「dramatic play」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

in the dramatic arts, the action of all the actors performing a play as it will be performed before an audience, before the play opens to the public 例文帳に追加

演劇において,公開の前に出演者全員で本番どおりに演じること - EDR日英対訳辞書

In addition, tayu (leading actor in a Noh play) of joruri (dramatic narrative chanted to a samisen accompaniment) that acted alone required high skills. 例文帳に追加

また、これを一人で演じ分ける浄瑠璃の太夫も高度な技能が要求される。 - Wikipedia日英京都関連文書対訳コーパス

This is a Bunraku play, first performed in 1705 in Gidayu-bushi (a style of Joruri [dramatic narrative chanted to a shamisen accompaniment]). 例文帳に追加

この物語は、宝永2年（1705年）に義太夫節で初演された、文楽である。 - Wikipedia日英京都関連文書対訳コーパス

Also, there are some differences in dramatic interpretation of the play between Kanze and Kita schools and other three schools. 例文帳に追加

また観世・喜多の二流と他の三流とでは、演出にも異なる部分がある。 - Wikipedia日英京都関連文書対訳コーパス

(a) in the case of [play/film] scripts and other similar dramatic works, "reproduction" includes sound and visual recording of the stage performances, broadcasts or wire-broadcasts of said works; and 例文帳に追加

イ　脚本その他これに類する演劇用の著作物　当該著作物の上演、放送又は有線放送を録音し、又は録画すること。 - 日本法令外国語訳データベースシステム

In Genzai Noh (noh plays featuring people alive in the dramatic present, not apparitions), performers who play adult male roles do not wear noh masks. 例文帳に追加

なお現在能（亡霊ではなく現在進行形として演じられる形式の能）の成年男性役には能面を用いないで演じられる。 - Wikipedia日英京都関連文書対訳コーパス

`Shosadate' (Tchimawari which is incorporated into Buyo works), the scene of Shunkan having a sword fight with Seno in time of Joruri (dramatic narrative chanted to a shamisen accompaniment) is one of highlights of the play. 例文帳に追加

妹尾との斬り合いの場面では浄瑠璃に合わせて斬り合いが行われる「所作伊逹」が見どころ。 - Wikipedia日英京都関連文書対訳コーパス

The Ningyo Joruri play 'Meiboku Sendai Hagi' performed in 1785 was a Ningyo Joruri adaptation of the Kabuki play 'Meiboku Sendai Hagi', and the passages of Joruri (dramatic narrative chanted to a shamisen accompaniment) chanted today for the scene 'Palace' are derived from this play. 例文帳に追加

天明5年（1785年）の人形浄瑠璃「伽羅先代萩」は歌舞伎「伽羅先代萩」を改作・浄瑠璃化したもので、現行「御殿」に用いる浄瑠璃の詞章はこの作品から取られている。 - Wikipedia日英京都関連文書対訳コーパス

It is performed in the traditional kabuki kyogen play with Joruri (a dramatic narrative chanted to a samisen accompaniment), Shimoza (background music player), and narimono (musical instruments) frequently used for stage effect, but the contents of the play is a large scale tragedy greatly influenced by Shakespeare. 例文帳に追加

演出は浄瑠璃や下座、鳴物などを多用する旧来の歌舞伎狂言の形態であるが、内容はシェークスピアの影響の濃いスケールの大きな悲劇である。 - Wikipedia日英京都関連文書対訳コーパス

In this sense, Ganjiro NAKAMURA (the second) and Kanzaburo NAKAMURA (the seventeenth) were two great actors for Yashio, for their dramatic acting typical to Maruhonmono play (Kabuki adaptation of Ningyo Joruri play), strength and charms. 例文帳に追加

その意味でも、中村鴈治郎(2代目)と中村勘三郎(17代目)は、丸本物狂言のコクと線の強さに色気を備え、八汐役者の双璧であった。 - Wikipedia日英京都関連文書対訳コーパス

