「芳門」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

「歌舞伎映画プロ」は、中根プロ、および山口の「山口俊雄プロダクション」に協力し、小文治はそれらの第1作に出演、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から「歌舞伎映画プロ」に参加した市川芳之助（のちの沢田清）も千恵プロの『愛憎血涙』に出演したが、同年7月末に早くも山崎らの「館主連盟」が瓦解してしまった。例文帳に追加

Kabuki Eiga Pro,' in cooperation with Nakane Pro and YAMAGUCHI's 'Yamaguchi Toshio Productions,' Kobunji acted in the first films that were produced by these two production companies and Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ayameike Studio of Ichikawa Utakemon Productions (Uta Pro) in Nara and joined 'Kabuki Eiga Pro,' also acted in "Aizo Ketsurui" (Love and Hate, Blood and Tears) produced by Chie Pro, but YAMAZAKI's 'Kanshu Renmei' fell apart early at the end of July in 1928.  - Wikipedia日英京都関連文書対訳コーパス

また、皇女を准母立后による尊称皇后（天皇の配偶ではない称号のみの后）とする制度が白河天皇皇女媞子内親王（郁芳門院）を契機として確立すると、院号宣下の対象も尊称皇后にまで拡大、さらに応保元年（1161年）のあき子内親王（八条院）によって、后位を経ずに院号宣下される道も開かれた。例文帳に追加

In addition, the system of making an imperial princess an honorary empress (a woman who was not the consort of the emperor but nonetheless held the title of empress) to serve as a foster mother to the emperor began with Imperial Princess Teishi (Ikuhomon-in), daughter of Emperor Shirakawa; this system was later extended to allow "院" (a kanji pronounced "in" that means "imperial court") to be added to the end of the title of an honorary empress by imperial decree, and the system was further extended by Princess Akiko (Hachijo-in) in 1161 to allow "院" to be added to the title of any female member of the imperial family.  - Wikipedia日英京都関連文書対訳コーパス

添田は現役の大蔵官僚としての生活の傍ら、東京帝国大学、東京専門学校（現・早稲田大学）、専修学校（現・専修大学）、学習院などで経済学を講じており（恩師・上司であった田尻稲次郎が設立した専修学校では、同僚・同期の阪谷芳郎とともに出講し商業史などを担当）。例文帳に追加

In addition to working as a regular Ministry of Finance official, Soeda gave a course in economics at Tokyo Imperial University, Tokyo Senmon Gakko (present-day Waseda University), Senshu School (present-day Senshu University), and Gakushuin (at Senchu School, which was established by his former teacher and boss Inajiro TAJIRI, he worked with his colleague, Yoshio SAKATANI, who entered the Ministry in the same year, and they were in charge of classes in history of commerce).  - Wikipedia日英京都関連文書対訳コーパス

法然房源空(1)→勢観房源智(前2)→法蓮房信空(後2)→正信房湛空(3)→求道房恵尋(4)→素月房恵顗(5)→寿観房任空(6)→示観房範空(7)→我観房運空(8)→僧然定玄(9)→佛立恵照国師（僧任等凞）(10)→良秀僧尋(11)→聖深阿縁(12)→僧海等珍(13)→僧秀良玉(14)→威照良真(15)→称譽秀馨(16)→極譽理聖(17)→栄譽永真(18)→西譽雲栖(19)→弘譽伝心(20)→性譽法山(21)→道残源立(22)→看譽源良(23)→縁譽休岸(24)→長譽源然(25)→琴譽盛林(26)→了的(27)→潮呑(28)→忍譽源授(29)→眼譽呑屋(30)→誓譽厳真(31)→檀譽順応(32)→広譽順長(33)→叶譽酋村(34)→通譽◎林(35)→薫譽寂仙(36)→重譽写悦(37)→到譽順教(38)→香譽春沢(39)→鑑譽万竜(40)→法譽智俊(41)→晃譽念潮(42)→到譽潮音(43)→謙譽霊忠(44)→神譽感霊(45)→覚譽霊長(46)→逾譽俊海(47)→禀譽(48)→浄譽原澄(49)→明譽顕海(50)→祐譽天従(51)→宣譽巨道(52)→貫譽学善(53)→住譽密善(54)→在譽祐倫(55)→黒谷定円〘寥譽〙(56)→獅子吼観定〘梁譽〙(57)→佐藤説門〘開譽〙(58)→獅子吼観定〘梁譽〙(59)→秋浦定玄〘静譽〙(60)→吉水賢融〘仏譽〙(61)→大鹿愍成〘深譽〙(62)→郁芳随円〘相譽〙(63)→望月信亨〘昱譽〙(64)→芳井教岸〘道譽〙(65)→川端信之〘源譽〙(66)→渡辺教善〘闡譽〙(67)→千葉良導〘妙譽〙(68)→福井周道〘鑑譽〙(69)→澤崎梁寿〘定譽〙(70)→藤原弘道〘法譽〙(71)→稲岡覚順〘等譽〙(72)→坪井俊映〘仁譽〙(73)→高橋弘次〘満譽〙(74)例文帳に追加

