「曲浦」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

松浦の「四つ物（四大名曲）」の一つとされる。例文帳に追加

This is considered as one of 'Yotsumono' (four famous pieces) of Matsuura.  - Wikipedia日英京都関連文書対訳コーパス

まず松浦検校が京都風な洗練を加えた手事ものの曲を多く作った。例文帳に追加

First of all, Kengyo Matsuura created many tegotomono pieces to which the refined Kyoto style was added.  - Wikipedia日英京都関連文書対訳コーパス

大曲では、「松竹梅」（三ツ橋勾当作曲）、「宇治巡り」（松浦検校作曲）、「新青柳」（石川勾当作曲）、「千代の鶯」（光崎検校作曲）など、曲中に二カ所の手事を持つ曲も多い。例文帳に追加

In long pieces such as 'Shochikubai' (by Koto MITSUHASHI), 'Uji Meguri' (by Kengyo MATSUURA), 'Shin Aoyagi' (by Koto ISHIKAWA), and 'Chiyo no Uguisu' (by Kengyo MITSUZAKI), tegoto can be found in two places in a piece.  - Wikipedia日英京都関連文書対訳コーパス

文化文政の頃、京都で活躍した盲人音楽家、松浦検校が作曲した手事（てごと）もの地歌曲。例文帳に追加

The tegoto mono (central music for shamisen, koto and shakuhachi) of jiuta composed by Kengyo MATSURA, who was a blind musician who performed in Kyoto, during the Bunka and Bunsei era.  - Wikipedia日英京都関連文書対訳コーパス

文化(元号)文政の頃、京都で活躍した盲人音楽家松浦検校作曲の手事物地歌、箏曲。例文帳に追加

This is a Jiuta piece in the Tegotomono style, composed for koto by a blind musician Matsuua Kengyo around the Bunka-Bunsei eras.  - Wikipedia日英京都関連文書対訳コーパス

それに引き続き京都の松浦検校、石川勾当、菊岡検校らが京都地歌の曲を多数作曲し、それらの曲に八重崎検校らが箏のパートを作曲した。例文帳に追加

Using this style, Kengyo MATSUUA, Koto ISHIKAWA and Kengyo KIKUOKA composed a large number of Kyoto jiuta for which Kengyo YAEZAKI and others wrote the koto parts.  - Wikipedia日英京都関連文書対訳コーパス

後期：京流手事物の地歌曲に複音楽的な箏の手付をした浦崎検校、八重崎検校、光崎検校例文帳に追加

The late Edo period: Urasaki Kengyo who adapted Kyoryu tegotomono (Kyoto-style chamber music) to Soh music, Yaezaki Kengyo and Mitsuzaki Kengyo  - Wikipedia日英京都関連文書対訳コーパス

これらの作品には、浦崎検校やその弟子の八重崎検校が箏の手付をしており、現代でも名曲として演奏されることが多い。例文帳に追加

Kengyo URASAKI and his disciple kengyo YAEZAKI played these works by the koto and even now they are often played as good works.  - Wikipedia日英京都関連文書対訳コーパス

松浦は箏においては生田流系の藤池流を伝承しており、歌本の校閲をしたり、箏組歌『十八公』の作曲もしている。例文帳に追加

MATSUURA inherited FUJIIKE-style in IKUTA-style on playing the so (or koto), reviewed books of songs and also composed the koto kumiuta (koto suites of songs) called "Juhakko" (the Pine Tree).  - Wikipedia日英京都関連文書対訳コーパス

｢太平洋序曲｣は，1853年にマシュー・ペリー提督と彼の４隻の黒船が浦(うら)賀(が)へやって来た時に，日本が経験した混乱についてのものだ。例文帳に追加

"Pacific Overtures" is about the confusion Japan experienced when Commodore Matthew Perry and his four black ships came to Uraga in 1853.  - 浜島書店 Catch a Wave

文部省唱歌「浦島太郎」は、1900年の『幼年唱歌』に掲載された「うらしまたろう」（作詞・石原和三郎、作曲・田村虎蔵）と、1911年の『尋常小学唱歌』に掲載された「浦島太郎」（作詞・乙骨三郎、作曲者不明）とがある。例文帳に追加

There are two kinds of 'Urashima Taro' songs authorized by the Ministry of Education: 'Urashima Taro' published in "Yonen Shoka" (songs for little children) in 1900 (words by Kazusaburo ISHIHARA, music by Torazo TAMURA) and another 'Urashima Taro' published in "Jinjo Shogaku Shoka" (songs collected for common elementary education) in 1911 (words by Saburo Otsukotsu, music by a person unknown).  - Wikipedia日英京都関連文書対訳コーパス

