Early Modern Chineseとは 意味・読み方・使い方

In the world of traditional Japanese music of the early-modern times, especially the world of jiuta (a genre of traditional songs with shamisen accompaniment), sokyoku (koto music) (combined with the kokyu (Chinese fiddle) music, they are called "sankyoku" or instrumental trio), and so on; shamisen is sometimes called 'sangen' (a three-stringed musical instrument), written as '三弦' or '三絃.'発音を聞く 例文帳に追加

近世邦楽の世界、特に地歌・箏曲の世界（三曲）等では「三弦（さんげん）」、または「三絃」と呼称し、表記する事も多い。 - Wikipedia日英京都関連文書対訳コーパス

Kirishitan-ban (Christian editions) refers to a common name of printing in Roman characters, kanji (Chinese characters) or kana (the Japanese syllabary) which was published by the Society of Jesus mainly in Japan in the early modern period (from the end of the 16th century to the beginning of the 17th century).発音を聞く 例文帳に追加

キリシタン版（きりしたんばん）とは、近世初期（16世紀末-17世紀初め）に日本を中心にイエズス会によって刊行されたローマ字、あるいは漢字・仮名(文字)による印刷の通称である。 - Wikipedia日英京都関連文書対訳コーパス

Since the release of "Kojiki-den" (Commentary on the Kojiki) authored by Norinaga MOTOORI, trends in the interpretation of Japanese mythology went to the direction of excluding "karagogoro" (Chinese influence), such as Confucianism and Buddhism, and paved the way for the birth of State Shinto in early modern times.発音を聞く 例文帳に追加

本居宣長の『古事記伝』以降、神話解釈は儒教的・仏教的な「からごころ」を退けるという方向性を歩み、近代の国家神道へと繋がっていく。 - Wikipedia日英京都関連文書対訳コーパス

Kokin Wakashu Kanajo (Preface of Kokin Wakashu written in kana) of the "Kokin Wakashu" (A Collection of Ancient and Modern Japanese Poetry) written by KI no Tsurayuki was an early work written in Hiragana while keeping the usage of a text in Chinese.発音を聞く 例文帳に追加

紀貫之が書いた『古今和歌集』の「古今和歌集仮名序」は、漢文の用法を遺しながらも平仮名で書かれた和文として初期のものである。 - Wikipedia日英京都関連文書対訳コーパス

Even though there are temples with a Chinese-style symmetrical garan layout in which a sanmon gate is connected through the corridors to the Buddha hall, behind which a lecture hall and a hojo (head priest's living quarters) are built, a kuin and a sodo on the left and right sides of the corridors, and a yokushitsu and tosu are placed diagonally across the sanmon gate; such temples whose whole garan structures (including the corridors) remain are limited to those built in the early-modern times, such as Zuiryu-ji Temple (Takaoka City, Toyama Prefecture), Mampuku-ji Temple (Kyoto Prefecture), etc.発音を聞く 例文帳に追加

三門からの回廊が仏殿に達し、後ろに法堂・方丈を建て、回廊左右に庫院と僧堂を、三門斜前方に浴室と東司を設けるという中国風の左右対称の伽藍配置をもつ寺院もあるが、回廊まで含めて残っているのは富山・瑞龍寺(高岡市)、京都・萬福寺など近世以降のものに限られている。 - Wikipedia日英京都関連文書対訳コーパス

These two theories are closely related with the periodization theory in Chinese history and Sudo's standpoint is that the Tang dynasty and the Five Dynasties period were 'ancient' and the Sung dynasty 'medieval' and Miyazaki's standpoint is that the age of the Han dynasty was 'ancient' and the Three Kingdoms period (China), the Tang dynasty to the Five Dynasties period 'medieval' and the Sung dynasty 'early modern,' and in both of their 'medieval,' there existed the shoens managed by the serf system which should be compared with the manors in medieval Europe.発音を聞く 例文帳に追加

この両者の説は中国史における時代区分論と密接に関係しており、周藤は唐及び五代を「古代」・宋を「中世」とする立場から、宮崎は漢代を「古代」・三国時代(中国)から唐及び五代を「中世」・宋を「近世」とする立場に立っており、ヨーロッパ中世の荘園と対比すべき農奴制による経営に基づく荘園がそれぞれが主張する「中世」に存在したというものである。 - Wikipedia日英京都関連文書対訳コーパス