With a great originality, he established a form of ghost stories with Matsusuke ONOE I, and dramatic elements of Kabuki play with Danjuro ICHIKAWA VII, Kikugoro ONOE III, Hanshiro IWAI V, and Koshiro MATSUMOTO VII. 例文帳に追加

独創性に富み、尾上松助(初代)とともに怪談を、市川團十郎(7代目)・尾上菊五郎(3代目)・岩井半四郎(5代目)、松本幸四郎(7代目)らとともに歌舞伎歌舞伎狂言の演劇的要素をそれぞれ確立した。 - Wikipedia日英京都関連文書対訳コーパス

This family originally performed tesarugaku in Kyoto, and as Matasaburo Shigenobu NOMURA (the first) was invited as a guest to establish the Izumi school, their own programs, play scripts, and dramatic interpretation have been maintained. 例文帳に追加

もともと京都の手猿楽に発した家系で、初代野村又三郎重信が和泉流樹立にあたり客分として招かれたために、独自の演目・台本・演出などを保持して現在に至っている。 - Wikipedia日英京都関連文書対訳コーパス

The basic methods of the school were established by Bishao Gon no Kami, who was a particularly standout Tayu (leading actor in a Noh play) in the troupe, and his son Gon no Kami Konparu, then went through a dramatic deepening at the time of Gon no Kami's grandson, Zenchiku KONPARU (the fifty-seventh head of the school). 例文帳に追加

特に同座の中心的な太夫として活躍した毘沙王権守、およびその子金春権守が流儀の基礎を築き、権守の孫金春禅竹（五十七世宗家）にいたって飛躍的な深化を遂げた。 - Wikipedia日英京都関連文書対訳コーパス

The colorful and dramatic structure of this play features MINAMOTO no Yoshitsune, MUSASHIBO Benkei, Shizukagozen and TAIRA no Tomomori as the main characters, with Noh-Shite playing totally different roles in the first half and the second half. 例文帳に追加

源義経、武蔵坊弁慶、静御前、平知盛を主たる登場人物とし、前半と後半で能シテの演じる役柄がまったく異なるなど、華やかで劇的な構成が特徴である。 - Wikipedia日英京都関連文書対訳コーパス

The Hanshichi series was adapted into a play by Kido and performed in 1926 starring Kikugoro ONOE the Sixth, and the old gossip stories which appeared in it were also used for the stages of narrative artists in the post-war period, such as Shozo HAYASHIYA and Ensho SANYUTEI the Sixth for Rakugo (comic story telling), Engyoku GODOKEN for Kodan (dramatic story telling), and Hiroshi TAKAHASHI and Kinsho KURATA for Monogatari (story telling). 例文帳に追加

半七ものは綺堂脚色によって1926年に尾上菊五郎(6代目)が演じたのを始め、これらの昔話の巷談は、戦後の話芸においても落語の林屋正蔵、三遊亭圓生(6代目)、講談の悟道軒園玉、物語の高橋博、倉田金昇などの高座で使われた。 - Wikipedia日英京都関連文書対訳コーパス

He had many friends also in the world of public entertainment, for example, Danjuro ICHIKAWA (the 9th)(Inoue helped him with clearing financial problem of slumping Kawarazaki Kabuki Theater which Ichikawa had undertaken asked by his adoptive family), a Rakugo story teller Encho Sanyutei, Kiyomoto (a performance of Joruri [the Japanese-type puppet play]) player Oyo and a gidayu (a style of reciting dramatic narratives) player Echigodayu TAKEMOTO. 例文帳に追加

芸能界との親交も多く、歌舞伎役者の市川團十郎(9代目)（かつての養家から泣きつかれて背負いこんだ経営不振の河原崎座の借財整理に協力した）、落語家の三遊亭圓朝、清元のお葉、義太夫の竹本越後太夫などが名を連ねる。 - Wikipedia日英京都関連文書対訳コーパス