文化頃に大阪の市浦検校が、地歌曲に箏の手付をする際、原曲の三味線の旋律とは違う旋律を工夫し（これを替手式箏曲と呼ぶ）、合奏の効果を高めた。例文帳に追加

Around the Bunka era, kengyo ICHIURA exercised his ingenuity in creating melodies differently from the shamisen melody of the original song when playing the koto for jiuta song (we call this "kaede shiki sokyoku" (koto music with accompanying melody style)) and enhanced the ensemble effect.  - Wikipedia日英京都関連文書対訳コーパス

地歌三味線の名手であり、先輩に当たる松浦検校が完成させた地歌の楽曲形式、様式である「京流手事物」を更に洗練させ、数多くの名曲を残した。例文帳に追加

He was a virtuoso of jiuta shamisen and furthermore, was sophisticated with 'Kyoto-style tegotomono' (a form of Japanese chamber music) which was the style of composition and form of jiuta completed by his senior associate kengyo MATSUURA, and composed many great songs.  - Wikipedia日英京都関連文書対訳コーパス

松浦検校（まつうらけんぎょう、生年不詳-文政5年11月21日(旧暦)（1823年1月2日））は、19世紀前半に京都で活躍した盲人音楽家（地歌三味線および箏曲演奏家、作曲家）。例文帳に追加

Kengyo MATSUURA (year of birth unknown – January 2, 1823) was a blind musician who was active during the early nineteenth century in Kyoto (jiuta shamisen (traditional Japanese shamisen music) player, so or koto (a long Japanese zither with thirteen strings) player and composer).  - Wikipedia日英京都関連文書対訳コーパス

復曲能や新作能にも積極的に取り組み、1985年『松浦佐用姫』、1986年『苅萱』、1987年『多度津左衛門』、1988年『維盛』、1991年『鵜羽』、1907年『敷地物狂』、2000年『鐘巻』、2001年『長柄』を復曲。例文帳に追加

He is devoted to introducing Fukkyoku Noh (revived pieces) and Shinsaku Noh (new pieces); he revived "Matsura Sayohime" (The Tragedy of Princess Matsura Sayohime) in 1985, "Karukaya" (The Karukaya) in 1986, "Tadatsu no Saemon" (Saemon in Tadatsu) in 1987, "Koremori" in 1988, "U no ha" (Cormorant Plumes) in 1991, "Shikiji Monogurui" (a mad person play) in 1907, "Kanemaki" (original form of Dojoji) in 2000, and "Nagara" (The Nagara-no-hashi Bridge) in 2001.  - Wikipedia日英京都関連文書対訳コーパス

千鳥の曲の須磨の浦や差手の磯のほか、陸奥国の野田の玉川（現宮城県塩竈市）や下総国の行徳（現千葉県市川市）なども千鳥の名所として知られた。例文帳に追加

Tama-gawa River in Noda of Mutsu Province (present Shiogama City, Miyagi Prefecture) and Gyotoku in Shimosa Province (present Ichikawa City, Chiba Prefecture) as well as Suma no ura and Sashide no iso in Chidori no Kyoku were famous for plovers.  - Wikipedia日英京都関連文書対訳コーパス

6、7月ころ、書院番、御小姓番、大番、ならびに鶴見、曲木、諏訪部、浦部4箇所の厩付の諸士および田安、一橋、清水の三卿付の諸士らが、数名ないし十数名出動し、隅田川すじでおこなわれた。例文帳に追加

Suiba was held around June or July at the Sumida-gawa river with the participation of several dozens of samurai; namely, the shoinban (castle guard), the okoshoban (official guard in the Tokugawa Shogunate), the oban (a group of guards in the Edo shogunate), samurai working at one of four stables (in Tsurumi, Magaki, Suwabe or Urabe), and samurai working for one of the three families related to the shogun (the Tayasu, the Hitotsubashi or the Shimizu).  - Wikipedia日英京都関連文書対訳コーパス

さらにこれが京都の音楽家たちに受け継がれ、洗練されて「京流手事物」が生まれ、松浦検校の『宇治巡り』、『四季の眺』、『末の契』など、石川勾当の『八重衣』、『新青柳』など、菊岡検校の『長等の春』、『磯千鳥』、『夕顔』、『茶音頭』など、光崎検校の『桜川』、『七小町』など、数多くの名曲が作られた。例文帳に追加

Furthermore, these came down to musicians in Kyoto, refined by them and 'Kyoto-style tegotomono' (a form of Japanese chamber music) was spawned and the following numerous famous works were composed: "Uji meguri" (uji tour), "Shiki no Nagame" (Viewing the Four Seasons), "Sue-no-chigiri" and so on by kengyo MATSUURA and "Yaegoromo" (An Eight-Fold Garment), "Shin Aoyagi" (new green willow) and so on by koto ISHIKAWA and "Nagara-no-haru," "Iso Chidori" (beach plover), "Yugao" (Evening Face), "Cha ondo" (Tea Song) and so on by kengyo KIKUOKA and "Sakuragawa" (Sakura river), "Nanakomachi" (Seven Komachi) and so on by kengyo MITSUZAKI.  - Wikipedia日英京都関連文書対訳コーパス