Honenbo Genku (1)->Seikanbo Genchi (first period of 2)->Horenbo Shinku (latter period of 2)->Shoshinbo Tanku (3)->Gudobo Keito (4)->Sogetsubo Eke (5)->Suganbo Jinku (6)->Jikanbo Hanku (7)->Gaganbo Unku (8)->Sozen Jogen (9)->Butsuryu Eisho Kokushi (Sonin Nadohiro) (10)->Yoshihide Sojin (11)->Seimi Aen (12)->Sokai Rachin(13)->Soshu Ryogyoku (14)->Iteri Ryoshin (15)->Shoyo Shukei (16)->Gokuyo Risei (17)->Eiyo Eishin (18)->Saiyo Unsei (19)->Koyo Denshin (20)->Seiyo Hozan (21)->Dozan Genryu (22)->Kanyo Genryo (23)->Enyo Kyugan (24)->Choyo Genzen (25)->Kinyo Seirin (26)->Ryoteki (27)->Chodon (28)->Ninyo Genju (29)->Ganyo Donya (30)->Seiyo Ganshin (31)->Danyo Juno (32)->Koyo Juncho (33)->Kyoyo Shuson (34)->Tsuyo Chorin (35)->Kunyo Jakusen (36)->Juyo Shaetsu (37)->Toyo Junkyo (38)->Koyo Shuntaku (39)->Kanyo Manryu (40)->Hoyo Chishun (41)->Koyo Nencho (42)->Toyo Choon (43)->Kenyo Reishi (44)->Shinyo Kanrei (45)->Kakuyo Reicho (46)->Yuyo Shunkai (47)->Rinyo (48)->Joyo Gencho (49)->Meiyo Kenkai (50)->Yuyo Tenju (51)->Senyo Kyodo (52)->Kanyo Gakuzen (53)->Juyo Myozen (54)->Zaiyo Yurin (55)->Kurotani Joen [Ryoyo] (56)->Shishiku Kanjo [Ryoyo] (57)->Sato Zeimon [Kaiyo] (58)->Shishiku Kanjo [Ryoyo] (59)->Shuho Jogen [Seiyo] (60)->Kissui Kenyu [Butsuyo] (61)->Oka Binjo [Shinyo] (62)->Ikuho Zuien [Soyo] (63)->Mochizuki Shinko [Ikuyo] (64)->Hoi Kyogan [Doyo] (65)->Kawabata Nobuyuki [Genho] (66)->Watanabe Kyozen [Senyo] (67)->Chiba Ryodo [Myoyo] (68)->Fukui Shudo [Kanyo] (69)->Sawazaki Ryoju [Joyo] (70)->Fujiwara Hiromichi [Hoyo] (71)->Inaoka Kakujun [Toyo] (72)->Tsuboi Shunei [Jinyo] (73)->Takahashi Koji [Manyo] (74)  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.  - Wikipedia日英京都関連文書対訳コーパス