萩女の英語

『妹背山』のお三輪と鱶七、『隅田川』の班女と舟長、『先代萩』の政岡と八汐『鏡山』の尾上と岩藤、そして新歌舞伎『建礼門院』の建礼門院と後白河法皇、など東西成駒屋の息のあった舞台は観客を魅了した。例文帳に追加

The stages that both east and west Narikoma-ya performed with great chemistry, such as Omiwa and Fukashichi of "Imoseyama," Hanjo and Funaosa of "Sumida-gawa," Masaoka and Yashio of "Meiboku Sendai Hagi," Onoue and Iwafuji of "Kagamiyama," Kenreimonin and Cloistered Emperor Goshirakawa of new Kabuki, "Kenreimonin" attracted audiences.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『伽婢子』によれば、京の都・五条京極（現・京都府）で、萩原新之丞という男が美女の姿の弥子と出会い、毎晩のように情事を交わすが、ある晩に隣りの老人がそれを覗き見ると、それは新之丞と骸骨が抱き合っているという奇怪な場面だったという。例文帳に追加

According to "Otogi Boko", a man called Shinnojo HAGIWARA met a beautiful woman, Iyako, in Gojo Kyogoku, Kyoto (current Kyoto Prefecture) and had an affair every night but one night, when neighboring old folk peeked into the house, he saw a strange sight that Shinnojo and skeleton embracing each other.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『仮名手本忠臣蔵』の大星由良之助、『伽羅先代萩』の荒獅子男之助、『勧進帳』の武蔵坊弁慶、『博多小女郎浪枕』の毛剃、『暫』の鎌倉権五郎、『助六所縁江戸櫻』の花川戸助六、『天紛衣上野初花』の河内山宗俊、『助六』の大口屋暁雨、『菅原伝授手習鑑』の菅原道真や武部源蔵、『増補桃山譚』の加藤清正、『妹背山婦女庭訓』の大判事やお三輪など、当り役も数多い。例文帳に追加

Many of his star roles were as follows: Arajishi Otokonosuke in"Kanadehon Chushingura" (The Treasury of Loyal Retainers), Musashibo Benkei in"Kanjincho," Kesori in "Hakata Kojoro Namimakura," Gongoro KAMAKURA in "Shibaraku," Hanakawado Sukeroku in "Sukeroku Yukarino Edozakura," Soshun KOCHIYAMA in "Kumonimagou Ueno no Hatsuhana," Gyou OGUCHIYA in "Sukeroku," SUGAWARA no Michizane and Genzo TAKEBE in "Sugawara Denju Tenanai Tekagami," Kiyomasa KATO in "Zoho Momoyama Monogatari," a daihanji or Omiya in "Imoseyama Onna Teikin" and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス