荒五郎の英語

元弘の乱では後醍醐天皇に味方し、弓の名手としても知られる重範は、笠置山で幕府の大軍を相手に荒尾九郎、弥五郎兄弟を遠矢で討ち取るなどして奮戦した。例文帳に追加

Supporting the Emperor Godaigo in the Genko War, Shigenori, who was known for his excellence in the handling of a bow, fought well against the large-scale army of the bakufu (Japanese feudal government headed by a shogun) on Mt. Kasagi and defeated brothers of Kuro and Yagoro ARAO with long-distance arrows (archery).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

さらに、家信の在世中に荒木又右衛門、河合又五郎の鍵屋の辻の決闘があり、敵討ちが終わった後、式部家にお預けとなっていた。例文帳に追加

In addition, while Ienobu was still alive, a duel called "Kagiya no Tsuji no Ketto" (the Duel at the Key-Maker's Corner) was fought between Mataemon ARAKI and Matagoro KAWAI; after Mataemon struck down his enemy, he was was placed in the custody of the Shikibu family.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

恰幅のいい体つきと、明るく豪放磊落な仁で、『勧進帳』の弁慶、『暫』鎌倉権五郎、『毛抜』の粂寺弾正のような荒事や、『義経千本桜』の権太、『髪結新三』、『盲長屋梅加賀鳶』、『魚屋宗五郎』といった世話物、『仮名手本忠臣蔵』の大星由良助、寺岡平右衛門、『熊谷陣屋』の熊谷直実、『義経千本桜』の知盛、狐忠信などの時代物にも定評があった。例文帳に追加

With his imposing stature and bright and open hearted benevolence, he won acclaim in roles in domestic dramas including Benkei in "Kanjincho," Gongoro KAMAKURA in "Shibaraku," aragoto style such as Kumedera Danjo in "Kenuki," Gonta in "Yoshitsune Senbon-zakura," "Kamiyuishinzo," "Mekuranagaya-umega-kagatobi," "Sakana Sogoro," and historical plays including Yuranosuke OBOSHI in "Kanadehon Chushingura," Heiemon TERAOKA and Naozane KUMAGAI in "Kumagai Jinya," Tomomori and Tadanobu KITSUNE in "Yoshitsune Senbon-zakura."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

一方で東京に出てからは、十五代目羽左衛門系の颯爽とした芸系とともに、尾上松緑(2代目)に師事して尾上菊五郎(6代目)の写実的な世話物の系統、また松緑が得意とした荒事や舞踏にいたるまで広く学んだ。例文帳に追加

On the other hand, after he went to Tokyo, along with the smart artistic style of Uzaemon XV, he became Shoroku ONOE II's pupil and learned extensively of the art of Kikugoro ONOE's sewamono (the realistic genre of a play that deals with life and current events of the common people) as well as aragoto (kabuki play featuring exaggerated posture, makeup, and costume) and the dancing which was Shoroku's forte.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

座頭の工藤・和事の十郎・荒事の五郎・道化役の朝比奈・立女形の虎・若女形の少将・敵役の八幡・立役の近江・実事の鬼王と、歌舞伎の役どころがほとんど勢ぞろいし、視覚的にも音楽的にも様式美にあふれた一幕である。例文帳に追加

It is a stylistically beautiful play both from visual and musical points of view, as all the major characters of Kabuki appear on the stage such as Kudo as zato (leader of troupe), Juro as wagoto (the mediator), Goro as aragoto (the aggressive character), Asahina as the clown, Tora as tateoyama (the leading actor in a female role), Shosho as wakaoyama (the young actor in a female role), Hachiman as the enemy, and Omi as the leading male actor, and Kio as jitsugoto (the tragic character).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『仮名手本忠臣蔵』の大星由良之助、『伽羅先代萩』の荒獅子男之助、『勧進帳』の武蔵坊弁慶、『博多小女郎浪枕』の毛剃、『暫』の鎌倉権五郎、『助六所縁江戸櫻』の花川戸助六、『天紛衣上野初花』の河内山宗俊、『助六』の大口屋暁雨、『菅原伝授手習鑑』の菅原道真や武部源蔵、『増補桃山譚』の加藤清正、『妹背山婦女庭訓』の大判事やお三輪など、当り役も数多い。例文帳に追加

Many of his star roles were as follows: Arajishi Otokonosuke in"Kanadehon Chushingura" (The Treasury of Loyal Retainers), Musashibo Benkei in"Kanjincho," Kesori in "Hakata Kojoro Namimakura," Gongoro KAMAKURA in "Shibaraku," Hanakawado Sukeroku in "Sukeroku Yukarino Edozakura," Soshun KOCHIYAMA in "Kumonimagou Ueno no Hatsuhana," Gyou OGUCHIYA in "Sukeroku," SUGAWARA no Michizane and Genzo TAKEBE in "Sugawara Denju Tenanai Tekagami," Kiyomasa KATO in "Zoho Momoyama Monogatari," a daihanji or Omiya in "Imoseyama Onna Teikin" and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス