葉流歌の英語

賀茂真淵・田安宗武などの万葉集を模範とするグループ、荷田在満・本居宣長などの新古今和歌集を模範とするグループ、小沢蘆庵・香川景樹などの古今和歌集を模範とするグループの三代潮流がうまれ、万葉集・古今和歌集・新古今和歌集の研究が盛んに行われ、これが明治時代初期まで続いた。例文帳に追加

Three main schools of thought arose--the group made up of KAMO no Mabuchi, Munetake TAYASU, and others, which took the Manyoshu as its model; the group that included KADA no Arimaro and Norinaga MOTOORI, which took the Shin kokin wakashu as its model; and the group whose adherents included Roan OZAWA and Kageki KAGAWA, which took the Kokin wakashu as its model--these groups vigorously studied the Manyoshu, the Kokin wakashu and the Shin kokin wakashu, a state of affairs that continued until the early Meiji period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

西行（西行）の出家に影響され、自身も一時その願望を持つ事となったが、平安末期の無常観を反映しつつ、万葉集や古今和歌集の伝統を踏まえた抒情性の豊かな歌風を確立し、当世風の新奇性を重視した六条流の歌風と当時の歌壇を二分した。例文帳に追加

Influenced by the poet Saigyo becoming a priest, FUJIWARA no Toshinari himself held similar aspirations for a time, but, reflecting the fluid nature of the late Heian period, he straddled two schools of contemporary poetry: the rich lyrical poetic styles established in the traditions of the Manyoshu (Collection of Ten Thousand Leaves) and Kokin Wakashu (First Imperial Anthology of Japanese Poetry), and avant-garde literary fashions of the day given prominence amongst Rokujo-school literati.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

戦後では完全に漫才が主流になり演じ手はいなかったが芦乃家雁玉・林田十郎、松葉家奴・松葉家喜久奴、松鶴家光晴・浮世亭夢若、一輪亭花蝶・松原勝美、浮世亭歌楽・ミナミサザエ等は軽口に近い芸風であった。例文帳に追加

In the postwar time, although manzai became completely dominant and karukuchi became extinct, manzai dialogues performed by duos of Gangyoku ASHINOYA and Juro HAYASHIDA, Yakko MATSUBAYA and Kikuyakko MATSUBAYA, Kosei SHOKAKUYA and Yumewaka UKIYOTEI, Kacho ICHIRINTEI and Katsumi MATSUBARA and Karaku UKIYOTEI and Sazae MINAMI were close to the style of karukuchi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

賀茂真淵（1679年-1769年）らが「万葉集」尊重を主張したのに対し、景樹らは「古今和歌集」を尊重することを主張し、京阪神（畿内）地域を中心に流行した。例文帳に追加

While KAMO no Mabuchi (1679-1769) and the others emphasized the "Manyoshu" (the oldest anthology of Japanese poetry), Kageki and his group preferred "Kokin Wakashu" (A Collection of Ancient and Modern Japanese Poetry), and their poems were popular mainly in the Kinai region (provinces surrounding Kyoto and Nara).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

額田王（ぬかたのおおきみ、ぬかたのきみとも、生没年不詳）は、皇極天皇朝から持統天皇朝に活躍した、日本の代表的な女流万葉歌人である。例文帳に追加

Nukata no Okimi (also known as Nukata no Kimi) (dates of birth and death unknown) was a leading female Japanese poet who was active during the reigns of the emperors Kogyoku and Jito with poems in the "Manyoshu" (Collection of Ten-Thousand Leaves).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ただし、特に江戸時代後半となると、胡弓楽と地歌、箏曲は交流が著しくほとんど一体化してしまっているので、胡弓楽という言葉はあまり使われない。例文帳に追加

However, after entering the latter half of the Edo period in particular, Kokyu-gaku, Jiuta songs, and So music were intermingled considerably to the extent that they were almost integrated, and the term of Kokyu-gaku almost ceased to be used.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「婦人公論」創刊、歌謡「ゴンドラの唄」大流行、国産蓄音機製造開始、葉山「日影茶屋事件」、日本初のアニメ「サルとカニの合戦」公開（日活）、「東京自動車学校」開校例文帳に追加

The first publication of 'Fujinkoron,' great hit of 'Gondora no uta' (Gondola song), the production of the gramophone starts in Japan, the release of the first animation 'Saru to kani no kassen' (The Quarrel of the Monkey and the Crab) (production by Nikkatsu), and the opening of the 'Tokyo Driving School'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ここでは和歌のほか千蔭流の書や古典文学を学んでおり、源氏物語などの王朝文学が一葉の初期作品のモチーフになっている。例文帳に追加

In this school, besides waka, she studied classic literature and Japanese calligraphy of the Chikage school; dynastic style literature, such as The Tale of Genji, was the motif of Ichiyo's early works.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス