Oimatsuとは 意味・読み方・使い方

The mai of this type is limited to that in the waki Noh (noh sequence corresponding to shin that is performed first after the Okina (a performance art patterned after an ancient ritualistic ceremony)) played by an elderly noh player, as in "Oimatsu" (literally, an old pine), and it is said that, although the tempo is slow, such mai should be danced very smoothly without becoming stagnant.発音を聞く 例文帳に追加

これは「老松」のような老体の脇能に限り、位は重いが運びが停滞しないようにさらさらと演じることを旨とする。 - Wikipedia日英京都関連文書対訳コーパス

"Takasago (Noh)", "Oimatsu" (The Old Pine Tree), "Oyashiro" (Grand Shrine), "Iwafune" (A Rock Boat), "Ukon," "Ema" (The Votive Tablet), "Kamo," "Kureha," "Shiga," "Saiobo (Noh)" (The Queen Mother of the West), "Tamanoi" (Jewel Well), "Chikubushima" (Chikubu-shima Island), "Tsurukame" (Crane and Tortoise), "Naniwa," "Hakurakuten" (Bai Letian), "Himuro" (The Ice House), "Hojogawa" (Hojo-gawa River), "Mekari" (Harvesting Seagrass), "Yoro" (Nurturing the Aged)発音を聞く 例文帳に追加

『高砂(能)』『老松』『大社』『岩船』『右近』『絵馬』『賀茂（加茂）』『呉羽』『志賀』『西王母(能)』『玉井』『竹生島』『鶴亀』『難波』『白楽天』『氷室』『放生川』『和布刈』『養老』 - Wikipedia日英京都関連文書対訳コーパス

Hachiman, Takasago, Yoro, Oimatsu, Shiogama, Aridoshi, Hakozaki, Unoha, Mekurauchi, Matsukaze, Hyakuman, Higaki no Onna, Satsuma no Kami, Sanemori, Yorimasa, Kiyotsune, Atsumori, Takano, Osaka, Koi no Omoni, Sano no Funabashi and Taizanfukun by Zeami.発音を聞く 例文帳に追加

八幡高砂(能)養老老松塩釜蟻通箱崎鵜の羽盲打松風(能)百万檜垣の女薩摩の守実盛頼政清経(能)敦盛(能)高野逢坂恋の重荷佐野の船橋泰山府君是、以上、世阿弥作。 - Wikipedia日英京都関連文書対訳コーパス

Mototada played Shite (a main actor) in songs such as 'Tomonaga' (MINAMOTO no Tomonaga), 'Teika' (FUJIWARA no Teika), 'Kantan' (The Pillow of Kantan, Noh play), 'Oimatsu' (The Old Pine Tree), 'Ataka' (The Ataka Barrier, Noh play), 'Futarishizuka' (a couple of the young ladies named Shizuka), 'Mii-dera Temple,' 'Yamanba' (old mountain witch), 'Matsukaze' (Wind in the Pines), 'Miwa' (deity of Mt. Miwa), 'Kasuga Ryujin' (The Kasuga Dragon God), 'Shojo' (an Imaginary Animal Like an orangutan), 'Taema' (Princess Chujo in Taima-dera Temple; a Noh play), 'Sanemori' (Sanemori SAITO), 'Sotoba Komachi' (Komachi on the Stupa), and 'Sakura-gawa River'.発音を聞く 例文帳に追加

元忠は「朝長」、「定家」、「邯鄲」、「老松」、「安宅」、「二人静」、「三井寺」、「山姥」、「松風」、「三輪」、「春日龍神」、「猩猩」、「当麻」、「実盛」、「卒都婆小町」、「桜川」といった曲のシテを勤めた。 - Wikipedia日英京都関連文書対訳コーパス

This mage had been worn since the later Edo period in eastern Japan centering on Edo (on the other hand, in western Japan centering on Kamigata [Kyoto and Osaka area], 'Sakko' [a variation of Shimada-mage with the remaining hair arranged with a stick called "kogai"] and 'Ryowa' [two mage are made and fixed with a stick called "kogai" with the remaining hair rolled up] had been worn; according to "Morisada Manko" [a kind of encyclopedia of folkways and other affairs in the Edo period] by Morisada KITAGAWA, a certain village in present-day Okazaki City, Aichi Prefecture was the boundary between west and east: the region where married women wore 'sakko' or 'ryowa,' and the region where they wore 'marumage') and since the Meiji period it spread to the whole country and became common hairstyle; at the end of the Meiji period, a variety of 'marumagegata' (magegata [a paper frame which is wound round with hair to keep the shape of a chignon] for marumage), such as 'Ryogoku (両国) style,' 'Oimatsu style' and so on, went on sale to cover all tastes for the shape of mage.発音を聞く 例文帳に追加

江戸時代後期以降、江戸を中心とした東日本（上方を中心とした西日本では「先笄」「両輪」　喜田川守貞『守貞謾稿』によると現在の愛知県岡崎市内にあったある村の西と東で既婚女性が「先笄」「両輪」に結う地域と「丸髷」に結う地域の二手に分かれたらしい）で、明治以降は全国的に広く一般に結われていた髷だが、髷の形に個人の好みを反映させるため明治末期には「両国形」「老松形」など数多くの「丸髷型」が売り出されていた。 - Wikipedia日英京都関連文書対訳コーパス