帳に追加

He gained a reputation through his participation in "Joryaku ninen dairi no utaawase" (Poem contest in the Palace of the second year of Joryaku era)" in 1078, "Horikawa hyakushu (One hundred poems in the reign of the Emperor Horikawa)" in 1093, "Ikuhomon-in neawase (Poem contest held by Ikuhomon-in, the second consort of the Emperor Horikawa)", "Horikawa-in enshoawase (Love poem contest held by the Emperor Horikawa)" and "Tobadono hokumen utaawase (Hokumen poem contest in the Toba Palace)."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

定家の父俊成によって提唱された幽玄、有心の概念を、定家が発展させて「余情妖艶の体」を築き上げ、これが撰歌に大きく反映されている。例文帳に追加

Sadaie developed the idea of Yugen (subtle and profound beauty) or Ushin, which was advocated by his father Toshinari, and established 'suggestiveness and fascinating style,' being greatly reflected in the collected poems.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

第一に操り人形から離れ、浄瑠璃の音楽性が独立したこと、第二に程度の差はあるが「語り」の性格が「歌」の要素によってよわめられ、やわらかさ、艶麗さの方向に発達していったことである。例文帳に追加

First, they abandoned the use of puppets and became independent as music; and secondly, they developed, more or less, into forms that are softer and more erotic, as the nature of 'narration' was weakened by the element of 'song.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また歌論『ささめごと』において、一般人が単に「姿の優ばみたること」を幽玄と心得るのに対し、「古人の幽玄体と取りおけるは、心を最用とせしにや」として美意識ともいうべき「心の艶」が条件として伴うものとしている。例文帳に追加

Also in his poetry criticism "Sasamegoto" (Murmurings) he wrote "for ancient people the most important thing in Yugen was heart" and having aesthetic appreciation while ordinary people consider Yugen only as "something that has deep flavor."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『後鳥羽院御口伝』には「斎院はことももみもみとあるやうに詠まれき」とあるように、艶麗でありながら俊成の閑寂さをも併せもつ独自の歌境がその魅力であると言えるだろう。例文帳に追加

In the "Gotobain Gokuden" (oral instruction), it said 'The Saiin created poems as if it was very easy for her," the style of her poems were very original, they are fascinating yet had Shunzei's calm and simple style.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

後鳥羽院が西行をことに好んだのは、こうした平俗にして気品すこぶる高く、閑寂にして艶っぽい歌風が、彼自身の作風と共通するゆえであったのかもしれない。例文帳に追加

The reason why Gotobain (the Retired Emperor Gotoba) particularly favored Saigyo may have been the fact that there was a commonality between Saigyo's poems, which have an air of being common, yet elegant, while being quiet, yet sensual and unique.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

原研吉、渋谷実、中村登らの名匠に師事し、昭和27年助監督待遇のまま『伊豆の艶歌師』（主演佐田啓二）を初監督。例文帳に追加

He studied under famous people such as Kenkichi HARA, Minoru SHIBUYA, Noboru NAKAMURA, and he directed the movie, "Izu no Enkashi" (street performer of pop songs in Izu) (main actor was Keiji SADA) for the first time while his position was still assistant director in 1952.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス