「菊映」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

レンズ鏡筒において、絞り操作リングの回転を確実に菊座の揺動に反映させる。例文帳に追加

To surely reflect the rotation of an aperture operation ring to swinging of an inner clip washer in a lens barrel. - 特許庁

大島菊松が神戸に経営する「菊水館」を中心に興行に協力する映画館は残ったが、寛プロも翌1929年（昭和4年）2月には解散、嵐は東亜キネマ京都撮影所（等持院撮影所）に入社した。例文帳に追加

Movie theaters that cooperated with promotions such as Kikumatsu OSHIMA's 'Kikusuikan Theater' in Kobe remained, but Kan Pro disbanded the following February in 1929 and Arashi joined Toa Kinema Kyoto Studio (Tojin Studio).  - Wikipedia日英京都関連文書対訳コーパス

知られていない結晶を調べるとき、研究者は、最初はおそらく菊池図形の中に鏡映線対称を捜す。例文帳に追加

When examining an unknown crystal, one looks initially for mirror line symmetry, possibly in a Kikuchi pattern.  - 科学技術論文動詞集

なお九代目が五代目菊五郎と演じた『紅葉狩』は記録映画に残され、今日でもその芸を見ることができる。例文帳に追加

The "Momijigari," in which the Ninth played with Kikugoro (the fifth), remains in a documentary film, so that we can see their performances even today.  - Wikipedia日英京都関連文書対訳コーパス

授賞式の後，菊地さんは「映画『バベル』を通じてたくさんの刺激を受けました。自分の世界を広げることができました。」と話した。例文帳に追加

Kikuchi said after the ceremony, "The film 'Babel' inspired me very much. I was able to expand my world."  - 浜島書店 Catch a Wave

同年4月、山崎は、阪東妻三郎プロダクションの経営者・立花良介、神戸市の菊水キネマ商会の大島菊松らとともに、全国150館の独立系映画館主に呼びかけ、「日本活動常設館館主連盟映画配給本社」を設立した。例文帳に追加

In April of the same year, Yamazaki, together with Ryosuke TACHIBANA, the chief officer of Bando Tsumasaburo Productions, and Kikumatsu OSHIMA of Kikusui Kinema Shokai in Kobe, contacted the owners of 150 movie theaters across the nation and established 'Nihon Katsudo Josetsukan Kanshu Renmei Eiga Haikyu Honsha' (Distribution Company Headquarters for Movie Theater Owners in Japan) (also known as "Kanshu Renmei" [the Theater Owner's Association]).  - Wikipedia日英京都関連文書対訳コーパス

1928年（昭和3年）4月、マキノ・プロダクションの四国ブロック配給会社・三共社の山崎徳次郎は、阪東妻三郎プロダクションの経営者・立花良介、神戸市の菊水キネマの大島菊松らとともに、全国150館の独立系映画館主を集めた。例文帳に追加

In April of 1928, Tokujiro YAMAZAKI of the company called Sankyo (the distribution company of Makino Productions which conducted its business in the Shikoku region), gathered the owners of 150 independent theaters around Japan with Ryosuke Tachibana (the owner of Bando Tsumasaburo Productions), Kikumatsu OSHIMA (Kikusui Kinema Firm in Kobe City) and others.  - Wikipedia日英京都関連文書対訳コーパス

特に昭和初期の松本幸四郎(7代目)の弁慶・尾上菊五郎(6代目)の義経・市村羽左衛門(15代目)の富樫による『勧進帳』は絶品で、映画にも記録された。例文帳に追加

The "Kanjincho" that was performed during the early Showa Period - with Koshiro MATSUMOTO the Seventh cast as Benkei, Kikugoro ONOUE the Sixth as Yoshitsune, and Uzaemon ICHIMURA the Fifteenth as Togashi - in particular was considered a masterpiece, and the performance was also recorded on film.  - Wikipedia日英京都関連文書対訳コーパス

そもそも、同年4月、当時マキノの四国ブロック配給を行っていた三共社の山崎徳次郎が、阪東妻三郎プロダクションの経営者・立花良介と計画し、従来から映画作家のインディペンデント系作品を手がけていた神戸市の菊水キネマ商会の大島菊松を中心とした全国150館の独立系映画館主に呼びかけ、大阪に「日本活動常設館館主連盟映画配給本社」を設立、独立プロダクションへの製作費の出資と作品の直接公開の方針を打ち出したことがきっかけであった。例文帳に追加

As prelude to this establishment, in April of 1928 Tokujiro YAMAZAKI of Sankyo, which had been distributing Makino's films in the Shikoku area, conspired with the top executive of Bando Tsumasaburo Productions named Ryosuke TACHIBANA to ask 150 independent theater owners throughout Japan, such as Kikumatsu OSHIMA of Kikusui Kinema in Kobe that had dealt with independent works by moviemakers, to cooperate in establishing 'Nihon Katsudo Josetsukan Kanshu Renmei Eiga Haikyu Honsha' (Distribution Company Headquarters for Movie Theater Owners in Japan) (also known as "Kanshu Renmei" [the Theater Owner's Association]) in Osaka and declaring policies of the direct release of movies as well as funding for production costs of independent productions.  - Wikipedia日英京都関連文書対訳コーパス

1928年（昭和3年）4月、牧野省三率いるマキノ・プロダクションの四国ブロック配給会社・三共社の山崎徳次郎は、阪東妻三郎プロダクションの経営者・立花良介とともに、以前から映画作家系インディーズの興行に熱心であった神戸市の菊水キネマ商会の大島菊松らを中心とした全国150館の独立系映画館主に呼びかけ、「日本活動常設館館主連盟映画配給本社」を設立、配給会社の中間マージンを排除し、独立プロダクションへの製作費のダイレクトな出資および興行の方針を打ち出した。例文帳に追加

In April of 1928 Tokujiro YAMAZAKI of Sankyo, the company led by Shozo MAKINO that had been distributing Makino films in the Shikoku area, conspired with the top execute of Bando Tsumasaburo Productions named Ryosuke TACHIBANA to get in contact with 150 independent theater owners throughout Japan, such as Kikumatsu OSHIMA of Kikusui Kinema in Kobe who was greatly interested in Indies films, to cooperate in establishing 'Nihon Katsudo Josetsukan Kanshu Renmei Eiga Haikyu Honsha' (Distribution Company Headquarters for Movie Theater Owners in Japan; also known as "Kanshu Renmei" [the Theater Owner's Association]) to eradicate the intervening contracting company and introduce policies that would provide direct production fees to independent film productions.  - Wikipedia日英京都関連文書対訳コーパス

そのころ、マキノの四国ブロック配給を行っていた三共社の山崎徳次郎は、阪東妻三郎プロダクションの経営者・立花良介と謀り、神戸市の菊水キネマ商会の大島菊松ら全国150館の独立系映画館主に呼びかけ、大阪に「日本活動常設館館主連盟映画配給本社」を設立、独立プロダクションへの製作費の出資と作品の直接公開の方針を打ち出した。例文帳に追加

At about that time, Tokujiro YAMAZAKI of Sankyo, which distributed Makino's movies in the Shikoku area, conspired with Ryosuke TACHIBANA, the top executive of Bando Tsumasaburo Productions, to ask 150 independent theater owners throughout Japan, including Kikumatsu OSHIMA of Kikusui Kinema in Kobe, to cooperate in establishing 'Nihon Katsudo Josetsukan Kanshu Renmei Eiga Haikyu Honsha' (Distribution Company Headquarters for Movie Theater Owners in Japan) (also known as "Kanshu Renmei" [the Theater Owner's Association]) in Osaka and declaring policies on directly releasing movies and funding for production costs of independent productions.  - Wikipedia日英京都関連文書対訳コーパス

そのきっかけとして、同年4月、当時マキノの四国ブロック配給を行っていた三共社の山崎徳次郎が、阪東妻三郎プロダクションの経営者・立花良介と計画し、神戸市の菊水キネマ商会の大島菊松を中心とした全国150館の独立系映画館主に呼びかけ、大阪に「日本活動常設館館主連盟映画配給本社」を設立、独立プロダクションへの製作費の出資と作品の直接公開の方針を打ち出すという動きがあった。例文帳に追加

As prelude to this establishment, in April of 1928 Tokujiro YAMAZAKI of Sankyo, which had been distributing Makino films in the Shikoku area, conspired with the top executive of Bando Tsumasaburo Productions named Ryosuke TACHIBANA to ask 150 independent theater owners throughout Japan, including Kikumatsu OSHIMA of Kikusui Kinema in Kobe, to cooperate in establishing 'Nihon Katsudo Josetsukan Kanshu Renmei Eiga Haikyu Honsha' (Distribution Company Headquarters for Movie Theater Owners in Japan) (also known as "Kanshu Renmei" [the Theater Owner's Association]) in Osaka and declaring policies of directly releasing films as well as funding for production costs of independent productions.  - Wikipedia日英京都関連文書対訳コーパス

監督にはマキノから富沢進郎を引き抜き、撮影は双ヶ丘撮影所の田中が行ない、「中根龍太郎喜劇プロダクション」（中根プロ）製作による中根の監督・主演作『助太刀商売』と同時上映で同年7月1日に「菊水館」を中心に公開された。例文帳に追加

The film was directed by Shinro TOMIZAWA who had been recruited away from Makino, shot by TANAKA of Narabigaoka Studio, and released in theaters such as the 'Kikusuikan' on July 1, 1928 as a dual feature with "Sukedachi Shobai" (Business of Backing up Somebody) directed by and starring NAKANE and produced by 'Nakane Ryutaro Comedy Productions' (Nakane Pro).  - Wikipedia日英京都関連文書対訳コーパス

同作は、「市川小文治歌舞伎映画プロダクション」製作の『野崎村』、「中根龍太郎喜劇プロダクション」（中根プロ）製作の『助太刀商売』、この流れとは別に帝国キネマから独立した森本登良男の作家系インディペンデント・プロダクション「森本登良男プロダクション」の『戦鑑三笠』と4本まとめて、同年7月1日に「菊水館」を中心に公開された。例文帳に追加

The film was released in theaters such as the 'Kikusuikan' on July 1, 1928 as a dual feature with "Nozaki-mura Village" produced by 'Ichikawa Kobunji Kabuki Eiga Productions,' "Sukedachi Shobai" (The Business of Backing Up Somebody) produced by 'Nakane Ryutaro Comedy Productions' (Nakane Pro) and "Battleship Kinugasa" by 'Morimoto Torao Productions,' a writer-led independent production by Torao MORIMOTO, who had separated from Teikoku Kinema Engei Kabushiki Gaisha (Imperial Cinema Entertainment Co., Ltd.) apart from the aforementioned movement.  - Wikipedia日英京都関連文書対訳コーパス